In This Section
- Mobile App for AES Rome 2013 Now Available
- Download for iPhone/iPad Today!
- Al Schmitt & Friends: AES Roundtable of Award-Winning Engineers
- Video of Sennheiser Event Now Available to AES Members
- Multi-Platinum Engineer Young Guru Profiled In AES Convention Doc
- Watch a Short Highlights Video Online
- Call for Board of Governors Nominations
- Deadline is February 20th
As preparations for the 129th AES Convention enter the final weeks of a full year of planning, Convention Co-Chairs Valerie Tyler and Jim McTigue have announced that the Preliminary Calendar of Events is now live at http://www.aes.org/events/129/ The convention is set for Nov. 4-7 at SF’s Moscone Center.
“The Preliminary Calendar is a user-friendly, full-color timetable of events, presenters, and drop-down abstracts describing papers, workshops and tutorials,” Tyler reports. “Fine-tuning will continue for some time to come, with program changes, including last-minute shifts in times, locations and participants,” Tyler adds. “However, the Preliminary Calendar will provide an excellent touchstone for attendees looking to develop their own preliminary schedules.”
“The 129th Convention Committee has developed a remarkable program,” said AES Executive Director Roger Furness. “Their tireless, entirely volunteer efforts cannot be over-emphasized. The countless hours they’ve devoted to planning Broadcast, Live Sound, Platinum, Historical, Master Class, Student and Special Events, Workshops, Papers, Tutorials and Technical Tours have produced a not-to-be-missed four-day event.
“The AES objective of remaining indispensible to next-generation attendees is exemplified by the rapidly shifting issue of technology design. To that end, we have dedicated a special track to the field of Product Design,” Furness adds. “Engineers, broadcasters, sound and music producers and students will find a concentrated program designed to provide in-depth awareness of this essential arena.”
“Our Exhibitors’ list includes many of our industry’s leading technology innovators,” concludes 129th Committee Co-Chair Jim McTigue. “AES Conventions remain the primary venue to see and discuss new gear, and, an irreplaceable forum for students, educators, technology designers, manufacturers and users, to exchange ideas. The 129th Convention looms as a strong candidate for a new standard of excellence in this mission.”
Posted: Friday, September 24, 2010
Our Board of Tellers recently announced the results of the AES election, and we can now welcome our new 2010-2011 officers who will take office on November 14, 2010:
President Elect: Jan Abildgaard Pedersen
Secretary: Robert E. Lee Jr.
Treasurer-Elect: Garry Margolis
Vice President Eastern US and Canada: Robert W. Breen
Vice President Western US and Canada: Sean E. Olive
Vice President Northern Europe: Ville Pulkki
Vice President Southern Europe: No nominations were received for this position
Governors: Veronique Larcher, Peter G. Cook, and Bruce Craig Olson
Please welcome our new officers!
Posted: Thursday, September 23, 2010
On August 24th at 6:30pm EDT the NY Section of the Audio Engineering Society will host a 40th Anniversary Salute to Electric Lady and the Hendrix legacy. The panel will include: Jimi’s sister, Janie Hendrix, CEO/President, Experience Hendrix; Eddie Kramer, engineer of all Hendrix’s recording sessions; studio architect/acoustician John Storyk who began his career with Electric Lady, and who’s international Walters-Storyk Design Group has created over 3,000 studios around the globe; long time Electric Lady engineer Tony Platt (AC/DC, Foreigner), and Grammy-winning engineer Bob Margouleff (Stevie Wonder) and Lenny Kaye, Patti Smith’s guitarist, longtime collaborator and longtime Electric Lady client.
CBS recorded the event and AES members can now watch the stream by clicking here.
Posted: Tuesday, August 24, 2010
This new educational CD, produced by the AES Technical Committee on Signal Processing (TC_SP), is intended primarily to address issues relevant to digital signal processing algorithm designers and implementers.
Digital audio systems have obviously become ubiquitous in recent years, due in large part to the ingenuity and effort of Audio Engineering Society members. The maturity of the digital audio signal processing field can present a serious challenge for new students, researchers, software engineers, product testers, and other newcomers who must try to understand the relevance and relative importance of various signal processing parameters without being able to hear and see the details and effects: simply reading a written description is not the best way to learn and understand audio processing issues.
Since a typical characteristic of audio digital signal processing algorithms is the need for sustained, uninterrupted processing, even a single sample dropout or parameter update error can result in an audible artifact. Detecting, diagnosing, and correcting this sort of implementation error often requires experience listening for the defects, and examples of this type are included on this CD. The examples on this disc are intended to demonstrate a variety of the effects, both good and bad, that digital audio signal processing engineers are likely to come across in their work.
Posted: Thursday, June 3, 2010
Initiated during an Audio Engineering Society Historical Committee meeting in 1997 by long-time member Irv Joel, the AES Oral History Project was envisioned as a personal record of the creative and technical thought process of the doyens of professional audio. "This AES Oral History Project was initiated as an inspiration to new generations of audio industry professionals," explains AES executive director Roger Furness. "Education remains an AES priority, and these unique DVD personal histories represent a priceless link between the past contributions of our worldwide membership and the on-going innovations of our rapidly evolving future.
"Irv Joel has had close, long-standing relationships with many of the giants of our industry," he continues. "In addition to co-ordinating the interviews, he served as cameraman and off-camera interviewer for the greater part of them, a massive undertaking. The entire professional audio community owes him a vote of thanks for producing over 100 irreplaceable one-on-one interviews."
In 2007, after 10 years of shooting with a basic lighting kit, two lavalier mics and... (continued at following link)
Posted: Tuesday, April 27, 2010
Rozenn Nicol has been investigating Spatial Audio technology at Orange Labs for more than ten years. With the publication of this monograph, she aims to promote a better understanding of how binaural technology really "works". Despite its straightforwardness the reproduction of binaural audio with headphones is always impressive - a really convincing 3D sound scene is achieved. This is possible because binaural technology merely mimics the spatial encoding that we use daily when we localize sounds in real life.
Starting from practical issues, concerning what is the real meaning of sound recording and rendering for binaural technology, the underlying theory is then progressively examined. The diffraction of the acoustic wave by the listener's body defines the key concept of binaural technology and can be represented by the associated transfer functions, which are known as Head Related Transfer Functions (HRTF). HRTFs are therefore the raw material of binaural spatialization. It is shown how the spatial information is conveyed through HRTFs, investigating both physical phenomena and auditory localization mechanisms.
Special attention is given to binaural synthesis which consists in simulating the left and right signals as they would have been recorded by a pair of microphones inserted in the listener's ear. This is one of the most well known applications of binaural technology, since it allows one, to create with full control a virtual auditory space for psychoacoustic experiment or virtual reality purposes. by straightforward filtering.
Although binaural technology is a powerful tool for sound spatialization, it should be kept in mind that, as the spatialization is determined by the listener's morphology which is unfortunately strongly individual, the spatial encoding of a sound scene is theoretically valid for one sole individual. The monograph ends with an overview of solutions for adapting the binaural spatialization process to an individual’s variability.
Posted: Monday, April 5, 2010
The AES Regions & Sections and Membership Committees have been collaborating on a pilot project to make available recordings of section meetings to current AES members. The first six of these are now available, attached to meeting reports on the AES website. A brief summary is provided below. We are aware that some sections make recordings of their meetings available in various forms, on their own websites, but this is an attempt to bring selected meetings to the attention of the wider AES community. We hope to bring you further section meeting recordings over the coming months as more sections begin to take part in the project. Thanks are especially due to Theresa Leonard and David Bowles for their hard work during this pilot phase.
Francis Rumsey, Chair, Regions and Section
- Vancouver: ‘Education working with Industry panel discussion’, with Theresa Leonard (Banff Center), Bob Grieve (VFS Sound Design), Chad York (Next Level Games), Frankie Mann (DTS), Mark Scott (Post Modern Sound), & Warren Brown. (Audio only)
- San Francisco: John Paulson and James Arntz discuss the documentary ‘Les Paul, Chasing Sound’ with David Bowles. (Audio only)
- Boston: ‘Building an Audio Plug-in: From Concept to Release Date’, Jeremy Todd - iZotope, Inc. (Audio and video)
- British: ‘Maintaining audio-video sync in today’s broadcast environment’ (Audio only)
- British: ‘An interview with Neville Thiele’ (Audio only)
- British: ‘From hi-fi to PA: predicting and measuring what we hear’, Peter Mapp. (Audio only)
Posted: Saturday, February 13, 2010
The Nominations Committee is at this time soliciting the names of members to be considered for possible inclusion in the 2010 ballot for election of officers to the Board of Governors. To aid us in this task, please let us know if there is someone you would like us to consider for this election.
To be eligible for nomination, a candidate must be a voting member of the Society and belong to one of the following membership categories: honorary member, fellow, or member, and must be willing and able to attend the meeting of the Board of Governors each year.
Nominations must be received by February 22, 2010 and can now be submitted online.
Posted: Monday, February 1, 2010
Nominees are presented by the members and officers of the AES to the Awards Committee on a continuing basis. In addition, AES Section Chairs are hereby requested to send in names of outstanding local section members.
The Awards Committee will consider the nominees, validate credentials and contributions, confirm the award categories, and prepare a slate of recipients to be voted on by the Board of Governors. Approved awards will be presented at a special ceremony during forthcoming AES conventions.
The committee is eager to learn of all those who deserve recognition in the audio field. New for 2009 is the ability to submit a candidate online instead of mailing in a PDF.
Posted: Monday, November 30, 2009
Our Board of Tellers recently announced the results of the AES election, and we can now welcome our new 2009-2010 officers:
President Elect: James A. (Jim) Kaiser
Vice President Central US and Canada: Frank Wells
Vice President Central Europe: Bozena Kostek
Vice President Latin America: Joel Vieira De Brito
Vice President International: Kimio Hamasaki
Governors: David Josephson, David Murphy, and Agnieszka Roginska
These new officers join our current Board members Diemer de Vries (President), Jim Anderson (Past President), Bob Lee (Secretary), Garry Margolis (Treasurer), Peter G. Cook (VP), Sean Olive (VP), Antonio Oliveira (VP), Jan Pedersen (VP), Durand Begault (Governor), David Bowles (Governor), Michael Fleming (Governor), Bob Moses (Governor), and Wieslaw Woszczyk (Governor). Our members also approved two bylaw changes which you can read about in the Member Portal under AES E-News.
Posted: Friday, November 6, 2009