Perceptual Effects of Dynamic Range Compression in Popular Music Recordings - January 2014
Accurate Calculation of Radiation and Diffraction from Loudspeaker Enclosures at Low Frequency - June 2013
New Measurement Techniques for Portable Listening Devices: Technical Report - October 2013
Television and Audio/Video Production Techniques Using the Stereosurround Audio Production Format
The Stereosurround Audio Production Format is a practical compatible 4-2-4 matrix encode/decode process derived from motion picture audio techniques that allows the generation of more realistic sound fields using four discrete-like reproduction channels that can be transmitted or stored on two conventional audio channels. Productions using this format include a variety of live and post production programs involving sports, comedy, drama, music entertainment, and product commercials. This paper focuses on the production environment and production techniques. A variety of live and post-production situations will be described as well as specific microphone and mixing techniques that have been developed to take full advantage of the format.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.