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<title>AES News</title>
<link>http://www.aes.org/blog/</link>
<language>en-us</language>
<copyright>Copyright 2010 Audio Engineering Society Inc. All rights reserved.</copyright>
<description>AES News</description>
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<pubDate>Tue, 24 Aug 2010 14:32:16 -0600</pubDate>
<lastBuildDate>Tue, 24 Aug 2010 14:32:16 -0600</lastBuildDate>

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	<title>NY Hosts 40th Anniv. Salute of Electric Lady Studios</title>
	<description>&lt;p&gt;On August 24th at 6:30pm EDT the NY Section of the Audio Engineering Society will host a 40th Anniversary Salute to Electric Lady and the Hendrix legacy. The panel will include: Jimi&amp;rsquo;s sister, Janie Hendrix, CEO/President, Experience Hendrix; Eddie Kramer, engineer of all Hendrix&amp;rsquo;s recording sessions; studio architect/acoustician John Storyk who began his career with Electric Lady, and who&amp;rsquo;s international Walters-Storyk Design Group has created over 3,000 studios around the globe; long time Electric Lady engineer Tony Platt (AC/DC, Foreigner), and Grammy-winning engineer Bob Margouleff (Stevie Wonder) and Lenny Kaye, Patti Smith&amp;rsquo;s guitarist, longtime collaborator and longtime Electric Lady client.&lt;/p&gt;
&lt;p&gt;CBS will stream the event and you will be able to access it here on&amp;nbsp;August 24th&amp;nbsp;at 6:30pm EDT: &lt;a href=&quot;mms://a21.l4148848020.c41488.n.lm.akamaistream.net/D/21/41488/v0001/reflector:48020&quot;&gt;mms://a21.l4148848020.c41488.n. lm.akamaistream.net/ D/21/41488/v0001/reflector:48020&lt;/a&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class=&quot;more-content&quot;&gt;&lt;span&gt;&lt;a href=&quot;/press/?ID=80&quot;&gt;Read more about this event&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</description>
	<pubDate>Tue, 24 Aug 2010 14:32:16 -0600</pubDate>
	<link>http://www.aes.org/blog/2010/8/aes-ny-hosts-40th-anniversary-salute-of-electric-lady-studios</link>
	<guid>http://www.aes.org/blog/2010/8/aes-ny-hosts-40th-anniversary-salute-of-electric-lady-studios</guid>
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	<title>Digital Audio Educational CD Released</title>
	<description>&lt;p&gt;This new educational CD, produced by the AES Technical Committee on Signal Processing (TC_SP), is intended primarily to address issues relevant to digital signal processing algorithm designers and implementers.&lt;/p&gt;
&lt;p&gt;Digital audio systems have obviously become ubiquitous in recent years, due in large part to the ingenuity and effort of Audio Engineering Society members. The maturity of the digital audio signal processing field can present a serious challenge for new students, researchers, software engineers, product testers, and other newcomers who must try to understand the relevance and relative importance of various signal processing parameters without being able to hear and see the details and effects: simply reading a written description is not the best way to learn and understand audio processing issues.&lt;/p&gt;
&lt;p&gt;Since a typical characteristic of audio digital signal processing algorithms is the need for sustained, uninterrupted processing, even a single sample dropout or parameter update error can result in an audible artifact. Detecting, diagnosing, and correcting this sort of implementation error often requires experience listening for the defects, and examples of this type are included on this CD. The examples on this disc are intended to demonstrate a variety of the effects, both good and bad, that digital audio signal processing engineers are likely to come across in their work.&lt;/p&gt;
&lt;p class=&quot;more-content&quot;&gt;&lt;span&gt;&lt;a href=&quot;http://www.aes.org/publications/technical/DigitalAudio.cfm&quot;&gt;Purchase your copy today!&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</description>
	<pubDate>Thu, 03 Jun 2010 07:48:45 -0600</pubDate>
	<link>http://www.aes.org/blog/2010/6/digital-audio-educational-cd</link>
	<guid>http://www.aes.org/blog/2010/6/digital-audio-educational-cd</guid>
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	<title>AES Continues Oral History Project</title>
	<description>&lt;p&gt;Initiated during an Audio Engineering Society Historical Committee meeting in 1997 by long-time member Irv Joel, the AES Oral History Project was envisioned as a personal record of the creative and technical thought process of the doyens of professional audio.   &amp;quot;This AES Oral History Project was initiated as an inspiration to new generations of audio industry professionals,&amp;quot; explains AES executive director Roger Furness. &amp;quot;Education remains an AES priority, and these unique DVD personal histories represent a priceless link between the past contributions of our worldwide membership and the on-going innovations of our rapidly evolving future.&lt;/p&gt;
&lt;p&gt;&amp;quot;Irv Joel has had close, long-standing relationships with many of the giants of our industry,&amp;quot; he continues. &amp;quot;In addition to co-ordinating the interviews, he served as cameraman and off-camera interviewer for the greater part of them, a massive undertaking. The entire professional audio community owes him a vote of thanks for producing over 100 irreplaceable one-on-one interviews.&amp;quot;&lt;/p&gt;
&lt;p&gt;In 2007, after 10 years of shooting with a basic lighting kit, two lavalier mics and... (continued at following link)&lt;/p&gt;
&lt;p class=&quot;more-content&quot;&gt;&lt;span&gt;&lt;a href=&quot;http://www.prosoundnewseurope.com/main-content/full/aes-continues-oral-history-project&quot;&gt;Read rest of story on Pro Sound News Europe website&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&amp;nbsp;&lt;/p&gt;
&lt;p class=&quot;more-content&quot;&gt;&lt;span&gt;&lt;a href=&quot;http://www.aes.org/historical/store/oralhistory/&quot;&gt;Order DVDs today!&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</description>
	<pubDate>Tue, 27 Apr 2010 06:39:38 -0600</pubDate>
	<link>http://www.aes.org/blog/2010/4/aes-continues-oral-history-project</link>
	<guid>http://www.aes.org/blog/2010/4/aes-continues-oral-history-project</guid>
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