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Noise-resistant correlation-based alignment of head-related transfer functions for high-fidelity spherical harmonics representation

 

Designing Immersive Audio for a Location-Based Augmented Reality Experience in a Museum Setting

 

Robust Binaural Measurements in the Ear Canal Using a Two-Microphone Array

 

Near-field binaural rendering: evaluating the natural channel separation of loudspeakers mounted in a headrest

 

Perceptual Comparison of Parametric Spatial Audio Codings for Binaural Rendering

 

A commonly-accessible toolchain for live streaming music events with higher-order ambisonic audio and 4k 360 vision

 

Blind estimation of ensemble width in binaural music recordings using ‘spatiograms’ under simulated anechoic conditions

 

Spatial Upsampling of Sparse Head Related Transfer Functions - A VQ-VAE & Transformer based approach

 

On the perception of musical groove in large-scale events with immersive sound

 

Impact of standing waves on human auditory perception of low-frequency direction

 

RoomZ: Spatial panning plugin for dynamic auralisations based on RIR convolution

 

Room Impulse Response Estimation in a Multiple Source Environment

 

Relative distance perception of a position-dynamic nearby virtual sound source

 

Parametric architecture for the transmission and binaural reproduction of microphone array recordings

 

Cross-Correlation-Based Time-Aligned Interpolation of Head-Related Impulse Responses

 

The Hartufo toolkit for machine learning with HRTF data

 

The effect of head tilt on the perception of the top layer of three-dimensional audio

 

The role of source signal similarity in distinguishing between different positions in a room

 

Immersive Audio Test Signals for Musical Applications

 

Adapting live loudspeaker array spatialisation methods for a site-specific live electronic music performance in physical, virtual and hybrid contexts

 

Using Personal HRTF and Binauralized Headphone Monitoring in Immersive Soundtrack Post Production

 

ORTF-2plus2: A stereophonic spot microphone technique for 3D Audio

 

Case Studies in Music Production for 3D Audio Reproduction with Bottom Channels

 

Do-it-yourself headphones and development platform for augmented-reality audio

 

Object-Based Workflows in Live Sports Broadcasting Using AI-Based Mixing

 

A DAW-based approach to immersive audio system evaluation in Network Music Performance contexts

 

Requirements for 6DoF audio service and 6DoF audio metadata

 

Six degrees-of-freedom room impulse response dataset measured over a dense loudspeaker grid (6DRIR-DL)

 

Avatar representation in Extended Reality for Immersive Networked Music Performance

 

Evaluating the Interaural Thresholded Level Distribution as a psychophysically-motivated metric of auditory source width

 

Projecting Source Directivity Variations onto an Existing Binaural Room Impulse Response

 

Perceptual thresholds for angular decomposition of direct and reverberant sound in Spatial Room Impulse Responses

 

Spatio-sonic site survey using ambisonics recordings and VR rendering – designing soundscapes in the early planning process

 

Exploring the influence of multichannel soundtracks on film immersion

 

A Listening Test Evaluation of Spatial Sound Technologies in Music Production: Dolby Atmos and Ambisonics

 

Localisation in virtual choirs: outcomes of simplified binaural rendering

 

Pros and cons of artificial head and ambisonics recordings and reproductions used in design processes

 

Frequency Dependency of Loudness Perception for Immersive Audio Formats

 

Immersive audio as a tool for the preservation and transference of musical heritage: Music and spaces in 19th-century Colombian music

 

Sound Environment Control Using an Immersive Audio System – Advancing Sound Experiences for Creators and Listeners Using Active Field Control –

 

Virtual 3D microphone arrays by virtual sound sources detected from an FOA response.

 

User Preference Evaluation of Direct-to-Reverberant Ratio of Virtual Ambisonic Listening Spaces

 

Audibility of Binaural Beats Depending on Frequency and Modulation Rate

 

Creating navigable auralisations using RIR convolution: Impact of grid density and panning method on perceived source stability

 

Torso Effects in HRTF

 

A systematic review of reverberation and accessibility for B/blind users in virtual environments

 

Towards the neurophysiological characterization of immersive attributes in auditory events

 

Creating In-air 3D sound objects for immersive sound applications and electroacoustic music

 

Use of Immersive Audio as an Assistive Technology for the Visually Impaired – A Systematic Review

 

Exploring experience and expertise in the context of preference for spatial sound treatment in immersive environments

 

Latency Detection Threshold of Head-Tracking with and without individualized HRTFs in Binaural Rendering

 

SoniCross: Evaluating Annoyance in Sonifications for Electric Vehicles using Audio-Visual simulation

 

Perceptual dimensions of listener envelopment (LEV) in a positional and directional-varying context

 

An Investigation Into Immersive Contemporary Popular Music Mixing Practice

 

Investigating the Impact of Room Divergence Effect on the Film Watching Experience in Multi-Channel Binauralized Content

 

Recreating a multi-loudspeaker experiment in virtual reality

 

Hearing from within a sound: A series of techniques for deconstructing and spatialising timbre

 

A Novel Algorithm for Volumetric Amplitude Panning and Diffusion in Spatial Audio Production

 

Miniature Line Array for Immersive Sound Reinforcement

 

Employing the Processing Capability of Mixing Consoles and Audio Interfaces to Spatialize Sound

 

Liminal Spaces: Composing for a New Layered Immersive Spatial Audio System

 

Objective comparison of 3D audio reproduction with and without bottom channels