Synchronized Swept-Sine: Theory, Application, and Implementation - October 2015
Effect of Microphone Number and Positioning on the Average of Frequency Responses in Cinema Calibration - October 2015
The Measurement and Calibration of Sound Reproducing Systems - July 2015
The Real Room Curve: Its Special Application in Theatrical Sound Reinforcement
Having been involved in theatrical reinforcement for several years, in the late seventies we were working closely with the John F. Kennedy Center in Washington, DC. We established a goal back then to try to determine why reinforced sound in the theatre was consistently so awful. During the course of making frequency response measurements of the sound system in the Opera House, we had an idea. What, we wondered, did the room itself do to a sound emanating from the stage?
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.