At present, Time Code is the universal tool for editing and post-production. As systems designers are only too well aware, Time Codes and digital audio sampling frequencies (let alone digital audio formats for transmission and recording) are incompatible. This contribution presents a simple, universal method for combining any digital audio sampling frequency to any existing Time Code format, and allowing arbitrary accuracy in synchronization and editing. The technique is suited for both recording and transmission.
Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $33 for non-members and is free for AES members and E-Library subscribers.