In This Section
- Call for Nominations Deadline Approaching
- Deadline is February 17th
- 135th AES Convention Hits A Five-Year High
- Convention takes a bite out of the Big Apple and reminds the industry that “If It’s About Audio, It’s At AES”
- AES 2013 Election Results
- The results are in!
- Time to Vote: 2013 AES Elections
- Deadline is Friday, July 12th
Rozenn Nicol has been investigating Spatial Audio technology at Orange Labs for more than ten years. With the publication of this monograph, she aims to promote a better understanding of how binaural technology really "works". Despite its straightforwardness the reproduction of binaural audio with headphones is always impressive - a really convincing 3D sound scene is achieved. This is possible because binaural technology merely mimics the spatial encoding that we use daily when we localize sounds in real life.
Starting from practical issues, concerning what is the real meaning of sound recording and rendering for binaural technology, the underlying theory is then progressively examined. The diffraction of the acoustic wave by the listener's body defines the key concept of binaural technology and can be represented by the associated transfer functions, which are known as Head Related Transfer Functions (HRTF). HRTFs are therefore the raw material of binaural spatialization. It is shown how the spatial information is conveyed through HRTFs, investigating both physical phenomena and auditory localization mechanisms.
Special attention is given to binaural synthesis which consists in simulating the left and right signals as they would have been recorded by a pair of microphones inserted in the listener's ear. This is one of the most well known applications of binaural technology, since it allows one, to create with full control a virtual auditory space for psychoacoustic experiment or virtual reality purposes. by straightforward filtering.
Although binaural technology is a powerful tool for sound spatialization, it should be kept in mind that, as the spatialization is determined by the listener's morphology which is unfortunately strongly individual, the spatial encoding of a sound scene is theoretically valid for one sole individual. The monograph ends with an overview of solutions for adapting the binaural spatialization process to an individual’s variability.
Posted: Monday, April 5, 2010
The AES Regions & Sections and Membership Committees have been collaborating on a pilot project to make available recordings of section meetings to current AES members. The first six of these are now available, attached to meeting reports on the AES website. A brief summary is provided below. We are aware that some sections make recordings of their meetings available in various forms, on their own websites, but this is an attempt to bring selected meetings to the attention of the wider AES community. We hope to bring you further section meeting recordings over the coming months as more sections begin to take part in the project. Thanks are especially due to Theresa Leonard and David Bowles for their hard work during this pilot phase.
Francis Rumsey, Chair, Regions and Section
- Vancouver: ‘Education working with Industry panel discussion’, with Theresa Leonard (Banff Center), Bob Grieve (VFS Sound Design), Chad York (Next Level Games), Frankie Mann (DTS), Mark Scott (Post Modern Sound), & Warren Brown. (Audio only)
- San Francisco: John Paulson and James Arntz discuss the documentary ‘Les Paul, Chasing Sound’ with David Bowles. (Audio only)
- Boston: ‘Building an Audio Plug-in: From Concept to Release Date’, Jeremy Todd - iZotope, Inc. (Audio and video)
- British: ‘Maintaining audio-video sync in today’s broadcast environment’ (Audio only)
- British: ‘An interview with Neville Thiele’ (Audio only)
- British: ‘From hi-fi to PA: predicting and measuring what we hear’, Peter Mapp. (Audio only)
Posted: Saturday, February 13, 2010
The Nominations Committee is at this time soliciting the names of members to be considered for possible inclusion in the 2010 ballot for election of officers to the Board of Governors. To aid us in this task, please let us know if there is someone you would like us to consider for this election.
To be eligible for nomination, a candidate must be a voting member of the Society and belong to one of the following membership categories: honorary member, fellow, or member, and must be willing and able to attend the meeting of the Board of Governors each year.
Nominations must be received by February 22, 2010 and can now be submitted online.
Posted: Monday, February 1, 2010
Nominees are presented by the members and officers of the AES to the Awards Committee on a continuing basis. In addition, AES Section Chairs are hereby requested to send in names of outstanding local section members.
The Awards Committee will consider the nominees, validate credentials and contributions, confirm the award categories, and prepare a slate of recipients to be voted on by the Board of Governors. Approved awards will be presented at a special ceremony during forthcoming AES conventions.
The committee is eager to learn of all those who deserve recognition in the audio field. New for 2009 is the ability to submit a candidate online instead of mailing in a PDF.
Posted: Monday, November 30, 2009
Our Board of Tellers recently announced the results of the AES election, and we can now welcome our new 2009-2010 officers:
President Elect: James A. (Jim) Kaiser
Vice President Central US and Canada: Frank Wells
Vice President Central Europe: Bozena Kostek
Vice President Latin America: Joel Vieira De Brito
Vice President International: Kimio Hamasaki
Governors: David Josephson, David Murphy, and Agnieszka Roginska
These new officers join our current Board members Diemer de Vries (President), Jim Anderson (Past President), Bob Lee (Secretary), Garry Margolis (Treasurer), Peter G. Cook (VP), Sean Olive (VP), Antonio Oliveira (VP), Jan Pedersen (VP), Durand Begault (Governor), David Bowles (Governor), Michael Fleming (Governor), Bob Moses (Governor), and Wieslaw Woszczyk (Governor). Our members also approved two bylaw changes which you can read about in the Member Portal under AES E-News.
Posted: Friday, November 6, 2009
The dust has settled, and the results are in – 321 Exhibitors and 18,162 attendees agree that the 127th AES Convention was a rousing success.
Be sure to read the full press release for a wrap up about how the convention went.
Thanks for your support - the 129th Convention is right around the corner.... See you in San Francisco, Nov. 4-7, 2010.
Posted: Monday, October 19, 2009
Analog audio needs a separate physical circuit for each channel. Each microphone in a studio or on a stage, for example, must have its own circuit back to the mixer. Routing of the signals is inflexible. Digital audio is frequently wired in a similar way to analog. Although several channels can share a single physical circuit (e.g., up to 64 with AES10), thus reducing the number of cores needed in a cable. Routing of signals is still inflexible and any change to the equipment in a location is liable to require new cabling.
Networks allow much more flexibility. Any piece of equipment plugged into the network is able to communicate with any other. However, installers of audio networks need to be aware of a number of issues that affect audio signals but are not important for data networks and are not addressed by current IT networking technologies such as IP. This white paper examines these issues and provides guidance to installers and users that can help them build successful networked systems.
Posted: Tuesday, October 6, 2009
The AES sends out a weekly newsletter with information about the society and about the exhibitors at our conventions. This is a FREE service provided by the AES and you can unsubscribe at any time using the link at the bottom of each message. It's a great way to stay abreast of the latest information about our conventions and the products that are exhibited there.
Posted: Thursday, August 27, 2009
This year, members of the Audio Engineering Society will be eligible to vote online for the 25th Annual Technical Excellence & Creativity (TEC) Awards, recognizing outstanding achievement in professional audio technology and production. Presented by the Mix Foundation for Excellence in Audio, since 1985 the TEC Awards has honored several thousand audio products and innovations, as well as dozens of the greatest contributors to the art and science of sound.
The TEC Awards will be presented at the 127th AES Convention in New York City. To ensure that the ultimate winners represent the most advanced and useful technology, as well as creative expertise, it is important that AES members take advantage of this opportunity.
Starting August 10, online voting will begin for 25 categories of Technical and Creative Achievement, comprising 16 categories of audio hardware and software and 9 categories of audio production. The nominations were made by a panel of more than 100 audio professionals from a range of disciplines.
To register to Vote, simply click on the link below, then fill out and submit the brief registration form. Before voting begins you will receive a personal identification number (PIN) to access the TEC Awards ballot. (Each registrant may only vote once and all votes are final.)
About The Mix Foundation
The Mix Foundation for Excellence in Audio is a 501 (c)(3) charitable organization and is not affiliated with Mix magazine. For complete information about the Mix Foundation or the TEC Awards, visit www.mixfoundation.org.
Posted: Thursday, July 23, 2009
If you use Facebook then please take a moment to add the AES to your profile. All you have to do is click here and then click the link at the upper middle part of the page next to Audio Engineering Society that says "+1 Become a Fan". It only takes a moment and then you can easily locate other AES members and see the latest society updates.
Posted: Monday, July 20, 2009