Journal Forum

Sound Board: High-Resolution Audio - October 2015

Synchronized Swept-Sine: Theory, Application, and Implementation - October 2015

Effect of Microphone Number and Positioning on the Average of Frequency Responses in Cinema Calibration - October 2015
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Opening Remarks
Perceiving the Sound of Audio: Introduction
An Overview of Psychoacoustics and Auditory Perception
Hearing in Three Dimensions: Sound Localization
Localization of a Source of Sound in a Room
Measuring the Sound of Audio: Introduction
Audible Effects vs. Objective Measurements in the Electrical Signal Path
Live Music and Architectural Acoustics, The Basic Relationships
Contemporary Approaches to Evaluating Auditorium Acoustics
Loudspeakers and Rooms for Stereophonic Sound Reproduction
Subjective Evaluations of the Sound of Audio: Introduction
Subjective Evaluation: Identifying and Controlling the Variables
Listening Tests on Loudspeakers: A Discussion of Experimental Procedures and Evaluation of the Response Data
The Great Debate: Is Anyone Winning?
The Great Debate: Some Reflections Ten Years Later
Recording and Reproducing the Sound of Audio, The Preservation of Timbre: Introduction
The Preservation of Timbre: Microphones, Loudspeakers, Sound Sources and Acoustical Spaces
Recording and Reproducing the Space of Audio, Part 1 Conventional Stereophony: Introduction
Acoustical Perspectives in Commercial Two-Channel Stereophonic Recording
The Creation of Musical Sounds for Playback Through Loudspeakers
Loudspeakers in Control Rooms and Living Rooms
Recording and Reproducing the Space of Audio, Part 2 Surround Sound: Introduction
Ambisonics-An Overview
Surround Sound Systems Used with Pictures in Cinemas and Homes
Binaural Techniques for Music Reproduction
A Spatial Sound Processor for Loudspeaker and Headphone Reproduction
Frontiers in Sound Reproduction
Binaural Recording and Reproduction for Documentation and Evaluation
Measurements and Models of Concert Halls for Realistic Reproduction
Stereo in Automobiles
Adaptive Loudspeaker Systems: Correcting for the Acoustic Environment
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AES - Audio Engineering Society