Digital signal processing makes it possible to create realistic simulations of concert halls during playback. Concert hall simulators synthesize the crucial early reflections responsible for creating a sense of immersion in the sound field. The early reflections are simulated by convolving the incoming sound with the impulse response of the hall. The impulse response can be obtained either from measurements of actual halls or from a mathematical model.

Author: Borish, Jeffrey
Affiliation: EuPhonics, 223 Vista Del Mar, San Rafael, CA
AES Conference: 8th International Conference: The Sound of Audio (May 1990)
Paper Number: 8-030
Publication Date: May 1, 1990 Import into BibTeX
Subject: The Sound of Audio
Permalink: https://www.aes.org/e-lib/browse.cfm?elib=5411

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