Journal Forum

Sound Board: High-Resolution Audio - October 2015

Synchronized Swept-Sine: Theory, Application, and Implementation - October 2015

Effect of Microphone Number and Positioning on the Average of Frequency Responses in Cinema Calibration - October 2015
1 comment

Access Journal Forum

AES E-Library

Linear Sound versus HyperSound: A Fresh Look at Audio on the Internet

Document Thumbnail

HyperText is the backbone of the Internet. It would be pretty foolish to try to send a compressed graphic of a scanned page of Hamlet over a telephone wire-a bit like reading Shakespeare in Readers' Digest. Why then is there no HyperMusic for the Internet? Why do you settle for compressing linear audio until it will stream-spasmodically-over a telephone line? Thomas Dolby expounds his theories on the sad state of Internet Audio, and what his company Headspace is doing to improve it.

AES Convention: Paper Number:
Publication Date:

Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!

This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.

Learn more about the AES E-Library

E-Library Location:

Start a discussion about this paper!

Facebook   Twitter   LinkedIn   Google+   YouTube   RSS News Feeds  
AES - Audio Engineering Society