The paper outlines a 6-microphone technique that makes use of a baffle between front and rear arrays. This addresses three common challenges in multichannel recording for 5.1 channel playback. First, to improve the sense of connectedness between LS/RS, L/LS and R/RS channel pairs. Second, to maintain clarity of the direct sound while allowing for strong levels of room sound in the mix. Third, to provide a flexible system that can work well with a variety of ensembles. The result is a flexible microphone technique that results in recordings of increased clarity and envelopment.
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