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Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
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Reflecting on Reflections - June 2014
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Quiet Thoughts on a Deafening Problem - May 2014
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Accuracy of ITU-R BS.1770 Algorithm in Evaluating Multitrack Material
 
An Online Resource for the Subjective Comparison of Vocal Microphones
 
Perception of Distance and the Effect on Sound Recording Distance Suitability for a 3-D or 2-D Image
 
Modeling Auditory-Haptic Interface Cues from an Analog Multi-line Telephone
 
Tailoring Practice Room Acoustics to Student Needs
 
Acoustic Properties of Small Practice Rooms Where Musicians Can Practice Contentedly: Effect of Reverberation on Practice
 
Bellamy Baffle Array: A Multichannel Recording Technique to Improve Listener Envelopment
 
A Comparison of Highly Configurable CPU- and GPU-Based Convolution Engines
 
Multichannel Audio Processor which Adapts to 2-D and 3-D Loudspeaker Setups
 
A Comparison of Recording, Rendering, and Reproduction Techniques for Multichannel Spatial Audio
 
The Reactive Source: A Reproduction Format Agnostic and Adaptive Spatial Audio Effect
 
Teaching Critical Thinking in an Audio Production Curriculum
 
Sync-AV – Workflow Tool for File-Based Video Shootings
 
Audio over IP
 
Implementation of an Interactive 3-D Reverberator for Video Games Using Statistical Acoustics
 
Printable Loudspeaker Arrays for Flexible Substrates and Interactive Surfaces
 
Nonlinear Distortion Measurement in Audio Amplifiers: The Perceptual Nonlinear Distortion Response
 
EspGrid: A Protocol for Participatory Electronic Ensemble Performance
 
A Microphone Technique for Improved Stereo Image, Spatial Realism, and Mixing Flexibility: STAGG (Stereo Technique for Augmented Ambience Gradient)
 
Parametric Horn Design
 
Integration of Touch Pressure and Position Sensing with Speaker Diaphragms
 
Power Entry—Where High Performance Design Begins
 
Design and Construction of the Tri-Baffle: A Modular Acoustic Modification System for Task-Based Mixing Experiments
 
Another View of Distortion Perception
 
How Can Sample Rates Be Properly Compared in Terms of Audio Quality?
 
 
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