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Stage Miking and Monitoring Techniques: A Case History

A case history of a large stage production is presented. The stage-area audio is emphasized. Pressure-zone, shotgun, wireless and free-field microphone placement and usages are discussed, with their mixing techniques. Mixing live and taped material is covered. On-stage, wings, and back hallway monitoring and mixing is also discussed.

Author: Laminack, B.
Affiliation: In Touch Ministries, Atlanta, GA
AES Convention:76 (October 1984) Paper Number:2152 Import into BibTeX
Subject:Sound Reinforcement

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