| PRELIMINARY CALENDAR OF THE
123rd AES CONVENTION, v6.7, 20071004 |
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Oct
4 |
Registration |
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Registration |
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Oct
4 |
| Special Events |
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SURROUND LIVE 5: DELIVERING THE EXPERIENCE |
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| Standards |
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SC-02-02 |
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F
R
I
D
A
Y
Oct
5 |
Registration |
Registration |
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F
R
I
D
A
Y
Oct
5 |
| Exhibits |
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EXHIBITS |
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| Paper Sessions |
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P1 PERCEPTION, PART 1 |
OPENING CEREMONIES
AWARDS
KEYNOTE SPEECH |
P3 PERCEPTION, PART 2 |
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ORGAN
CONCERT
BY
GRAHAM
BLYTH |
| Paper Sessions |
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P2 SIGNAL PROCESSING, PART 1 |
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P4 SIGNAL PROCESSING, PART 2 |
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| Posters |
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P5 ACOUSTIC MODELING |
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| TC Meetings |
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HEARING LOSS |
ARCH./RESTOR. DIG. LIB. |
SEM. AUDIO |
ACOUS. / SOUND |
HI RES AUDIO |
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SPEAKERS/HEADPH. |
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| Workshops |
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W1 RECORDING LARGE ENSEMBLES IN MULTICHANNEL |
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W4 5.1 MIXING DO'S AND DON'TS |
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W7 VIDEO/AUDIO TIMING MEASUREMENT |
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| Workshops |
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W2 TRENDS OF STORAGE TECHNOLOGIES |
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W3 SURR./CLASS. ORCH. |
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W5 AUDIO QUALITY EVALUATION 2 |
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| Workshops |
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W6 HOW TO CHOOSE . . . MULTITRACK TAPE MACHINE |
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| Broadcast Sessions |
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B1 CONSIDERATIONS FOR FACILITY DESIGN |
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B2 BLD'G/FACILITY |
B3 INNOVATIONS IN DIGITAL RADIO |
B4 FACILITY WIRING & DISTRIBUTION |
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| Tutorials |
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T1 AUDIO ON THE PC |
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T2 TINNITUS |
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T4 SNARE STRATEGIES |
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| Tutorials |
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T3 7.1 MIXES FOR BLU-RAY/HD DVD |
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MIXER PARTY |
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| Master Classes |
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M1 HENRY OTT |
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| Live Sound Seminars |
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L1 CHURCH AND HOW |
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L2 DESIGN MEETS REALITY |
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L3 BROADWAY LEGEND ABE JACOB |
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| Exhibitor Seminars |
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RENKUS-HEINZ, INC. |
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| Training Sessions |
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BOARDROOM AUDIO PANEL |
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GAME PANEL |
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FILM SCORING |
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| Student / Career |
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SDA-1 |
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CAREER WORKSHOP |
RECORDING COMPETITION/STEREO-1 |
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| Historical |
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H1 NY STUDIOS |
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| Special Events |
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SPARS MENTORING SESSION |
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GEOFF EMERICK/SGT. PEPPER |
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MIX/TECH FAME |
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| Technical Tours |
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TT1 NYU MUSIC DEPT. |
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TT2 AVATAR RECORDING STUDIOS |
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| Technical Tours |
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TT3 KLAVIERHAUS |
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| Standards |
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SC-05-05 |
SC-05-02 |
SC-02-08 |
SC-04-03 |
Sc-04-01 |
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| AES Meetings |
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BUS.MTG. |
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S
A
T
U
R
D
A
Y
Oct
6 |
Registration |
Registration |
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S
A
T
U
R
D
A
Y
Oct
6 |
| Exhibits |
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EXHIBITS |
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| Paper Sessions |
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P6 PERCEPTION, PART 3 |
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P9 AUDIO CODING |
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| Paper Sessions |
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P7 SIGNAL PROCESSING, PART 3 |
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P10 AUTOMOTIVE AUDIO AND AMPLIFIERS |
P12 AUDIO CONTENT MANAGEMENT |
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| Posters |
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P8 APPLICATIONS |
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P11 PERCEPTION |
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| TC Meetings |
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MICS./APPS. |
AUDIO/GAMES |
TELECOM. |
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HUM. AUD. SYS. |
STUDIO PRAC. |
REC./MAS. SYS. |
CAR AUDIO |
ELEC. MAG. COMPAT. |
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| Workshops |
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W9 MASTERING FOR NEW MEDIA |
W10 FROM SAC TO SAOC |
W11 SURROUND CONTRIBUTION FOR RADIO AND TV |
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W13 INTERACTIVE AUDIO & HUMAN PERCEPTION |
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| Workshops |
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W8 SURROUND WORKSHOP PLAYBACK SESSION |
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W12 AG/INTERACTIVE XMF/GAMES |
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HEYSER LECTURE
followed by
TECHNICAL COUNCIL
RECEPTION |
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| Broadcast Sessions |
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B5 THE ART OF SOUND EFFECTS |
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B6 LOUDNESS WORKSHOP |
B7 UNDERST'DG RF |
B8 AUDIO FOR HDTV: LIP SYNC |
B9 LISTENER FATIGUE & RETENTION |
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| Tutorials |
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T5 ARCH. ACOUS.-1 |
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T6 ARCH. ACOUS.-2 |
T9 PREPARING MIXES/MASTERING |
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| Tutorials |
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T8 AUDIO EAR TRAINING |
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| Tutorials |
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T7 ADAPTIVE MUSIC FOR GAMES |
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| Master Classes |
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M2 KEITH O. JOHNSON |
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M3 MICHAEL BRAUER |
M4 BRUNO PUTZEYS |
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| Live Sound Seminars |
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L4 MEASUREMENT & ALIGNMENT |
L5 SOUND REINFOR./JAZZ ETC. |
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L6 LARGE-SCALE WIRELESS SYS. |
L7 WHITESPACE |
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| Exhibitor Seminars |
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THAT CORP. |
RENKUS-HEINZ, INC. |
AUDIOMATICA |
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KLIPPEL |
FLEX ACOUSTICS |
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| Training Sessions |
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GAME PRESENTATION |
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| Student / Career |
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MENTORING - 1 |
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RESUME REVIEW |
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| Student / Career |
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CAREER/JOB FAIR |
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RECORDING COMPETITION/STEREO-2 |
MENTORING - 2 |
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| Historical |
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H2 HISTORY OF NASHVILLE STUDIOS |
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| Special Events |
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PLATINUM PRODUCERS |
BEETHOVEN'S DEAFNESS |
NARAS/GRAMMY SOUNDTABLE |
REMOTE MUSIC PERFORMANCE |
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| Technical Tours |
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TT4 LEGACY RECORDING STUDIOS |
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TT5 4 TIMES SQUARE |
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| Technical Tours |
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TT6 BLUE MAN GROUP LAB |
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| Standards |
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SC-02-01 |
Sc-04-04 |
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AESSC PLENARY 1 |
SC-03-02 |
SC-03-04 |
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| AES Meetings |
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HISTORICAL COMMITTEE |
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3:30
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4:00
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4:30
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5:00
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5:30
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6:00
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6:30
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7:00
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7:30
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S
U
N
D
A
Y
Oct
7 |
Registration |
Registration |
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S
U
N
D
A
Y
Oct
7 |
| Exhibits |
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EXHIBITS |
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| Paper Sessions |
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P13 ACOUSTIC MODELING, PART 1 |
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P15 ACOUSTIC MODELING, PART 2 |
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| Paper Sessions |
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P14 SIGNAL PROCESSING APPLIED TO MUSIC |
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P16 SIGNAL PROCESSING FOR ROOM CORRECTION |
P18 AUDIO FORENSICS |
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| Posters |
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P17 S.P./MUSIC |
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| TC Meetings |
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MULTI./BI AUDIO |
CODING SIG. |
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ADV. GP. REG. |
PER./SUB. EVAL. |
NET. AUDIO SYS. |
TRANS./BROAD. |
SIG. PROC. |
FORENSICS |
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| Workshops |
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W14 USER-CENTERED DESIGN/CONTROLLERS |
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W17 SURR./CLASS. ORCH. |
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W18 AUDIO FOR GAMES/DIALOG REC. |
W19 UNEVEN BASS REPRODUCTION IN AUTOMOBILES |
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| Workshops |
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W15 FORENSIC AUDIO/DIGITAL AGE |
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| Workshops |
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W16 AUTO AUDIO/FIR OR IIR? |
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W20 GA/PHONES |
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| Broadcast Sessions |
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B10 MACY'S THANKSGIVING DAY PARADE |
B11 AUDIO FOR HDTV: DIALNORM |
B12 BT/TELECOM |
B13 AUDIO PROCESSING FOR HD |
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B14 AUDIO PLAYBACK |
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| Tutorials |
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T10 AG/GAME DEVELOPMENT |
T11 WHAT IS THE MATRIX? |
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T13 CONSUMER NETWORKING |
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| Tutorials |
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T12 HIGH DEFINITIO PERCEPTION |
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| Master Classes |
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M5 ARCHUT/HEYNE |
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M6 KEN HAHN |
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| Live Sound Seminars |
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L8 CORPORATE EVENTS |
L9 BROADWAY TO VEGAS: MUSICALS |
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L10 AUDIO FOR TV/BROADCAST |
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| Exhibitor Seminars |
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RENKUS-HEINZ, INC. |
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MINNETONKA |
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RENKUS-HEINZ, INC. |
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CAKEWALK |
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| Student / Career |
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INTERNSHIPS AND JOBS |
INSIDE THE JOB INTERVIEW |
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RECORDING COMPETITION/SURROUND |
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| Student / Career |
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EDUCATION FAIR |
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EDUCATION FORUM |
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| Historical |
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H3 HISTORY OF SURROUND/STEREO-1 |
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H4 HISTORY OF SURROUND/STEREO-2 |
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H5 HISTORY OF LIVE SOUND |
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| Special Events |
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BARRY BLESSER |
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PLATINUM MASTERING |
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PLATINUM ENGINEERS |
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| Technical Tours |
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TT8 QUAD RECORDING STUDIOS |
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TT7 WQXR RADIO STATION |
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| Technical Tours |
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TT9 SEAR SOUND STUDIOS |
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| Standards |
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SC-03-06 |
SC-03-07 |
SC-03-12 |
SC-02-12 |
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| AES Meetings |
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REGIONS AND SECTIONS |
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8:00
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8:30
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9:00
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9:30
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10:00
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10:30
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11:00
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11:30
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12:00
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12:30
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1:00
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1:30
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2:00
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2:30
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3:00
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3:30
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4:00
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4:30
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5:00
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5:30
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6:00
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6:30
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7:00
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7:30
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M
O
N
D
A
Y
Oct
8 |
Registration |
Registration |
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M
O
N
D
A
Y
Oct
8 |
| Exhibits |
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EXHIBITS |
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| Paper Sessions |
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P19 SIGNAL PROCESSING FOR 3-D AUDIO, PART 1 |
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P22 SIGNAL PROCESSING FOR 3-D AUDIO, PART 2 |
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| Paper Sessions |
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P20 APPLICATIONS IN AUDIO, PART 1 |
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P23 APPLICATIONS IN AUDIO, PART 2 |
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| Posters |
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P21 SIGNAL PROCESSING, PART 1 |
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P24 SIGNAL PROCESSING, PART 2 |
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| Workshops |
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W21 IS YOUR JOB KILLING YOU? |
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W23 CONCERT HALLS & ACOUSTICS |
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| Workshops |
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W22 5.1 MIXING TECHNIQUES |
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| Broadcast Sessions |
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B15 SPORTS BROADCASTING |
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B16 BT/RADIO DEV. |
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B17 INTERNET STREAMING |
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| Tutorials |
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T14 AUDIO PRESERVATION WORKFLOWS |
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T17 REPRODUCER ALIGNMENT & CALIBRATION |
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| Tutorials |
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T15 LOUDNESS METERING TECHNIQUES |
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T18 "HERE COMES THE SUN" |
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| Tutorials |
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T16 TURNTABLE TECHNIQUE |
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T19 COMPRESS FOR SUCCESS |
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| Live Sound Seminars |
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L11 INTERCOM |
L12 WIRELESS MICS/PERFORMERS |
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L13 CONCERT SOUND SYSTEMS |
L14 RADIO FREQUENCY INTERFERENCE |
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| Training Sessions |
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NATIONAL SEMICONDUCTOR TRAINING |
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| Student / Career |
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DESIGN COMPETITION |
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SDA - 2 |
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| Special Events |
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JOHN CHOWNING |
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| Special Events |
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PLATINUM ROAD WARRIORS |
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| Technical Tours |
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TT10 BROOKLYNPHONO |
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TT11 BROADWAY SOUND |
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| Standards |
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AESSC PLENARY 2 |
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8:00
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8:30
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9:00
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9:30
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10:00
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10:30
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11:00
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11:30
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12:00
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12:30
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1:00
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1:30
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2:00
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2:30
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3:00
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3:30
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4:00
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4:30
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5:00
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5:30
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6:00
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6:30
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7:00
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7:30
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