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Virtual Localization by Blind Persons - July 2012
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Effect of Spatial Location and Presentation Rate on the Reaction to Auditory Displays - July 2012
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Watermark-Aided Pre-Echo Reduction in Low Bit-Rate Audio Coding - June 2012
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- Accuracy of ITU-R BS.1770 Algorithm in Evaluating Multitrack Material
- An Online Resource for the Subjective Comparison of Vocal Microphones
- Perception of Distance and the Effect on Sound Recording Distance Suitability for a 3-D or 2-D Image
- Modeling Auditory-Haptic Interface Cues from an Analog Multi-line Telephone
- Tailoring Practice Room Acoustics to Student Needs
- Acoustic Properties of Small Practice Rooms Where Musicians Can Practice Contentedly: Effect of Reverberation on Practice
- Bellamy Baffle Array: A Multichannel Recording Technique to Improve Listener Envelopment
- A Comparison of Highly Configurable CPU- and GPU-Based Convolution Engines
- Multichannel Audio Processor which Adapts to 2-D and 3-D Loudspeaker Setups
- A Comparison of Recording, Rendering, and Reproduction Techniques for Multichannel Spatial Audio
- The Reactive Source: A Reproduction Format Agnostic and Adaptive Spatial Audio Effect
- Teaching Critical Thinking in an Audio Production Curriculum
- Sync-AV – Workflow Tool for File-Based Video Shootings
- Audio over IP
- Implementation of an Interactive 3-D Reverberator for Video Games Using Statistical Acoustics
- Printable Loudspeaker Arrays for Flexible Substrates and Interactive Surfaces
- Nonlinear Distortion Measurement in Audio Amplifiers: The Perceptual Nonlinear Distortion Response
- EspGrid: A Protocol for Participatory Electronic Ensemble Performance
- A Microphone Technique for Improved Stereo Image, Spatial Realism, and Mixing Flexibility: STAGG (Stereo Technique for Augmented Ambience Gradient)
- Parametric Horn Design
- Integration of Touch Pressure and Position Sensing with Speaker Diaphragms
- Power Entry—Where High Performance Design Begins
- Design and Construction of the Tri-Baffle: A Modular Acoustic Modification System for Task-Based Mixing Experiments
- Another View of Distortion Perception
- How Can Sample Rates Be Properly Compared in Terms of Audio Quality?






