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Introduction
 
Automated Processes in Audio for Video Postproduction
 
A Realistic Approach to Complete Integration in Audio Post
 
Using Digital Sound Editing to Manage Late Picture Changes
 
Automation and Control of EQ, Gain and Panning via Segment Based Processing in SoundStation DSP Systems
 
A Modular, All-Digital, Automated Mixing and Processing System for TV
 
A Rhythmo-Band Dialogue Replacement Technique
 
Timing Inter-Relations for Audio with Video
 
Standardization of Digital Audio File Exchange-A Progress Report
 
Digital Audio Recording Technology in Television
 
Digital Audio in TV Broadcasting
 
The Practical Use and Distribution of Digital Audio Recording Technology in Television
 
Digital Audio in the Digital Video Studio-A Disappearing Act?
 
Digital Audio in the Digital Video Studio, Part 2: What Happened to the Other 4 Bits?
 
An Audio Workstation Network for Television Postproduction
 
Considerations When Using Digital Audio in Video Production Recorders
 
Digital Audio for -Saturday Night Live-
 
Microphone and Spatial Techniques for Stereo & Surround Sound Television
 
Television Sound and Viewer Perceptions
 
Microphone Selection and Balance Techniques for Television, Stereo, and Surround Sound
 
Binaural Sound for Television
 
The Use of MS Techniques and MS Signals in Swedish Television
 
A Review of Microphone Techniques Optimized for Spatial Control Sound in Television
 
On the Naturalness of Two-Channel Stereo Sound
 
Television and Audio/Video Production Techniques Using the Stereosurround Audio Production Format
 
Surround Broacasting in Japan
 
Spatial Sound for New Television
 
Matching the Sound to the Picture
 
High Definition Sound for High Definition Television
 
HDTV Sound Systems: How Many Channels?
 
Distance Control System for a Sound Image
 
Crossroads to the 21st Century
 
Format Choices for the Future
 
Characteristics of the Magnetic Recording Systems of the Next Century
 
Open Architecture Television
 
Plasma Addressed Liquid Crystal (PALC), A New Flat Panel Technology for Full-Color Video
 
AES - Audio Engineering Society