AES E-Library

AES E-Library: Browse Entire Database

Please select a document to view:

Computer Aided Film Sound Editing
 
Practical Application and Digital Control of the Microphone Array
 
Sandwich-Construction Loudspeaker Diaphragm with Foamed High-Polymer and Carbon Fiber
 
A Micro-Computer Program for Computing the Phase Response of Dynamic Loudspeaker Drivers
 
Improving the Signal-to-Noise Ratio and Coverage of FM Stereophonic Broadcasts
 
Television Stereo Basics, Considerations, Conclusions and Recommendations
 
A 5-Band Companded Technique for Converting Telephone-Quality to Broadcast-Quality Using Two Voice-Grade Phone Lines
 
Performance Characteristics of Unidirectional Transducers Near Reflective Surfaces
 
Super Compliant Modules Enhance Loudspeaker Performance: Part 1: Overview and Qualitative Understanding
 
Super Compliant Modules Enhance Loudspeaker Performance: Part II: Thermodynamic Theory and Test Results
 
Active Realization of Multiway All-Pass Crossover Systems
 
Equalized Sound Power (ESP) Auto Sound System
 
The Localized Sound Power Method
 
Dynamic Linearity and Power Compression in Moving-Coil Loudspeakers
 
Digital Automatic Level Control for Analog-to-Digital Conversion
 
A Dolby B-C Type IC for Low Voltage Applications
 
An Erasable CD Compatible Magneto-Optical Disc Recorder
 
Linear-Phase Bandsplitting: Theory and Applications
 
Testing Microphones with Time Delay Spectrometry
 
A Review of Non-Linear Distortion Fundamentals
 
Towards a Digital Power Amplifier
 
Practical Applications of Crossovers in Real Loudspeaker Systems
 
Variable Speed Replay of Digital Audio with Constant Output Sampling Rate
 
An ATE System for Audio Product Evaluation
 
Specifications and Implementation of a Computer Audio Console for Digital Mixing and Recording
 
A Microprocessor Based Panning System
 
Vacuum Tube Triode Nonlinearity as Part of the Electric Guitar Sound
 
Concept and Realization of a Modular Edit Code Synchronizer
 
A High Speed Telecommunications Interface for Digital Audio Transmission and Reception
 
Mutual Radiation Impedance of a Double-Disk Source and Its Effect on the Radiated Power
 
The Design of a Point Source, Near Field Reference Monitor
 
Stereo Microphone Techniques for Broadcast
 
The Final Step in Design
 
Design Criteria for Reconstruction Filter-Optimized Sample and Hold Circuits
 
Application of Acoustic Simulation to the Olympic Main Coliseum
 
Equalization Using Voice and Music as the Source
 
Acoustic Reverberation Kit: A New Tool, to Assist in Acoustic Measurements
 
Stage Miking and Monitoring Techniques: A Case History
 
Applications of Columnar Loudspeaker Systems in Reverberant Halls of Worship
 
The Design of an Anthropomorphic Model to Simulate the Vibration Response of the Surface for the Human Body
 
Location Recording Practices: A Tutorial (with Emphasis Toward Broadcast Sessions)
 
The RPG Reflection Phase Grating Acoustical Diffusor: Applications
 
The RFZ/RPG Approach to Control Room Monitoring
 
The RPG Reflection Phase Grating Acoustical Diffusor: Experimental Measurements
 
On the Replacement of T.H.D. as the Standard Figure of Merit
 
Psychoacoustic Considerations in the Design of Studio Control Rooms
 
Optical Digital Disk Duplication by a Photopolymer Process
 
Multi-Channel Audio for Television Broadcasting
 
The Real Room Curve: Its Special Application in Theatrical Sound Reinforcement
 
Where's the Bass? (Or It's Too Simple to be Accurate)
 
Signal Synchronisation in Digital Audio
 
A New Approach to Sampling Rate Synchronization
 
Horn Layout Simplified
 
Linking Digital Audio and Time Code
 
Dither in Digital Audio
 
Is Zero Distortion Possible with Feedback?
 
Equalization of the Direct Sound Only, Is It Viable?
 
Cepstral Techniques for Transducer Measurement
 
8-Channel Digital Audio Mixer for Digital Mastering and Recording
 
A Writable Compact Disc Digital Audio System
 
Criteria for the Selection of Audio Tapes for Analog and Digital Recording According to their Drop-Out Characteristic
 
Some Observation on Noise of Magnetic Recording Tape
 
AES - Audio Engineering Society