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Journal Forum
Recording Electric Guitar—The Science and the Myth - January 2010
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The Art and Business of Game Audio - April 2010
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Digital Audio Effects and Simulations - May 2010
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Journal of the Audio Engineering Society
The Journal of the Audio Engineering Society -- the official publication of the AES -- is the only peer-reviewed journal devoted exclusively to audio technology. Published 10 times each year, it is available to all AES members and subscribers.
The Journal contains state-of-the-art technical papers and engineering reports; feature articles covering timely topics; pre and post reports of AES conventions and other society activities; news from AES sections around the world; Standards and Education Committee work; membership news, patents, new products, and newsworthy developments in the field of audio.
Members: Search Journal Articles in AES E-Library or you can Browse Past Issues
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Current Issue
2010 June - Volume 58 Number 6
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Papers
Theory and Practice of Modified Frequency Modulation Synthesis
Frequency modulation synthesis of musical instruments has been studied for years and its limitations are well known. By modifying the basic closed-form equations to work in the complex domain, an alternative method that can overcome some of these limitations is presented. The proposed approach provides a smoothly evolving spectrum with regard to variations in modulation index. A phase-synchronous version is discussed with application to resonant and formant synthesis. A comparison with the classical frequency modulation approach illustrates its advantages. Adaptive applications of the algorithm are introduced and explored.
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Frequency Dependence of Damping and Compliance in Loudspeaker Suspensions
Commonly used materials for loudspeaker suspensions have been shown to have viscoelastic properties, best known is the “creep” effect. This phenomenon, while known, is normally of little interest because it is primarily a dc issue outside of the audio frequency range. However, this viscoelasticity phenomenon also has a frequency-dependent influence on damping and compliance. Because damping is inversely proportional to frequency, a simplified model only including frequency-dependent damping is presented. The model provides an acceptable fit for empirical data.
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Engineering Reports
Discrimination of MP3-Compressed Musical Instrument Tones
In order to determine the acceptable compression rate for MP3 codecs, listeners were asked to discriminate various rates for eight different musical instruments. The clarinet proved to be most sensitive to compression even at rates approaching 128 kbps, while the horn was least sensitive at rates of 56 kbps. Discrimination scores were strongly correlated with the signal-to-mask ratio and spectral irregularity. Spectral error accounted for more than 80% of the discrimination variance. Objective measures of the sound source predict most of the discrimination sensitivity.
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Synthesis of the Dan Trahn Based on a Parameter Extraction System
The authors present a model for synthesizing the sound of the Vietnamese plucked string instrument called the dan tranh. The model’s parameters are estimated from the short-time Fourier transform, and the synthesized sound is generated using a single delay loop. The excitation, which is determined by the body structure of the instrument, plays an important role in achieving a natural sound. The results are compared to both the Korean gayageum with silk strings and the acoustic guitar with steel strings.
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Standards and Information Documents
AES Standards Committee News
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Features
Wireless Microphones for Live Sound
Significant changes in regulation have affected the operation of wireless microphones in recent years. During two live sound seminars held at the 127th Convention in New York last year, experts in the field reviewed the current state of play, particularly considering the increased competition for spectrum "real estate" in the UHF band. Ways of making the best use of wireless microphone technology in practical applications were proposed, including antenna arrangements and frequency planning.
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41st Conference, London, Call for Papers
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Departments
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Extras
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