In This Section
- AES 2016 Election Results Announced
- The AES has released the list of winning candidates from the balloting in the 2016 Audio Engineering Society international elections
- AES Opens Early Registration & Housing Options for AES Los Angeles, September 29 — October 2
- Use promo code AES141WEB at checkout for FREE Exhibit-Plus badge
- Research Finds Audible Differences with High-Resolution Audio
- Listeners can hear a difference between standard audio and better-than-CD quality, known as high-resolution audio
- AES Conference on Audio for Virtual and Augmented Reality Announces Program Details
- New Conference focusses on AR/VR creative process, applications workflow and product development
Workplace Noise Regulations in the Music Industry: A Square Peg and a Round Hole
Robert M. Ghent, Jr.
Many audio professionals are familiar with community noise regulations, but have little understanding of occupational noise regulations. The audio industry is subject to the same requirements to protect the hearing of its workers as other industries. However, lack of enforcement has meant a free ride for decades. That may change, as it has in Europe, with increased awareness of music-induced hearing loss (MIHL). This tutorial provides an overview of US occupational noise regulations, their history and enforcement, implications for the entertainment industry, and a look at what we might learn from European Union (EU) regulations. We will end with a review of best practices in occupational hearing conservation that can be adopted in this industry now.