 |
AES E-News: November 2 – 143rd Convention Wrap-Up, Milan Convention Call, AES Live, AES@NAMM, Upcoming Conferences, Loudness Guidelines, Job Board, October Journal
Table of Contents
- 143rd Convention Wrap-Up
- 2018 Milan Convention Call for Contributions
- New AES Live Videos Available
- AES@NAMM
- Upcoming Conference News
- Loudness Guidelines
- Job Board Update
- AES October Issue Now Available
AES 143rd Convention
Location: New York, NY, USA
Dates: Exhibits: 18–21 October; Program: 18–22 October, 2017
Declared a rousing success by attendees, exhibitors, presenters and
sponsors alike, the AES New York 2017 Convention once again hosted the
year’s largest annual contingent of pro audio professionals, students,
and enthusiasts at the Jacob Javits Center, October 18 – 21. Convention
co-chairs Agnieszka Roginska and Paul Gallo, along with numerous
convention organizers and volunteers, provided the programming and
events spanning the four days of audio presentations, discussion panels,
and three-day gear exhibition. Additionally, co-location at the Javits
Center with the NAB New York show created an additional edge, bringing
in an even more diverse attendee base to the premier professional audio
education and networking event of the year.
Click here for more convention details: http://www.aes.org/events/143/
AES 144th Convention
Location: Milan, Italy
Dates: 23–26 May, 2018
The Call for Contributions to the AES Milan Convention is now open for business. The committee seeks full papers for peer review, abstract/precis-reviewed papers, and engineering briefs. If you have a proposal for a workshop or tutorial, they'll also be pleased to hear from you. All of these elements can be submitted through the EasyChair system for the convention. You'll need to have or create an EasyChair account to submit.
Click here for more convention details: http://www.aes.org/events/144/
AES Live videos are part of a growing library of content from recent events and other sources, and are only available to members. Recently we've added these new items:
Click here for more details: http://www.aes.org/live/
Location: Anaheim Convention Center, CA, USA
Dates: 25–28 January, 2018
AES is putting on a pro audio symposium at the NAMM Show in January. The program will include a series of interrelated training sessions hosted by suppliers of Line Array Loudspeaker Systems, Live Sound Consoles, Studio Digital Audio Workstations, and Entertainment Wireless Technologies, plus experts in the fields of Sound System Measurement and Optimization, and Studio and Recording Technology.
Click here for more details: http://www.aes.org/events/AESatNAMM/2018/
Chicago, IL, USA, 20-22 June, 2018
Following the success of the AES 58th Conference in Aalborg Denmark in 2012, the organizing committee has decided to continue the important task of providing a forum to present and discuss the latest knowledge and technological advancements in hearing protection, hearing diagnosis, impact of musical sound exposure, and more. The Call for Contributions is now live.
Click here for details: http://www.aes.org/conferences/2018/hearing/
Library of Congress National Audio-Visual Conservation Center, Culpeper, VA, USA, 28-30 June, 2018
This conference will present a remarkable opportunity to bring researchers and practitioners together for three days to discuss critical preservation issues and focus on strategies that will support and encourage collaboration and interoperability between industry and the preservation, restoration and archiving communities. The Call for Contributions is now live, looking for papers, engineering briefs, workshops and tutorials.
Click here for details: http://www.aes.org/conferences/2018/archiving/
Tokyo, Japan, 7–9 August, 2018 (pre-event 6 August)
This conference will be focused on spatial reproduction which is of primary importance for audio engineering. The last such conference (AES 40th International) was held in Tokyo in 2010. It was focused on spatial audio and attracted at least two hundred attendees. Over the past few years there have been many new developments in this area. The Call for Contributions is now live, looking for papers, engineering briefs, workshops and tutorials.
Click here for details: http://www.aes.org/conferences/2018/spatial/
DigiPen Institute of Technology Redmond, WA, USA, August 20-22, 2018
The Audio Engineering Society is pleased to announce its second International Conference on Audio for Virtual and Augmented Reality. The three-day conference program will focus around the dissemination of top-level research in the field of spatial audio for virtual and augmented reality, and discussion of technical solutions and recommended practices. In addition to the paper and poster sessions, the conference will also consist of invited presentations from key researchers, practitioners and industry leaders, demonstrations, panel discussions, tutorials, and workshops. The arena of virtual and augmented reality is highly interactive and multi- disciplinary and as such, we would like the conference to reflect this.
The Call for Contributions is now live, looking for papers, workshops and tutorials.
Click here for details: http://www.aes.org/conferences/2018/avar/
The AES Technical Council's Audio Guidelines for Over-the-Top Television and Video Streaming (AGOTTVS) study group has released an update to its preliminary recommendations published in October 2016. The guidelines are focused on managing the loudness and loudness range of program and interstitial content distributed over-the-top (OTT) and by online video distributors (OVD) to maintain and improve the sonic integrity and listening experience across multiple devices.
The new Technical Document TD1006 can be downloaded from the AES website.
Click here for details: http://www.aes.org/press/?ID=430
The AES Job Board is where audio companies post their latest job openings. As an AES
member you receive notifications of the most recent postings here:
- Technical Manager - Install Loudspeakers - Costa Mesa, CA, USA (2017-9-13)
- Sr. DSP Engineer - Costa Mesa, CA, USA (2017-9-19)
- Director - Hardware Engineering - Costa Mesa, CA, USA (2017-9-21)
- Mobile and PC Software Development Engineer - San Francisco, CA, USA (2017-9-26)
- Audio System Engineer - Stow, MA, USA (2017-9-28)
- Engineering Manager - Loudspeakers - Central US (2017-10-2)
- Senior Acoustic System Engineer - USA (2017-10-2)
- Development Engineer Digital Audio Signal Processing - Wedemark/Niedersachsen, Germany (2017-9-18)
- Senior/Principal Analogue Audio Electronics Design Engineer - Stroud, Gloucestershire, UK (2017-10-4)
- Senior Acoustic Engineer - Framingham, MA, USA (2017-10-11)
- Principal Software Engineer (Windows C#/C++ Superstar) - Framingham, MA, USA (2017-10-11)
- Program Manager - Ozark, MO, USA (2017-10-11)
- Staff Mechanical Engineer - Ozark, MO, USA (2017-10-11)
- Staff Electrical Engineer - Ozark, MO, USA (2017-10-11)
- Jr. Electrical Engineer - Ozark, MO, USA (2017-10-11)
- Design Engineer - Stow, OH, USA (2017-10-20)
- Acoustic Engineer Transducers - Dendermonde, Belgium (2017-10-24)
- Advanced Applications Engineer - Remote - Western half of USA (2017-10-24)
- Associate or Assistant Professor in Recording Arts - Denver, CO, USA (2017-10-30)
- Department Chair/Head - Performing Arts - Clemson, SC, USA (2017-10-30)
Click here for details: http://www.aes.org/jobs/
This month's issue includes:
Click here for details: http://www.aes.org/journal/
Listen to the Journal Podcast: http://www.aes.org/podcasts/
Join the online discussion of Journal papers and articles!
|
|
