Perceptual Effects of Dynamic Range Compression in Popular Music Recordings - January 2014
Accurate Calculation of Radiation and Diffraction from Loudspeaker Enclosures at Low Frequency - June 2013
New Measurement Techniques for Portable Listening Devices: Technical Report - October 2013
Multichannel Sound Recording Practice Using Microphone Arrays
Using the process of Multichannel Microphone Array Design (MMAD), an almost infinite number of microphone configurations can be chosen to suit the needs of a particular sound recording situation. The basic characteristics of Front, Lateral and Back Segment Coverage, together with the process of Segment Offset used to obtain Critical Linking, are part of the main MMA Design process. However many other selection criteria must be considered in order to satisfy specific operational preferences or to obtain the optimum choice of a microphone array adapted to a particular situation. This paper will present an analysis of a range of different selection criteria to assist the sound recording engineer in choosing a selection of suitable microphone array configurations for his particular requirements.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.