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Reflecting on Reflections - June 2014
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Quiet Thoughts on a Deafening Problem - May 2014
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Perceptual Effects of Dynamic Range Compression in Popular Music Recordings - January 2014
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The Model of the Adaptive Filtering in the Peripheral Part of the Hearing System and Its Implementation
 
A Nonlinear Model of the Peripheral Auditory System
 
A Physiological Ear Model for Auditory Masking Applicable to Perceptual Coding
 
Objective Audio Signal Evaluation-Applied Psychoacoustics for Modeling the Perceived Quality of Digital Audio
 
Recording Baroque Organs in Big Churches
 
Development of -Ice-Zone Microphone- for Skating Sound Pick-Up
 
Measurement and Intelligibility Optimization of Directional Microphones for Use in Hearing Aid Devices
 
Psychoacoustic Effects of Ringing in Microphones
 
Loudness Compensation by Microphone Frequency Response and Microphone Placement
 
Towards a Digitally Interfaced Microphone Standard
 
Exploiting Both Time and Frequency Structure in a System That Uses an Analysis/Synthesis Filterbank with High Frequency Resolution
 
Multi-Layer Bit-Sliced Bit-Rate Scalable Audio Coding
 
A New Backward Predictor for MPEG Audio Coding
 
Audio Compression Using Entropy Coded Dithered Quantization
 
Loudspeaker Ports
 
Effects of B1-product Nonlinearities on Dynamic Resonance and QT
 
Reduction of Second Order Non-Linear Distortion of a Horn Loudspeaker by a Volterra Filter-Real-Time Implementation
 
The Distributed-Mode Loudspeaker (DML) as a Broad-Band Acoustic Radiator
 
A New Flat Panel Loudspeaker for Portable Multimedia
 
Development of Thin Loudspeakers Suitable for HDTV Receivers with Large PDP Flat Display
 
Mismatch-Shaping Digital-to-Analog Conversion
 
Techniques to Measure and Maximize the Performance of a 120 dB, 24-Bit, 96-kHz A/D Converter Integrated Circuit
 
SAHARA-A Flexible, Multiprocessor, Mixed-Signal System on a Chip
 
A DSP with Integrated CODEC for Home Entertainment and Car Audio Applications
 
Efficient Generation of Multichannel Dither Signals
 
General Purpose Direct Form 1 IIR Filter Structure for Digital Audio Applications
 
Performance Analysis of Linear Phase Audio Filters Based on the Zero Phase Filtering Concept
 
An Integrated AES/EBU Receiver/Sample-Rate Converter
 
Reconfigurable Computing Systems for Audio DSP Applications
 
Software Aided Mixing on a Low-Cost Digital Console
 
A New Concept of Spatial Coherence Between Sound and Picture in Stereophonic (and Surrounding Sound) TV Production
 
Microphone Techniques for Ambient Sound on a Music Recording
 
5-Channel Microphone Array with Binaural Head for Multichannel Reproduction
 
Virtual Surround Presentation of Dolby AC-3 and Pro Logic Signals
 
Reproduction of Spatialised Audio in Immersive Environments with Non-Ideal Acoustic Conditions
 
Teaching Concepts in Mixing for Surround Sound-Pedagogical Changes with the Shift to 5.1
 
Diffuse Field Planar Loudspeakers in Multimedia and Home Theatre
 
Live Interactive Music on the Internet
 
Digital Audio Transmission Over IEEE 1394: Protocol Design and Implementation
 
Audio Distribution and Control Using the IEEE 1394 Serial Bus
 
Operating Principles and Applications of Audio/Video Capable Networks
 
Presto: A High-Performance Transport for Digital Audio, Video, Control, and Synchronization
 
Media Oriented Synchronous Transfer-A Network Protocol for High Quality, Low Cost Transfer of Synchronous, Asynchronous, and Control Data on Fiber Optic
 
Synchronization of Digital Media, Clocks and Computers
 
Desktop Audio Acquisition Matrix
 
The Role of Rear Loudspeakers in Spatial Impression
 
Room Optimizer: A Computer Program to Optimize the Placement of Listener, Loudspeakers, Acoustical Surface Treatment and Room Dimensions in Critical Listening Rooms
 
The Effect of Rooms on Multiple Loudspeaker Loading at Low Frequencies
 
A Comparison between Actual Measurements and Predictions Using a Closed Form Image Method Model of a Six Walled Room
 
Multiple Subwoofers for Home Theater
 
Design of a Reference Listening Room-A Case Study
 
High-Definition Digital Audio in 3-Dimensional Sound Reproduction
 
Phantom Source Perception in 24 Bit @ 96 kHz Digital Audio
 
Does High Sampling Frequency Improve Perceptual Time-Axis Resolution of Digital Audio Signal?
 
Improved Lossless Coding of 1-Bit Audio Signals
 
One Bit Two Channel Recorder System
 
Disc Technology for Super Quality Audio Applications
 
DVD-Audio Format
 
A Low Complexity Spatial Localization System
 
Psychoacoustic Criteria for Auditioning Virtual Imaging Systems
 
Use of Digital Inverse Filtering Techniques for Improving Car Audio Systems
 
Dual-Channel Audio Equalization and Cross-Talk Cancellation for Correlated Stereo Signals
 
Spherical Harmonic Spectra of Head-Related Transfer Functions
 
HRTF Sensitivity Analysis for Three-Dimensional Spatial Audio Using the Pair-Wise Loudspeaker Association Paradigm
 
Objective and Subjective Assessment of Systems for the Production of Virtual Acoustic Images for Multiple Listeners
 
Virtual Source Imaging Using the -Stereo Dipole-
 
The Audio Reinforcement System Project for the Rebuilding of the -La Fenice- Theater, Venice, Italy
 
Using Acoustic Enhancement to Improve Speech Intelligibility
 
Radiation Synthesis with Digitally Controlled Loudspeakers
 
Fractal Sound Diffusers
 
The Importance of Early Sound for Recording and Reproduction-Is the Quality of Digital Sound Transmission Sufficient?
 
A Proposal for a More Perceptually Uniform Control Room for Stereophonic Music Recording Studios
 
Loudspeakers, Mutual Coupling and Phantom Images in Rooms
 
When Will We Hear Separate Events in a Sequence of Sounds?
 
Neural Representation of Pitch through Temporal Autocorrelation
 
Interval Pitching Accuracy of Children Aged 7 to 11
 
Subjective Audio Testing Methodology and Human Performance Factors
 
Listening Test Methods for Automotive Sound Quality
 
Subjective Comparison of Different Car Audio Systems by the Auralization Technique
 
An Experimental Investigation of the Accumulation of Perceived Error in Time-Varying Speech Distortions
 
Designing Interaction between Auditory and Visual Stimuli: Casestories from the Virtual LEGO-life
 
Objective Performance Assessment: Video Quality as an Influence on Audio Perception
 
Concatenation-Based MIDI-to-Singing Voice Synthesis
 
Approximation of Decimation Filters Using the SMAC Architecture
 
Music Campus of the Future
 
Development and Calibration of a Guitar Synthesizer
 
25 Years of Digital Synthesizer Architecture Patents
 
Computer-Controlled Attenuator for Subjective Evaluation Systems
 
Novel Feedback Topology Obviates the Need for High Loop Gain
 
A Simple Approximation for the Distortion in a Pulse-Width-Modulation Digital-to-Analogue Converter
 
Characteristics of Demodulation Filters for Switching Power Amplifiers
 
Audio Amplifier Efficiency and Balanced Current Design-A New Paradigm
 
A High Efficiency Low Distortion Audio Power Amplifier
 
Pulse Edge Delay Error Correction (PEDEC)-A Novel Power Stage Error Correction Principle for Power Digital-Analog Conversion
 
A Sigma-Delta Digital Audio Power Amplifier-Design and FPGA Implementation
 
Fundamentals of Modern Audio Measurement
 
Software Implementation of an MLS Analyzer with Tools for Convolution, Auralization and Inverse Filtering
 
Comparison of Audio System Nonlinear Performance in Volterra Space
 
A New Method for Analysing the Effects of Jitter in Digital, Audio Systems
 
Loudspeakers: What Measurements Can Tell Us-and What They Can't Tell Us!
 
A New Approach to Acoustic Investigation of Organ Sound
 
The Objective Basis for the Production of High Quality Transfers from Pre-1925 Sound Recordings
 
Non-Linear Spectral Subtraction with Combined Smoothing Strategies for Broadband Noise Reduction
 
Applying the Concept of Operational Conservation Theory to Problems of Audio Restoration and Archiving Practice
 
Restoration of Musical Signals Using Wavelet Transform and Modified Wiener Filtering
 
Audio Signal Processing Based on an Adaptive Time-Frequency Distribution
 
Traceability, Reproducibility, Compatibility-Quality Control Elements in Audio Information Transfer
 
Reconstruction of Early Glenn Gould Broadcasts: From Acetate to Compact Disc
 
Measurements on Studio Microphones
 
Progress in Microphone Characterization-SC-04-04
 
Distortion from Boundary Layers
 
A Bit Rate Scalable Perceptual Coder for MPEG-4 Audio
 
Robust Coding of High Quality Audio Signals
 
Magnetic Circuit Design Methodologies for Dual Coil Transducers
 
Music Recording in the Age of Multi-Channel
 
New Techniques for the Production of Multichannel Sound
 
Progress in 5-2-5 Matrix Systems
 
Linear Sound versus HyperSound: A Fresh Look at Audio on the Internet
 
Downloadable Sounds Level 1 Specification
 
Prediction of the Spatial Informations for the Control of Room Acoustics Auralization
 
Analysis and Synthesis of Room Reverberation Based on a Statistical Time-Frequency Model
 
Acoustic Characteristics of Timber-Framed Listening Rooms
 
Backward Adaptive Lossless Coding of Audio Signals
 
Lossless Audio Signal Processing
 
Analysis of the Role of Update Rate and System Latency in Interactive Virtual Acoustic Environments
 
Improvements in Intelligibility through the Use of Diffuse Acoustic Radiators in Sound Distribution
 
Boundary Interaction of Diffuse Field Distributed-Mode Radiators
 
A Short History of Telephone Psychophysics
 
The KFM 360 Surround-A Purist Approach
 
Spatial Impression and Envelopment in Small Rooms
 
Coding Methods for High Resolution Recording Systems
 
Wideband Two-Dimensional Diffusers Using Orthogonal Modulated Sequences
 
ISO/IEC MPEG-2 Advanced Audio Coding: Overview and Applications
 
 
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AES - Audio Engineering Society