Friday, November 30, 9:00 - 11:30 am
W1: Digital Signal Processing - The Good, the Bad, and the Ugly

Friday, November 30, 9:00 - 11:30 am
W2: Metadata

Friday, November 30, 2:00 - 4:30 pm
W3: The Changing Role of the Mastering Engineer

Friday, November 30, 2:00 - 4:30 pm
W4: Automotive Audio

Saturday, December 1, 9:00 am - 12:00 noon
W5: Methods for Evaluation of Surround Sound Reproduction

Saturday, December 1, 9:00 - 10:30 am
W6: Project Studio Maintenance: The Care and Feeding of MDMs

Saturday, December 1, 10:30 am - 12:00 noon
W7: Audio for Information Appliances

Saturday, December 1, 2:00 - 4:30 pm
W8: Small Room Acoustics

Saturday, December 1, 2:00 - 4:30 pm
W9: Myths in Audio

Sunday, December 2, 9:00 - 11:30 am
W10: Perceptual Evaluation of High Resolution Audio

Sunday, December 2, 9:00 - 11:30 am
W11: Guerrilla Acoustics III: Perspectives on Acoustical Requirements for Small Rooms with an Emphasis on Project Studios

Sunday, December 2, 2:00 - 4:30 pm
W12: Microphones: What is Vintage?

Sunday, December 2, 2:00 - 4:30 pm
W13: Networking for Local and Wide Area Production

Monday, December 3, 9:00 - 11:30 am
W14: Audio for Games: The Next Level

Monday, December 3, 9:00 - 11:30 am
W15: Digital Audio Workstations: Learning from the Past to Perfect Future Recording Tools

Monday, December 3, 2:00 - 4:30 pm
W16: Watermarks and Fingerprints - Horses for Courses

Monday, December 3, 2:00 - 4:30 pm
W17: The Role of Digital in Live Sound