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Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
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Reflecting on Reflections - June 2014
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Quiet Thoughts on a Deafening Problem - May 2014
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Preface
 
Opening Remarks
 
Perceiving the Sound of Audio: Introduction
 
An Overview of Psychoacoustics and Auditory Perception
 
Hearing in Three Dimensions: Sound Localization
 
Localization of a Source of Sound in a Room
 
Measuring the Sound of Audio: Introduction
 
Audible Effects vs. Objective Measurements in the Electrical Signal Path
 
Live Music and Architectural Acoustics, The Basic Relationships
 
Contemporary Approaches to Evaluating Auditorium Acoustics
 
Loudspeakers and Rooms for Stereophonic Sound Reproduction
 
Subjective Evaluations of the Sound of Audio: Introduction
 
Subjective Evaluation: Identifying and Controlling the Variables
 
Listening Tests on Loudspeakers: A Discussion of Experimental Procedures and Evaluation of the Response Data
 
The Great Debate: Is Anyone Winning?
 
The Great Debate: Some Reflections Ten Years Later
 
Recording and Reproducing the Sound of Audio, The Preservation of Timbre: Introduction
 
The Preservation of Timbre: Microphones, Loudspeakers, Sound Sources and Acoustical Spaces
 
Recording and Reproducing the Space of Audio, Part 1 Conventional Stereophony: Introduction
 
Acoustical Perspectives in Commercial Two-Channel Stereophonic Recording
 
The Creation of Musical Sounds for Playback Through Loudspeakers
 
Loudspeakers in Control Rooms and Living Rooms
 
Recording and Reproducing the Space of Audio, Part 2 Surround Sound: Introduction
 
Ambisonics-An Overview
 
Surround Sound Systems Used with Pictures in Cinemas and Homes
 
Binaural Techniques for Music Reproduction
 
A Spatial Sound Processor for Loudspeaker and Headphone Reproduction
 
Frontiers in Sound Reproduction
 
Binaural Recording and Reproduction for Documentation and Evaluation
 
Measurements and Models of Concert Halls for Realistic Reproduction
 
Stereo in Automobiles
 
Adaptive Loudspeaker Systems: Correcting for the Acoustic Environment
 
 
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AES - Audio Engineering Society