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A 3D Ambisonic Based Binaural Sound Reproduction System

 

Conveying Spatial Sound Using MPEG-4

 

Design and Testing of a Graphical Mapping Tool for Analyzing Spatial Audio Scenes

 

Determination of Sound Source Obstruction in Virtual Scenes

 

Distributed Internet Reverberation for Audio Collaboration

 

Elevation Perception: Phantom Images in the Vertical Hemi-sphere

 

Evaluating Spatial Attributes of Reproduced Audio Events Using a Graphical Assessment Language - Understanding Differences in Listener Depictions

 

Frequency Domain Multiplexing for Simultaneous Impulse Response Measurement of Multichannel Acoustic Systems

 

Hierarchical Lossless Transmission of Surround Sound Using MLP

 

Reproducing Spatial Impression With Multichannel Audio

 

Adaptations of Stereo Microphone Techniques for Surround Sound

 

The IEM-Cube, A Periphonic Re-/Production System

 

Implementation of a 3D Ambisonic Based Sound Reproduction System

 

Internet Archive for Electronic Music IAEM-iARS (Internet Audio Rendering System)

 

Modelling Spatial Sound Occlusion and Diffraction Effects Using the Digital Waveguide Mesh

 

Multichannel Audio Reproduction of an MPEG-4-Based Interactive Virtual 3D Scenery

 

Multichannel Microphone Support System

 

Multichannel Recording Techniques for Reproducing Adequate Spatial Impression

 

Multichannel Sound Recording Practice Using Microphone Arrays

 

A New Low-latency, Discrete Multichannel Virtualization Technique

 

Advanced Recording and Reproduction Paradigms Using 5.1 Media

 

A New Low-latency, Discrete Multichannel Virtualizer

 

Objective Measures of Listener Envelopment in Multichannel Surround Systems

 

Optimization Criteria for Distance Coding in 3D Sound Fields

 

Parametric Coding and Frequency-Domain Processing in Multichannel Audio Applications

 

Pitch-Tracking of Reverberant Sounds, Application to Spatial Description of Sound Scenes

 

Potential Wavefield Synthesis Applications in the Multichannel Stereophonic World

 

Psychoacoustic Evaluation of a Perceptual Spatial-Audio Coding Technique for Speech and Noise

 

Radio in 5.1 - The True Experience

 

Recording Concert Hall Acoustics for Posterity

 

Ambiophonics 2D (ITU 5.1 Compatible) & 3D Full Sphere Surround Sound Demontration Room

 

Room Acoustic Design for Small Multichannel Studios

 

A Spatial Audio Interface for Desktop Applications

 

Surround Ambiophonic Recording and Reproduction

 

Systematic Evaluation of Perceived Spatial Quality

 

Unidimensional Simulation of the Spatial Attribute 'Ensemble Depth' for Training Purposes

 

Verification for Spatial Sound Systems

 

Vertical Localization and Image Size Effects in Loudspeaker Reproduction

 

Wave Field Syntheses in Combination with 2D Video Projection

 

An Approach to Listening Room Compensation with Wave Field Synthesis

 

Audio Aspects When Using MPEG-4 in an Interactive Virtual 3D Scenery

 

Computer Games and Multichannel Audio Quality - The Effect of Division of Attention between Auditory and Visual Modalities

 

Continuous Surround Panning for 5-Speaker Reproduction