|Chair:||Julius Newell||Send Email|
|Chair:||Julian Pinn||Send Email|
|Forum:||Committee Discussion Forum|
With the 57th Conference on the Future of Audio in Entertainment now a happy memory, our attention is turned to the 138th Convention in Warsaw, Poland.
We are planning the usual array of workshops for this European Convention, the first visit by the AES to Warsaw.
The calendar of events is available here: http://www.aes.org/events/138/calendar/calendar.cfm
We are also planning a site visit to the world class Dreamsound Studios in Warsaw for a Dolby Atmos demo.
We look to seeing everyone there.
This committee is associated with the following sessions
at AES Los Angeles 2016:|
• Production Sound: The Sound Professionals Responsible for Telling the Story
• Music Scoring for Film & TV: How It Was, Where It Is, Where It's Going
• Dialog Intelligibility: The Challenge of Recording the Words So the Audience Can Understand Them
• World Class Film & TV Sound Design
• World Class Sound Mixers Discuss their Craft
• Immersive Sound Design for Film & TV
We look forward to seeing our European AES members at the Paris Palais des Congrès, June 4-7.
The agenda for our next TC meeting will be posted shortly, and will also be emailed to registered participants of the committee.
Standards work to produce a modern, workable, and accurate procedure to test and calibrate a sound system is underway as SC-04-08.
Cinema Loudness: A draft document proposing a new Standard for measurement of cinema soundtrack loudness, proposed by Eelco Grimm and Florian Camerer, was referred by the TC to Standards at the New York Convention.
Subbass Loudness/Measurement: We are continuing to have discussions on this issue, raised at the 57th Conference in Hollywood and discussed in New York.
At the recently concluded 57th Conference in Hollywood, several items were identified as action items by the Conference.
One of these is the issue of bass management.
The SMPTE B-Chain Report issued last October identified bass and subbass as a major area of discrepancy between both the dubbing rooms as well as the cinemas. Additionally, this confusion about audio in the bass region has spilled over into home theater and music production. This is what happens when no Standards exist.
I'd like to announce the formation of a task group as part of SDCTV to look at the issue, and provide recommendations that may be the basis of a new AES Standard in this area.
I expect the group to be activated on the website shortly, and a chair to this group will be appointed prior to the Warsaw Convention.
I look forward to the participation of a cross-section of entertainment audio production experts so that we can handle this issue in a comprehensive manner.
These documents do not necessarily express the official position of the AES on the issues discussed at these meetings, and only represent the views of committee members participating in the discussion. Any unauthorized use of these publications is prohibited. Authorization must be obtained from the Executive Director of the AES: Email, Tel: +1 212 661 8528, Address: 551 Fifth Ave., Suite 1225, New York, New York 10176, USA.
2013-7-11 Loudness Metering
Description: Engineering Brief presented at Rome 134 by Alessandro Travaglini
2013-7-11 HELM: High Efficiency Loudness Model for Broadcast Content
Description: Paper from Budapest 132 on HELM: High Efficiency Loudness Model for Broadcast Content, submitted by Alessandro Travaglini, et. al.
2013-7-11 Defining the Listening Comfort Zone in Broadcasting through the analysis of the Maximum Loudness Levels
Description: Paper presented at Budapest 132 by Alessandro Travaglini, et. al. on loudness broadcast issues
2012-4-27 Cinema & Home Theater Audio Compatibility
Description: "Implications of Standards Changes in Cinema Sound on DVD and Home Theater" Wilfried Van Baelen
2012-4-21 A New Draught Proposal for the Calibration of Sound in Cinema Rooms
Description: A New Draft Proposal for the Calibration of Sound in Cinema Rooms from Philip Newell
2012-4-15 Is the X Curve Damaging Our Enjoyment of Cinema?
Description: A technical examination of the theory behind the X-curve. Paper originally given to SMPTE 2011 Sydney Conference by Glenn Leembruggen
2012-4-11 Dr. Toole Presentation on Cinema Audio
Description: A PowerPoint presentation prepared by Dr. Floyd Toole concerning issues of audio reproduction and the current standards
2012-4-11 Newell et. al. Cinema Standardization V.2
Description: Reference documents from Philip Newell et. al. on Cinema Standardization
2015-4-21 TC SDCTV Agenda Warsaw
Description: Agenda for TC Meeting in Warsaw, Poland
2015-4-21 138th/TC-SDCTV Agenda
Description: Agenda for the SDCTV Committee meeting at the 138th Convention
2014-7-10 Nordtest Room Calibration Method
Description: This documents the Nordtest method of in-situ measurements of permanently installed public address systems, submitted to SC-04-08 by Mr. Brixen. This document was suggested by chair Ben Kok as a good starting point for comment and revision as the Standards group works towards a cinema sound calibration Standard.
2013-10-11 TC-SDCTV 135 Agenda (v2.0)
Description: Second draft version of TC Agenda for New York 135th Convention
2013-9-10 AES 135 TC AGENDA (V1.0)
Description: Agenda for TC meeting in New York
2013-7-11 High Efficiency Loudness Model
Description: Powerpoint from Alessandro Travaglini, et. al. for reference in Cinema Loudness Group
2013-4-22 ROME TC MEETING AGENDA - v4
Description: One additional discussion item added under "Immersive Audio"
2013-4-20 ROME AGENDA - TC-SDCTV v3
Description: Updated version 3 of agenda for TC meeting in Rome, Italy
2013-4-17 ROME AGENDA - TC-SDCTV
Description: Draft agenda for our TC meeting in Rome, Italy during the 134th Convention.
2012-10-13 SFO TC SDCTV MEETING AGENDA v2.0
Description: Revised meeting agenda for TC meeting at San Francisco convention. Meeting time scheduled for Sunday, Oct 28, at 9AM.
2012-10-1 TC SDCTV Meeting Agenda (v1.0)
Description: Proposed agenda for the TC Sound for Digital Cinema and Television. Note a discussion on room measurement techniques and sound system performance may be proposed to become standards work
2012-4-11 Budapest April 28 Agenda
Description: Agenda for Budapest TC Meeting of this Group
|Floyd Toole||Kurt M. Graffy||Neil A. Shaw|
|Peter Mapp||Robert Ellis-Geiger||Robert Schulein|
|Garry Margolis||Larry Elliott||Glenn A. Leembruggen|
|John Murray||Bernardus Kok||Robert Lee|
|Brian McCarty||Curt Hoyt||Kevin Gross|
|Scott Norcross||Sunil G. Bharitkar||Nuno Fonseca|
|Andreas Floros||Paul Keller||Carlos Ronconi|
|David Murphy||Bruce Black||Charles Robinson|
|Gunter Oehme||David Revel||Florian Camerer|
|Brian Vessa||Kazuho Ono||Alessandro Travaglini|
|Esben Skovenborg||Richard Van Everdingen||Jeff Levison|
|Vene Garcia||Steve Martz||Sean Richardson|
|Bert Van Daele||Wilfried Van Baelen||Phil Manchester|
|Shusen WANG||Mark Genfan||Julius Newell|
|Brian Claypool||Steve Haas||John Burnett|
|Rod Elliott||Kent Siew||Steve Strassberg|
|Mark Mayfield||Fei Yu||Roger Dressler|
|Paul Tapper||Dr. Gerhard Bauer||Mel Lambert|
|Chuck Mulhearn||Bob Claeys||Nicolas Hamon|
|Julian Pinn||Eelco Grimm||Philip Newell|
|Alan Haigh||Miles Rogers||Ron Lagerlof|
|Linda Gedemer||Jennifer Rarick||Dmitri Chernov|
|M.K. Ramkrishnan||Peter Soper||Darren Ma|
To request membership in this Technical Committee please email the Chair by using the link above.