Synchronized Swept-Sine: Theory, Application, and Implementation - October 2015
Effect of Microphone Number and Positioning on the Average of Frequency Responses in Cinema Calibration - October 2015
The Measurement and Calibration of Sound Reproducing Systems - July 2015
Multichannel Recording Techniques for Reproducing Adequate Spatial Impression
One of the principal aims for multichannel sound recoding is reproducing the spatial impression of reverberant sound filed such as a concert hall. In this presentation, some practical issues to improve the spatial impression on 5.1 surround sound recording will be discussed. And microphone & mixing techniques including Hamasaki-Square for natural surround sound recording in a concert hall are introduced.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.