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Neil Muncy "Early Multitrack Recording"- Oral History Project Gallery
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Virtual Localization by Blind Persons - July 2012
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Effect of Spatial Location and Presentation Rate on the Reaction to Auditory Displays - July 2012
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Watermark-Aided Pre-Echo Reduction in Low Bit-Rate Audio Coding - June 2012
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- New Developments in Music Information Retrieval
- Music Listening in the Future: Augmented Music-Understanding Interfaces and Crowd Music Listening
- Semantic Speech Tagging: Towards Combined Analysis of Speaker Traits
- SyncTS: Automatic Synchronization of Speech and Text Documents
- Extraction of Spectro-Temporal Speech Cues for Robust Automatic speech Recognition
- Automatic Recognition and Parametrization of Frequency Modulation Techniques in Bass Guitar Recordings
- Note Clustering Based on 2-D Source-Filter Modeling for Underdetermined Blind Source Separation
- Pitch Estimation by the Pair-Wise Evaluation of Spectral Peaks
- Parametric Coding of Audio Objects: Technology, Performance, and Opportunities
- Informed Audio Source Separation from Compressed Linear Stereo Mixtures
- Compressive Sensing for Music Signals: Comparison of Ttransforms with Coherent Dictionaries
- "Sparsification" of Audio Signals Using the MDCT/IntMDCT and a Psychoacoustic Model—Application to Informed Audio Source Separation
- Singing Voice Separation from Stereo Recordings Using Spatial Clues and Robust F0 Estimation
- Influence of Phase, Magnitude and Location ofHarmonic Components in the Perceived Quality of Extracted Solo Signals
- Expressivity in Musical Timing in Relation to Musical Structure and Interpretation: A Cross-Performance, Audio-Based Approach
- Interactive Classification of Sound Objects for Polyphonic Electro-Acoustic Music Annotation
- Adaptive Distance Measures for Exploration and Structuring of Music Collections
- Analyzing Chroma Feature Types for Automated Chord Recognition
- Surround Recording Based on a Coincident Pair of Microphones
- A Knowledge Representation Framework for Context-Dependent Audio Processing
- Improving a Multiple Pitch Estimation Method With AR Models
- Polyphonic Music Transcription Using Weighted CQT and Non-Negative Matrix Factorization
- Automatic Classification of Musical Pieces into Global Cultural Areas
- Towards Context-Sensitive Music Recommendations Using Multifaceted User Profiles
- Regression-Based Tempo Recognition from Chroma and Energy Accents for Slow Audio Recordings
- Blind Estimation of Reverberation Time from Monophonic Instrument Recordings Based on Non-Negative Matrix Factorization
- Observing Uncertainty in Music Tagging by Automatic Gaze Tracking
- A Psychoacoustic Approach to Wave Field Synthesis
- Comparative Evaluation and Combination of Audio Tempo Estimation Approaches
- Tempo Estimation from Urban Music Using Non-Negative Matrix Factorization
- A Musical Source Separation System Using a Source-Filter Model and Beta-Divergence Non-Negative Matrix Factorization
- Design of a Karaoke System for Commercial Stereophonic Audio Tracks Aiming a Musical Learning Aid for Amateur Singers
- Geometric Source Separation Method of Audio Signals Based on Beamforming and NMF






