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On the Student pages you will find information collected and provided by student members of the AES who have been elected officers of the Student Delegate Assembly (SDA). Find out more about us here.
If you are an AES student member, this is the place where you can get informed about student related topics. Also, every student is invited to help keeping these pages a vivid and up to date resource by sending us interesting news and reports from your AES Student Section.
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Meet Barry Marshall, one of our honorable judges for Category 2: Traditional Studio Recording.
Experienced, dynamic and creative as a performer, musician, songwriter and record producer, Barry Marshall is all of these and more as an educator. He started the critically acclaimed student record label, Naked Ear Records, at New England Institute of Art, where he is an Associate Professor and helped develop the audio and music business program and curriculum. Since 1999 he has also been teaching at Emerson College, where his classes include Recording Industry as a Business, and History of Media Arts.
In addition, he has toured and recorded all over the world as both a musical director for The Rock N’ Roll Hall of Fame’s LaVern Baker, and as a record producer for Baker, Peter Wolf, and Ben E. King. He was a songwriting partner to the late Doc Pomus, and he’s shared the stage on gigs with everyone from Paul Shaffer to Bonnie Raitt to B.B. King.
Most recently Barry has produced three albums for Cape Verdean artist Dany Silva and is the Musical Director and Audio Producer of the One Planet Education Network, currently developing content for museums and video games. He also has become a respected lecturer/presenter at Audio Engineering Society conferences and conventions, including at AES Budapest in 2012, AES NYC in 2013, and AES London in 2010 and 2011. He was awarded his Doctorate in 2013 from Argosy University.
Posted: Wednesday, April 23, 2014
Meet Mark Drews, one of our honorable judges for Category 4: Sound for Visual Media.
Mark Drews is director of music production and recording studies at the University of Stavanger, on Norway’s southwest coast. He began his professional recording career in 1983 recording classical music and jazz for the Norwegian Broadcasting Company. From 1984 thru 1995, he was senior audio engineer/lecturer at the Syracuse University School of Music and was an active independent recording engineer and musician in Central New York. He is author of New Ears: The Audio Career & Education Handbook.
Drews has recorded thousands of concerts and other music performances in the United States and Norway for radio and commercial release. He also has designed and installed a variety of audio facilities for music recording and sound for picture.
In addition, he’s had a senior Fulbright research fellowship to Norway, an audio research residency at the Banff Centre’s music and sound department in Canada and an international visiting scholar position at the University of Michigan’s School of Music.
Drews has been involved with AES student activities for years having been on the first panel of judges at the Amsterdam convention in 1998 and several others since then.
An advocate for the support and advancement of audio education, Mark is an active member of the Audio Engineering Society, the National Academy of Recording Arts and Sciences, and the Society of Professional Audio Recording Services. He also is a board member of the Norwegian Institute for Recorded Sound.
In his spare time, he is busy with family and friends on both sides of the Atlantic, he is musically active as bassist in the Stavanger Big Band. Just by coincidence, his wife’s name is Tone.
Posted: Wednesday, April 23, 2014
Joining the sponsors of this years recording competition is AEA! They have made their support of the Audio Engineering Society known yet again, and we are ever thankful of them. Be sure to attend SDA-1, the competition, and SDA-2 to find out who will be taking home the prize!
Wes Dooley's longtime passion for audio has infused his company, Audio Engineering Associates (AEA), with a well balanced blend of creativity and technical expertise for forty years. At the core of AEA is a genuine interest in the art and science of audio.
From areas as diverse as forensic audio and microphone design, Wes' passion for audio has led him all over the world, from recording experiences in Europe, Africa, and New Zealand, to the courtrooms of Los Angeles as a forensic audio and video expert witness. Such experiences have led Wes to design products which help resolve problems commonly encountered by recording engineers. His portable recording tools including, multi-channel microphone arrays, MS stereo processors, stereo phase displays and very tall microphone stands, have all made on-site recording far more feasible.
Despite his contributions to on-location recording, Wes is best known for his pursuit of excellence in ribbon microphone technology. After two decades of representing and servicing the BBC 4038 in the United States, he began to experiment with his own ribbon microphones. During the last decade Wes became aware of the increasing scarcity of R44's and other ribbon microphones.
In 1998, responding to this need, Wes re-introduced the 44 much to the thrill of many in the recording industry. Les Paul told Wes that AEA's R44 is his favorite microphone and engineer/producers such as Bruce Swedien, Kevin Bacon, and Shawn Murphy routinely use AEA's R44. Even without such critical acclaim the numbers speak for themselves. Over half of the movies scored in Los Angeles have a 44 somewhere on the scoring stage.
Posted: Tuesday, April 22, 2014