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[AES Pacific NW Section - Seattle USA]
Around the Puget Sound, Seattle, Washington, U.S.A


Events and other items listed here are thought to be of interest to our audience. Your event could be seen here too...
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New Job Posting: Analog Bench Tech image linked to info/jobs.htm
Ex-Rane guy auctions his dusty old Rane gear (and then some)
Steve Macatee is moving to Mexico and has to clear his stash of gear.
Online Auction Site
Bidding ends 4/27/2017. Must pick up in Seattle by Friday 4/28 or Saturday 4/29. No shipping provided.
August Swap Meet rides again.
We will co-host another pro-audio swap meet with the Puget Sound Antiquarian Radio Society on August 20th. Stay tuned for more details.

PNW Pro-Audio/Video Events
The place to find Pro Audio and Video events in the PNW area.
image linked to

JJ's Heyser Lecture
JJ delivered the Heyser Lecture at the 133rd AES Convention. PPT deck.
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Shure Advanced Wireless Seminar
On May 15th, Shure will hold a free Advanced Wireless Seminar at Seattle Center. About the Seminar

Last modified 05/18/2017 11:32:9.

NOTE: anyone can attend this meeting regardless of their status as an AES member.
The Harry Partch Instrumentarium

Presented by
Charles Corey, Curator
The Pacific Northwest Section of the AES

Tuesday, May 30th 2017, 7:30pm
University of Washington
Meany - STUDIO Theater

Harry Partch (1901-1974) was an iconoclastic American composer and instrument inventor with a passion for integrating musicians, actors, and dancers in large-scale works of total-theater. He was "seduced into carpentry" by his interest in just intonation and his need to have an orchestra tuned to this system. The instruments are more than just producers of tone, however — each one has an evocative name and dramatic physical presence, and each one puts unique physical demands on the performer. In Partch's book, Genesis of a Music, he writes that the performer of the Marimba Eroica should at times "convey the vision of Ben Hur in his chariot," while a musician playing his Kithara must not "bend at the waist, like an amateur California prune picker," but instead should move with grace and athleticism in a "functional dance."

During his lifetime, Partch composed numerous works for his instruments. Some pieces are straightforward concert music, while others include components of film, dance, or theater. He made great use of the human voice in his music, requiring instrumentalists and singers alike to 'intone' spoken words on precise pitches. His compositions dealt with subjects ranging from ancient Greek mythology and classic drama to his own life experiences as a hobo in 20th century America.

After Partch's death, his orchestra of over 50 unique instruments was left to his dedicated assistant, Danlee Mitchell. Danlee continued performances of Partch's works from his base at San Diego State University until 1990, when Dean Drummond, a former member of Partch's ensemble, became the curator of the instrumentarium. In 2013, Charles Corey, a member of Drummond's ensemble, was appointed curator, and has worked closely with Danlee Mitchell to continue the legacy of Harry Partch.

More info:

Seattle Times article and media Strange musical creations #E433

Presenter's Bio

Charles Corey is an American composer holding degrees in Music Composition and Theory from the University of Pittsburgh (Ph.D.) and Montclair State University (M.A., B.Mus.). Among his teachers are Robert Aldridge, Trevor Björklund, Patrick Burns, Dean Drummond, Eric Moe, Mathew Rosenblum and Amy Williams. His approach to composition exploits and subverts the relationships that exist between different tuning systems; the results of this process range from pieces that use standard tuning systems in unique ways to works that involve multiple tuning systems working in concert. His compositions are known for their unexpected, evocative harmonies and their strong dramatic arcs. His music has been played by a variety of performers including Cikada Ensemble, IonSound Project, Iktus Percussion, entelechron, and Relâche, and his writings have been published in several languages.

About Charles Corey (with more audio examples)


This event is in the UW Meany "Studio Theater," which is not the larger Meany Theater in the same building.

Both theaters are in Meany Hall, on the southwest corner of the UW's Central Plaza ("Red Square"). If entering above-ground, enter Meany Studio Theater by taking the outside stairs at the northeast corner of Meany Hall to the sunken courtyard.


The University of Washington Seattle campus is located about 3/4 mile east of I-5 on NE 45th St. Take exit 169 from I-5 north or south and turn eastbound on to NE 45th. Go 8 blocks to 15th NE. Turn right/south on 15th and look for the entrance to the underground garage at NE 41st street, on your left.

If you wish to park on campus above ground, go east 10 blocks on NE 45th to the campus entrance at 17th NE.

Eastsiders can take the SR520 exit for Montlake Blvd northbound, then after the Montlake Bridge turn left onto NE Pacific St, past UW Medical Center, then north on 15th NE.


Underground parking: The entrance to the UW Central Plaza Parking Garage is located at NE 41st Street and 15th Avenue NE, on the west side of campus (Gate 1). A $10 non-refundable flat rate is charged for evening events (4pm or after). Ask for directions inside the garage to park near the stairs to Meany Studio Theater.

Above-ground parking: Enter the UW campus at NE 45th Street and 17th Avenue NE, near the Burke Museum (Gate 2). Stop at the gatehouse to pay (the 4pm+ evening rate is $5) and to obtain directions to a lot, a parking permit and a campus map if desired.

Warning: campus parking is strictly enforced. Don't even think about parking somewhere not indicated on your permit, or risk a costly parking ticket.


For Meany Studio Theater, park on level C1 of the central underground garage on 15th NE and use the ramp to that theater's lobby.


The light rail station is at Husky Stadium, which is unfortunately on the opposite side of campus as Meany Hall. There is likely a bus that will get you across campus.

June Elections

We will hold our Officers and Committee Elections at the June Meeting. The four officer seats are up for re-election: Chair, Vice-Chair, Treasurer, and Secretary. Five of the ten committee seats are up for re-election.

Here is the proposed slate, subject to last minute changes:

Chair Dan Mortensen
Vice-Chair James (JJ) Johnston
Treasurer Lawrence Schwedler
Secretary Gary Louie

Committee Seats

Each member of the Committee serves for two years.

Committee 1
n.b. * means incumbent
Bob Smith*
Committee 3 Rene Jaeger*
Committee 5 OPEN
Committee 7 OPEN
Committee 9 Dr. Michael Matesky*
Committee 10 OPEN (1 year position)

The following persons have indicated their willingness to serve:
Steve Malott
Greg Dixon
Colin Isler

The slate is a work in progress, and could change between now and the June Meeting (June 21st)

June Meeting

Save the Date The June meeting will take place on Wednesday, June 21st at Digipen Institute of Technology. The topic is 3D and spatial audio with and without headphones. More details as they become available.

We will also hold our annual elections at this meeting. IF you are a member, please attend, to ensure that we have a sufficient quorum to hold the election.

Dan Mortensen
AES PNW 2016-2017 Section Chair

n.b. The material presented at our meetings is the opinion of the presenter and not necessarily that of the Society. You are encouraged to conduct your own research and to form your own opinions before adopting the presented material as Truth.

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Our meetings are open to anyone interested in Audio. AES membership is NOT required for you to attend our meetings.

If you have a topic that you would like to present at a Section meeting, or if you have a topic that you would like presented at a Section meeting, please contact the Section Chair or any officer or Committee member.

link to AES National site. The Audio Engineering Society, now in its sixth decade, is the only professional society devoted exclusively to audio technology. Its membership of leading engineers, scientists and other authorities has increased dramatically throughout the world, greatly boosting the society's stature and that of its members in a truly symbiotic relationship.

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Last modified 05/18/2017 11:32:9.