In This Section
AES Store
- Learn From The Experts:

Phil Ramone "Music Production - Mobile version"- Oral History Project Gallery
- Other AES Publications
Journal Forum
Virtual Localization by Blind Persons - July 2012
1 comment
Effect of Spatial Location and Presentation Rate on the Reaction to Auditory Displays - July 2012
1 comment
Watermark-Aided Pre-Echo Reduction in Low Bit-Rate Audio Coding - June 2012
1 comment
AES E-Library
A Realistic Approach to Complete Integration in Audio Post
Modern audio post-production requires a wide variety of central and peripheral equipment, and this usually means an uncomfortable number of remote controls, computer screens, keyboards, track balls, etc. for an operator to deal with. The result is often extra hours spent to achieve the final result, or a compromise in the finished product. Most of this equipment can be externally controlled in some fashion; this paper describes a workstation approach which is based on software with a high degree of modularity. Each device is treated as an object which can be accessed individually or linked with other objects to perform an edit or other operation. A familiar graphic shell allows each operator to customize the presentation to his own needs and preferences. The workstation shares resources with other workstations using standard network protocols, chosen according to the number of nodes and required bandwidth in each installation.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.
Learn more about the AES E-Library
Start a discussion about this paper!






