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Preface

 

Opening Remarks

 

Perceiving the Sound of Audio: Introduction

 

An Overview of Psychoacoustics and Auditory Perception

 

Hearing in Three Dimensions: Sound Localization

 

Localization of a Source of Sound in a Room

 

Measuring the Sound of Audio: Introduction

 

Audible Effects vs. Objective Measurements in the Electrical Signal Path

 

Live Music and Architectural Acoustics, The Basic Relationships

 

Contemporary Approaches to Evaluating Auditorium Acoustics

 

Loudspeakers and Rooms for Stereophonic Sound Reproduction

 

Subjective Evaluations of the Sound of Audio: Introduction

 

Subjective Evaluation: Identifying and Controlling the Variables

 

Listening Tests on Loudspeakers: A Discussion of Experimental Procedures and Evaluation of the Response Data

 

The Great Debate: Is Anyone Winning?

 

The Great Debate: Some Reflections Ten Years Later

 

Recording and Reproducing the Sound of Audio, The Preservation of Timbre: Introduction

 

The Preservation of Timbre: Microphones, Loudspeakers, Sound Sources and Acoustical Spaces

 

Recording and Reproducing the Space of Audio, Part 1 Conventional Stereophony: Introduction

 

Acoustical Perspectives in Commercial Two-Channel Stereophonic Recording

 

The Creation of Musical Sounds for Playback Through Loudspeakers

 

Loudspeakers in Control Rooms and Living Rooms

 

Recording and Reproducing the Space of Audio, Part 2 Surround Sound: Introduction

 

Ambisonics-An Overview

 

Surround Sound Systems Used with Pictures in Cinemas and Homes

 

Binaural Techniques for Music Reproduction

 

A Spatial Sound Processor for Loudspeaker and Headphone Reproduction

 

Frontiers in Sound Reproduction

 

Binaural Recording and Reproduction for Documentation and Evaluation

 

Measurements and Models of Concert Halls for Realistic Reproduction

 

Stereo in Automobiles

 

Adaptive Loudspeaker Systems: Correcting for the Acoustic Environment