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In This Section
Technical Council
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Richard C. Heyser Memorial Lecture Series
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Technical Committees
Acoustics and Sound Reinforcement
Archiving Restoration and Digital Libraries
Audio for Cinema
Audio for Games
Audio for Telecommunications
Audio Forensics
Automotive Audio
Broadcast and Online Delivery
Coding of Audio Signals
Fiber Optics for Audio
Guidelines For Working With Metadata in Broadcast and Streaming
Hearing and Hearing Loss Prevention
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Machine Learning & Artificial Intelligence
Microphones and Applications
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Perception and Subjective Evaluation of Audio Signals
Recording Technology and Practices
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Details of Heyser Lectures
Memorial Lecture at 156th: Xavier Serra / From Audio Processing to Music Understanding – a Research Journey
Memorial Lecture at 155th: Richard King / Sound and “Enlightenment”: A series of eye (and ear) opening events linking sound recording theory and practice
Memorial Lecture at 154th: Jamie Angus-Whiteoak / The Ear is not a Fourier Transformer
Memorial Lecture at 153rd: Gilbert Soulodre / A Funny Thing Happened on the Way to the Heyser Lecture - The Twists and Turns of a Career in Audio
Memorial Lecture at 152nd: Diemer de Vries / Wave Field Synthesis - Just A Wave ... or a Durable Synthesizer in the Audio Field?
Memorial Lecture at 151st: John M. Chowning / Part 2: Implementing FM Sound Synthesis
Memorial Lecture at 150th: Diana Deutsch / Two Perceptual Puzzles: Audio Illusions and Perfect Pitch
Memorial Lecture at 149th: John M. Chowning / Realizing a Dream, a Discovery and Lisajous Figures
Memorial Lecture at 148th: Francis Rumsey / Sound Quality in the Era of Interaction and Extended Reality
Memorial Lecture at 147th: Louis Fielder / Psychoacoustics Applied to Dynamic-Range and Nonlinear-Distortion Assessment
Memorial Lecture at 146th: David Griesinger / Learning to Listen
Memorial Lecture at 145th: John Meyer / Taking the Room Out of the Loudspeaker: New Tools for Transparent Reproduction
Memorial Lecture at 144th:
Malcolm Hawksford / Understanding high quality audio – a personal journey
Memorial Lecture at 143rd:
Leslie Ann Jones / Paying Attention
Memorial Lecture at 142nd: Jörg Sennheiser / A historic journey in audio-reality: from mono to AMBEO
Memorial Lecture at 141st: Dave Smith / Synthesizers: From Analog to Digital to Software to Analog
Memorial Lecture at 140th: Rozenn Nicol / The Immersive Audio Revolution: From Labs to Mass-Market
Memorial Lecture at 139th: Bruce Koenig / Acoustic Forensic Gunshot Analysis — The Kennedy Assassination and Beyond
Memorial Lecture at 138th: Ilpo Martikainen / Monitoring Loudspeakers — Can They Be Truthful Quality Control Tools?
Memorial Lecture at 137th: Marty O'Donnell / The Ear Doesn’t Blink: Creating Culture With Adaptive Audio
Memorial Lecture at 136th: Dietrich Schüller / Preserving our sound recordings — 25 years since everything changed
Memorial Lecture at 135th: George Massenburg / "4-44 & Me" — Stagnation to Transformation: The Real Future of Music
Memorial Lecture at 134th: Wolfgang Klippel / Small, Loud-Speakers: Taking Physics to the Limit
Memorial Lecture at 133rd: James J. Johnston / Audio, Radio, Acoustics and Signal Processing–the Way Forward
Memorial Lecture at 132nd: Graham Blyth / In Pursuit of Elegant Simplicity: Life, Luck, and Learning in Music and Audio
Memorial Lecture at 131st: John Atkinson / Where Did the Negative Frequencies Go?
Memorial Lecture at 130th: Karlheinz Brandenburg / How to Provide High Quality Audio Everywhere
Memorial Lecture at 129th: Ben Burtt / The Sound Behind The Image
Memorial Lecture at 128th: Brian C. J. Moore / Hearing Loss and Hearing Aids
Memorial Lecture at 127th: Phil Ramone / Technology and Music Meet Again
Memorial Lecture at 126th: Gunnar Rasmussen / The Reproduction of Sound Starts at the Microphone
Memorial Lecture at 125th: Floyd Toole / Sound Reproduction: Where We Are and Where We Need to Go
Memorial Lecture at 124th: Guus Berkhout / The Big Challenges in Audio, a glance into the future
Memorial Lecture at 123rd: Leo Beranek / Aspects Of Concert Hall Acoustics
Memorial Lecture at 122nd: Gerhard Steinke / What is needed to have the Audio-Eldorado at home?
Memorial Lecture at 121st: Julius O. Smith III / History and Practice in Digital Sound Synthesis
Memorial Lecture at 120th: Jim Flanagan / Spatially-Selective Sound Capture
Memorial Lecture at 119th: Jozef J. Zwislocki / Sound Transmission and Analysis in the Ear - Recent Insights
Memorial Lecture at 118th: Stanley P. Lipshitz / The Rise of Digital Audio: The Good, the Bad, and the Ugly
Memorial Lecture at 117th: Walter Murch / Edison's First Sound Film and the Three Fathers of Cinema
Memorial Lecture at 116th: Kees A. Schouhamer Immink / From Analog to Digital
Memorial Lecture at 115th: Ray Kurzweil / The Future of Music in the Age of Spiritual Machines
Memorial Lecture at 114th: Jens Blauert / Communication Acoustics: Audio Goes Cognitive
Memorial Lecture at 113th: Jim West / Modern Electret Microphones and Their Applications
Memorial Lecture at 112th: Ray Dolby / Some Musings on Progress in Audio: A Quest for Better Sound at Affordable Prices
Memorial Lecture at 111th: Manfred Schroeder / The Unreasonable Effectiveness of Mathematics in Audio
Memorial Lecture at 110th: Per Bruel / Acoustics in Small Studios
Memorial Lecture at 109th: Alan Kay / The Computer Revolution Hasn't Happened Yet
Memorial Lecture at 108th: James A. Moorer / Audio in the New Millennium
Memorial Lecture at 107th: Roger Lagadec / Digital Audio and the Challenge of the Internet
