AES Technical Committee

Automotive Audio

Chair:    Richard S Stroud      Send Email
Vice Chair:    Alfred Svobodnik      Send Email

The Mission of this committee is to:

- Encourage the development of technical papers workshops, tutorials, master classes and poster sessions in the field of automotive audio

- Promote awareness of new trends and developments that may impact Automotive audio

- Encourage technical communications within the vehicular audio community

- Propose the development of new automotive audio standards

- Create an awareness within the larger audio community of the engineering challenges and excellence of premium vehicular audio

- Discuss unique applications of audio transducers into the automotive environment


Areas of Concentration

- Automotive Transducers

- Vehicular System Design

- Objective System Evaluation

- Subjective System Evaluation

- New Audio Sources and Music Delivery Systems

- Automotive Mulitchannel Sound and 3D

- Noise production and cancellation

- Amplifiers

- Loudness

- Advanced DSP

- Industrial Design

- Loudspeaker Integration/Packaging

- Vehicle Sound Design

- Sound Field Control

Current Areas Of Work

- Max SPL

- Automotive loudspeaker measurements

- Common best practice

Recent/Planned Activities

Recent Activity:

141st AES Convention in Los Angeles: Meeting of the AES Technical Committee for Automotive Audio.

Planned Activity:

142nd AES Convention in Berlin: Meeting of the AES Technical Committee for Automotive Audio (May 21, 2017, 10am - 11am, Salon 15 Paris).

Automotive Audio Trends

1. Vehicles with built-in Internet capability (via high speed phone connection, etc.) could present numerous music and talk selections at higher quality than most other data-reduced sources. At least one OEM is working on personal audio to allow people to have the same data & source material they have at home in the car. Connectivity may be based on the user's mobile phone. Some OEM's are considering using a dedicated server to control quality.

The current mobile phone system would be burdened to near unusablilty by a high percentage of customers using a large number of music channels, so minimizing station selection, data reduction and speeds beyond 4G will likely be necessary. This is especially true in urban areas at current cell tower density levels.

There is, however, a growing number of people that are using this kind of service with little difficulty. The though that this will replace FM, AM, Satellite and CD has occurred to some persons and others see this is unlikely and at least premature.

An Update: A recent survey of 1036 adults indicates still a strong preference for AM/FM and CD music sources. USB and other removable or portable sources are becoming important source of music.

Vehicles with built-in wireless routers are now being offered to occupants that likely means listening to music over headphones via phones or tablets.

2. Premium receivers are beginning to appear that do not include CD players. Increasingly larger USB drives are becoming a primary music storage medium, along with bluetooth-connected smart phones with their often large music libraries.

3. There is an interest in providing sounds for very quiet cars such as electric vehicles. These include "engine start" and "engine running" sounds for inside the vehicle and pedestrian safety sounds for outside the vehicle. This was a major discussion topic at the Munich AA Conference.

4. SSD's are replacing mechanical hard drives as preferred storage when cost permits.

5. Objective measurement is still battling subjective listening tests as a final authority for OEMs. SPL vs. distortion measurements are quite good now, and directionally correct frequency response measurements are improving. Spatial measurement capability has been developed and evaluated.

6. Trends towards higher performance audio systems is in direct conflict with recent trends of cost and weight reduction of components in automobiles. Increased application of neodymium magnets may help.

7. Neodymium metal costs are still high and are variable. As of this past May, price of Neodymium Metal is $87/kg US. It is still risky for a supplier to quote neodymium speakers because of price variability.

With high neo prices, speaker customers need a strong set of specifications to insure that suppliers maintain speaker sensitivity and Xmax.

8. Planar style speakers are now found in vehicles. These are not totally flat, but have profiles of 10 mm or less. Some examples have shown very low sensitivity.

9. HD radio components are now for sale. In the US, AM HD radio offers much higher fidelity and FM HD offers additional program sources. Because of the fidelity difference on AM, rapid switching in fringe areas must be carefully managed. Spectral compression artifacts are mentioned with HD AM.

10. "Surround sound" is almost mandatory in high-end automotive systems, even when the source is limited to two-channel (via upmix algorithms). Some listeners sense that some surround systems provide limited envelopment on both stereo and most "surround" source material.

11. There is almost universal branding of audio systems in luxury cars. Newer brands are emerging. The maximum number of speakers used in luxury vehicle systems seems to be leveling out at 18 ± 2. An exception to this is a 34-speaker system soon to be released.

12. Voice recognition systems for telephone and navigation functions are now quite sophisticated and enjoy wide application.

13. Active noise cancellation by the audio system is being used for exhaust drone under condition of cylinder deactivation.

14. Active road noise bass and/or level compensation now enjoy a widespread market presence. Basic versions are available in many OEM head units while some high-end premium systems have more sophisticated implementations.

Simple systems use the speedometer signal to apply predefined loudness curves. Others use microphones to measure the current cabin noise, after separating the music, allowing more targeted equalization or bass/level compression to be applied.

15. Switching audio is now common in automotive amplifiers. Switching audio cost are becoming comparable with older AB amplifiers, as the heat sink requirement is minimized. Important for electric vehicles is the low current draw under most all audio power output conditions.

16. Aftermarket audio now represents a very small part of the automotive audio market. OEM head unit and speaker reliability is comparatively good, and performance of OEM systems is often quite good enough for most listeners.

17. Rear seat audio performance may be important in China and other countries, as some who can afford automobiles can also afford drivers.

18. There are still parts of the world where 5.1 and high-level premium audio are not featured in most vehicle's audio lineups. These systems can take advantage of inexpensive, powerful audio DSP systems to improve performance.

19. Audio system designers are frustrated by performance differences between concept vehicles and production implementations. Reasons for differences include sealing issues, material changes, structure differences, etc. Even 1-2 dB differences in side to side acoustic balance can degrade spatial performance.

Strategies to address this issue include tightening specification, but this is unlikely to completely solve this problem. Post-manufacturing re-equalization could also help, if a good way to do this can be found. This issue was discussed in Munich.

20. Modern surround sound encoding algorithms use metadata to send 5.1 information in about the same bandwidth as stereo information. Offerings include Dolby Digital Plus, DTS Neural Surround and MPEG Surround (MPEG-2 TS. I think), This could kindle more interest in surround sound. One hopes that surround offerings become somewhat standardized, but production standards may not exist.

AES 2017 International Conference on Automotive Audio

Dates: September 8th-10th, 2017

Location: Burlingame, San Francisco, CA, USA

http://www.aes.org/conferences/2017/automotive/


Meeting Report:

These documents do not necessarily express the official position of the AES on the issues discussed at these meetings, and only represent the views of committee members participating in the discussion. Any unauthorized use of these publications is prohibited. Authorization must be obtained from the Executive Director of the AES: Email, Tel: +1 212 661 8528, Address: 551 Fifth Ave., Suite 1225, New York, New York 10176, USA.

2005-5-23     Meeting Minutes AATC 117th
Description: Technical Committee Meeting on Automotive Audio 28 Oct 2004

2004-6-22     Minutes of Automotive Audio TC, 116th
Description: This document contains minutes of the Automotive Audio Technical Committee meeting at the 116th Convention in Berlin.

2004-4-17     Minutes of Automotive Audio TC, 115th
Description: Minutes of the 115th Automotive Audio Technical Committee in New York


Committee Members

 Robert Schulein  David Clark  Laurie Fincham 
 W.A. Deutsch  Marshall Buck  Jim Hunter 
 Peter Mapp  Earl Geddes  Floyd Toole 
 Eric Benjamin  Allan Phillips  Jonathan Lane 
 Matt Ruhlen  Martin Lindsay  John Stewart 
 Soren Bech  Mark Ziemba  Kim Rishoej 
 Spiro Iraclianos  Sean Olive  David Carlstrom 
 Steve Temme  Karlheinz Brandenburg  Jim Stratman 
 Thomas Gmeiner  Jayant Datta  Roger Shively 
 Ed Maniet  Todd Welti  Steve Hutt 
 Roy Delgado  Ruediger Fleischer  Tom Conlin 
 Scott Orth  Kevin Heber  Jyri Huopaniemi 
 Guy A. Torio  Thomas Sporer  Robert Sloan 
 Angelo Farina  Arndt Hensgens  Matthew Watson 
 Jan Pedersen  Michael Cozza  Sean Thomson 
 Brett Hanes  John Busenitz  Wolfgang Klippel 
 Mike Harris  David Dage  Kevin Bastyr 
 Ryan Mihelich  Natanya Ford  Emanuele Ugolotti 
 Dave Baehr  Tyrone Hunter  Geoff Hill 
 Garry Feeley  Brian Sterling  Michael Noll 
 Hans Lahti  Michael Truman  Timo Esser 
 Michael J. Strauss  Robert Franks  Wolfgang Hess 
 Richard S Stroud  Christian Tasch  William L Martens 
 Kenneth Deetz  Dave Wilson  Robert Hartman 
 Christof Faller  John Yungman  Bradley Eid 
 Tim Richardson  Alan Trevena  Wontak Kim 
 Stel Anthony  Kelvin Griffiths  Jean-Philippe Dupire 
 Shinji Koyano  Krestian Pedersen  Doug Hunley 
 Toby Newman  Viv Railton  George Weaver 
 Kristina Busenitz  Philipp Krejci  Matthias von Saint-George 
 Morten Lydolf  Jon Zenor  Phil Simpkins 
 Josh King  Brent Karley  Volker Hochwald 
 Jason Kemmerer  Brian Knauss  Roger Kessler 
 Tobias Warmbrunn  Soonkwon Paik  Tom Ammermann 
 Jay Krusac  Timothy Jackson  Jeff Koch 
 Jonathan Pierce  Mae Nutley  Vitor Soares 
 Tyler Walker  Peter Primo  Peter Perzlmaier 
 Matt Jones  Armin Hoh  Niyati Desai 
 Patrick James Hegarty  Christopher Matthews  Pat Dennis 
 Daniel Foley  Tadeo Spraggon-Hernandez  Stefan Varga 
 Luke Blaszczynski  Christophe Macours  Armin Prommersberger 
 Shinichi Sato  Marcin Kalinowski  Pietro Massini 
 Stefan Holzhäuser  Hans Juergen Regl  Alfred Svobodnik 
 Chen Chienhao  Rafael Kassier  Paul Beckmann 
 Florian Rill  Piergiovanni Bazzana  Jeff Tackett 
 Benedetto Altieri  Hessam Alavi  Thomas Beer 
 Arnold Knott  Christian Uhle  Jigar Kapadia 
 Toni Treichel  Sachin Karajagi  Tom Morrow 
 Kai Inha  Toy Zhang  Fré Jorritsma 
 Lena Schell-Majoor  Jakub Honkisz  Garrett Laskowski 
 Martin Berg  Michael Adenauer  Peter Pörs 
 Balazs Kakonyi  Wolfram Jaehn  Tom Heed 
 Shinkyu Kang  Hebert Etzel  Seno Adi Wibowo 
 Sandra Brix  Glenn Cass  Jungwoo Han 
 Steffen Bergweiler  Todd Rockwell  Stefan Behr 
 Simon Woolard  Juliano Medeiros  Tom Breithaupt 
 Stefan Irrgang  Dave Ernst  Christian Schmidberger 
 Nazrizal A. Tajuddin  David Navone  Jeff Bailey 
 Mo Yeol Kim  Siegmund Schreiber  Christopher Herold 
 Frederico Conte  K. C. Furge  Patrick Putzolu 
 Deersheet Mehta  Steve Swanson  john Feng 
 Ken Kantor  Gregor Höhne  Andreas Suess 
 Rishi Daftuar  Dirk Thomschke  Joe D'Angelo 
 Markus Christoph  Jonathan Christian  Mark Kalman 
 Oliver Alic  Edgar Kirk  Jurgen Gach 
 Neil Pedinoff  Carsten Schulz  Marco Castro 
 Nigel Fletcher  Andreas Fritsch  Robert Hewitt 
 Richard Clark  Imre Csonka  Kyangsil Lim 
 Stan Smith  Steve Hoshaw  Raymond Seymour 
 Lin Lin  Gerhard Pfaffinger  Jung Uk Noh 
 Thomas Bachmann  Bernard Fox  Brian Leu 
 Barry Moskowitz  Gregory Sikora  Thomas Guignard 
 Bartlomiej Kukulski  Francesco Baccelli  Viktor Dobos 
 Stefan Dorr  Matteo Nucci  Manuel Perucci 
 Maja Gagic 

To request membership in this Technical Committee please email the Chair by using the link above.

AES - Audio Engineering Society