HyperText is the backbone of the Internet. It would be pretty foolish to try to send a compressed graphic of a scanned page of Hamlet over a telephone wire-a bit like reading Shakespeare in Readers' Digest. Why then is there no HyperMusic for the Internet? Why do you settle for compressing linear audio until it will stream-spasmodically-over a telephone line? Thomas Dolby expounds his theories on the sad state of Internet Audio, and what his company Headspace is doing to improve it.

Author: Robertson, Thomas D.
Affiliation: Headspace, Inc., San Mateo, CA
AES Convention: 103 (September 1997) Paper Number: 4626
Publication Date: September 1, 1997 Import into BibTeX
Subject: Networks and Interactive Audio
Permalink: https://www.aes.org/e-lib/browse.cfm?elib=7153

Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!

This paper costs $33 for non-members and is free for AES members and E-Library subscribers.

Learn more about the AES E-Library

E-Library Location: (CD aes14)   /pp9798/pp9709/4516.pdf

Start a discussion about this paper!