Mathew Lane audiotools are innovative new solutions, created when no other hardware or software could be found suitable for the task.
The DrMS spatial processor is Mathew Lane's first product, already widely accepted by audio professionals as a unique plugin. It's being used by top producers and engineers on songs by well known artists such as Black Eyed Peas, Coldplay and many others. Legendary mix engineer Dave Pensado is a fan and has been showing the use of DrMS on several of his Pensado's Place Into The Lair videos.
DrMS is a unique spatial processor, available as AAX/RTAS/AU/VST plugin, with a wide range of applications for mixing, mastering and post production - going from simple MS (Mid-Side) encoding/decoding, over stereo field width and depth enhancement, to fixing mono compatibility issues and more.
Posted: Friday, July 15, 2016
Slate Digital and Eiosis are award-winning, industry-standard brands of professional audio software that are used on many hit records made by world-renowned mixing engineers. At Slate Digital and Eiosis, we are a team of dedicated people evolving in a friendly environment, with a focus on quality and innovation.
Our products combine science, technology, and art. Each product is a new challenge as we always strive for perfection. Our customers appreciate how far we like to refine our algorithms and graphical interfaces.
Eiosis and Slate Digital are growing thanks to the passion, hard work, and talent of each team member. Our company culture is to let people be proactive and autonomous: new ideas are welcome and encouraged and excellence is highly rewarded. We have a lot of dreams and ambitions for our future and our growth, so we are searching for talented people to develop all these exciting projects and bring them to success !
Posted: Thursday, July 14, 2016
Peterson Goodwyn began building his own audio gear in 2008 for one simple reason: he couldn’t afford to buy it. In 2011 he founded DIY Recording Equipment with the vision of making excellent audio equipment affordable and accessible to anyone who was willing to pick up a soldering iron. Since then, DIYRE has enabled thousands of musicians and engineers to build their own equipment, through hundreds of DIY tutorials, designs, and blog posts.
Posted: Wednesday, July 13, 2016
Crane Song is the the company of designer and engineer Dave Hill who crafts hardware and software with an exceptional attention to detail.
Dave Hill's intimate knowledge of analog electronics, as well as decades of experience as a recording engineer have spawned a large range of very useful and musical products that deliver top-of-the-line quality throughout.
Posted: Tuesday, July 12, 2016
Thank you to Big Bear Audio for sponsoring the recording competition.
Big Bear Audio is a high end audio design house based in London, founded by AES UK Vice Chairman Charlie Slee. Focusing on both pro and consumer audio products, Big Bear Audio designs and manufactures analogue electronics tools for the professional and audiophile.
Posted: Monday, July 11, 2016
A huge thank you to our wonderful student recording competition sponsor iZotope!
iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. iZotope was recently honored with an Emmy® Award for Outstanding Achievement in Engineering Development for its flagship audio repair suite, RX®.
Posted: Saturday, July 9, 2016
Many thanks to Women’s Audio Mission for sponsoring the student recording competition!
Women's Audio Mission is a San Francisco-based, non-profit organization dedicated to the advancement of women in music production and the recording arts. In a field where women are chronically under-represented (less than 5%), WAM seeks to "change the face of sound" by providing hands-on training, experience, career counseling and job placement to women and girls in media technology for music, radio, film, television and the internet. WAM believes that women's mastery of music technology and inclusion in the production process will expand the vision and voice of media and popular culture. WAM trains over 1,200 women and girls a year in music production and the recording arts in the world's only professional recording studio built and run by women.
Posted: Friday, July 8, 2016
Many thanks to Sony for sponsoring the student recording competition!
Sony Creative Software is a leading provider of innovative professional and consumer software solutions that inspire creativity, discovery, and productivity. We encourage artistic expression with our awardwinning line of digital video, audio, and music production applications. Our customer base is extensive and includes film, television, and recording professionals as well as students, educators, and independent artists worldwide. For more information about products from Sony Creative Software, please visit www.sonycreativesoftware.com
Posted: Thursday, July 7, 2016
Many thanks to Routledge for sponsoring the student recording competition!
Routledge is an imprint of the Taylor & Francis Group. We are the leading publisher in media technology, providing engaging, and practical content, and tools to help you excel in fields including Audio Engineering, Recording, Mixing, Mastering, Editing, MIDI, Music Business, Dance, DJing, and more. For further details visit www.routledge.com/audio.
Posted: Wednesday, July 6, 2016
Many thanks to Linear Audio for sponsoring the student recording competition!
Linear Audio publishes technical articles about technology, developments and the state of the art in audio and perception from a technical perspective.
It is meant for anyone who is interested in technical audio developments or who wants to contribute. Being employed in audio engineering is not a requirement.
Posted: Tuesday, July 5, 2016