Clean Audio for TV broadcast: An Object-Based Approach for Hearing-Impaired Viewers - April 2015
Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Sound Board: Food for Thought, Aesthetics in Orchestra Recording - April 2015
Linear Sound versus HyperSound: A Fresh Look at Audio on the Internet
HyperText is the backbone of the Internet. It would be pretty foolish to try to send a compressed graphic of a scanned page of Hamlet over a telephone wire-a bit like reading Shakespeare in Readers' Digest. Why then is there no HyperMusic for the Internet? Why do you settle for compressing linear audio until it will stream-spasmodically-over a telephone line? Thomas Dolby expounds his theories on the sad state of Internet Audio, and what his company Headspace is doing to improve it.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.