In This Section
AES Store
- Learn From The Experts:

Phil Ramone "Reverberation"- Oral History Project Gallery
- Other AES Publications
Journal Forum
Virtual Localization by Blind Persons - July 2012
1 comment
Effect of Spatial Location and Presentation Rate on the Reaction to Auditory Displays - July 2012
1 comment
Watermark-Aided Pre-Echo Reduction in Low Bit-Rate Audio Coding - June 2012
1 comment
AES E-Library: Browse Entire Database
Please select a document to view:
- Preface
- An Armchair Analysis of Electronic Music's Current State-of-the-Art
- Digital Musical Instrument Design: The Art of Compromise
- Practical Considerations in the Design of Music Systems Using VLSI
- Multitasking Operating System Design for Electronic Music
- What is a Computer Music Workstation?
- Music Workstations: Real-Time Subsystem Design
- Linear Prediction: The Hard, But Interesting Way to Do Things
- Composition or Improvisation? Only the Computer Knows!
- The MIDI Protocol
- MIDI by Mode: The Future is Now
- Computer Tools for Engraving Quality-Music Notation
- Software in the Studio
- Recording, Mixing, and Signal Processing on a Personal Computer
- Motion Sensing in Music and Dance Performance
- Position and Force Sensors and Their Application to Keyboards and Related Control Devices
- MIDI-LISP: A LISP-Based Programming Environment for MIDI on the Macintosh
- Natural Language Interfaces and Their Application to Music Systems
- Masters and Slaves Versus Democracy: MIDI and Local Area Networks
- Technical Overview of the CD-I Format
- CD-I and the Media
- Conference Participants






