In This Section
- Time to Vote: 2015 AES Elections
- Deadline is Friday, July 10th
- AES Continues European Growth with Highly Successful 138th Audio Engineering Society Convention in Warsaw, Poland
- First-ever AES Convention in Poland draws attendees and presenters from around the world
- First Book in "AES Presents" Series from Focal Press
- New edition of Handbook for Sound Engineers, edited by Glen Ballou
- 137th Audio Engineering Society Convention Breaks Records and Draws Acclaim from Attendees, Exhibitors and Presenters Alike
- Convention reminds West-Coast audio community, “If It’s About Audio, It’s At AES!”
Workplace Noise Regulations in the Music Industry: A Square Peg and a Round Hole
Robert M. Ghent, Jr.
Many audio professionals are familiar with community noise regulations, but have little understanding of occupational noise regulations. The audio industry is subject to the same requirements to protect the hearing of its workers as other industries. However, lack of enforcement has meant a free ride for decades. That may change, as it has in Europe, with increased awareness of music-induced hearing loss (MIHL). This tutorial provides an overview of US occupational noise regulations, their history and enforcement, implications for the entertainment industry, and a look at what we might learn from European Union (EU) regulations. We will end with a review of best practices in occupational hearing conservation that can be adopted in this industry now.