A sold-out crowd of attendees gather during the AES International Conference on Audio Archiving, Preservation & Restoration at the Library of Congress National Audio-Visual Conservation Center (NAVCC) Packard Campus in Culpeper, Virginia, June 28-30, 2018.
Research papers presented at the AES Conference on Audio Archiving, Preservation, and Restoration are available for download in the AES E-Library, and are available for free to AES Members.
Posted: Monday, July 30, 2018
The Audio Engineering Society will be exhibiting at the Loudspeaker Sourcing Show to be held in Nansha, China on October 16 - 18, 2018 at the Nansha Grand Hotel. The fourth annual Loudspeaker Sourcing Show provides a focused platform for qualified component manufacturers to establish relationships and conduct business directly with brands across the globe. Registration and further information at http://www.loudspeakersourcingshow.com.
Posted: Tuesday, July 17, 2018
The Audio Engineering Society International Conference on Audio Archiving, Preservation & Restoration will be held at the Library of Congress National Audio-Visual Conservation Center (NAVCC) Packard Campus in Culpeper, Virginia, June 28-30, 2018.
The Audio Engineering Society (AES) is pleased to announce that Iron Mountain Incorporated® Entertainment Services, a global leader in protection and preservation of entertainment content, will serve as the Platinum Sponsor for the upcoming AES (Audio Engineering Society) Conference on Audio Archiving, Preservation & Restoration, to be held at the Library of Congress National Audio-Visual Conservation Center (NAVCC) Packard Campus in Culpeper, Virginia, June 28-30, 2018.
The AES and Library of Congress are uniquely poised to bring together a variety of experts representing corporate and national archivists, media companies, libraries, historical societies, labs, post-production professionals, universities and more. This conference provides an opportunity to interact with every facet of the archiving industry and a single forum to address the best ways to preserve and provide access to the wide heritage of digital and analog media formats.
“We are enormously grateful to Iron Mountain for their support and for lending their voice to the dialogue about audio archiving, preservation and restoration,” stated John Krivit, Conference Chair, 2018 AES Conference on Audio Archiving Preservation & Restoration. “Having key Iron Mountain personnel like Kelly Pribble participate alongside other experts like Jack Douglas and George Massenburg in important panels like ‘The Challenge of Archiving Multitrack Recordings’ is so critical for attendees because of all of their knowledge and the amazing work that they do. When it comes to archiving, preservation and restoration, Iron Mountain is a critical player and leads the way.”
Greg Parkin, Iron Mountain Entertainment Services Vice President, North America, stated, “AES continues to bring important issues to the forefront, and this conference is a perfect example by addressing best practices in archiving, preservation, restoration and the transfer of film and audio. Working closely with AES and other organizations like the Producers and Engineers Wing of the Recording Academy, who also share our vision relevant to the preservation and archiving of their most valued works, is monumentally important to our clients and all attendees of this conference. We are glad to lend our knowledge and expertise to this critical topic.”
The conference will feature a wide range of presentations, academic papers and panel discussions focused on the latest strategies and technologies for protecting audio assets as the industry rapidly evolves. Some important themes will be addressed, including Physical/object based preservation & material science, handling and storage of audio carriers, preservation by digitization, mechanical vs. optical transfer, magnetic media, digitization, and restoration of content from obsolete disk formats, preservation issues for emerging high-end audio formats, preserving legacy professional formats, multi-track tapes and obsolete digital formats, considerations for archiving in preserving commercial audio, aesthetic considerations in digital restoration of historical audio collaborative performance, virtual reality, born-digital assets and much more.
Posted: Monday, June 25, 2018
Planning to attend this year's AES New York Convention?
Posted: Tuesday, June 12, 2018
AES New York Convention Co-Chairs Valerie Tyler, Jonathan Wyner and Paul Gallo
The organizing committee of the 145th AES International Convention in New York City has been announced, as plans get underway for the largest Audio Engineering Society event of the year. Taking place at the Jacob Javits Center, October 17-20, this year’s AES New York Convention will build upon the record-setting attendance and unparalleled Technical Program content that characterized AES New York 2017 – one of the most memorable conventions in AES history. Once again being co-located with the NAB New York Show, which more than doubled the content creation professionals attending both events’ exhibitions, the Convention will be led by Co-Chairs Paul Gallo, Valerie Tyler and Jonathan Wyner. This year’s Convention will also celebrate 70 years of the Audio Engineering Society’s contributions to the art and science of audio engineering and the growth of the Society throughout some of the most innovative years in audio technology development, including the burgeoning fields of audio for gaming, audio for virtual and augmented reality and spatial audio. Registration is currently open, with deep discounts for AES Members and Student Members, at aesshow.com.
Along with the convention co-chairs, committee members from a variety of backgrounds and expertise have been selected to put together the AES New York 2018 Technical Program and events. “We’re delighted with the volunteers who’ve stepped forward to assemble the technical program for AES New York 2018,” said convention co-chair Wyner. “These individuals are all leading experts in their audio specialties, and based on the work to date, the convention program will be spectacular.” This year’s committee comprises Archiving & Restoration Chair Jessica Thompson; Audio Builders Workshop Chair Owen Curtin; Audio for Cinema Chair John Whynot; Broadcast and Online Delivery Chair David Bialik and Assistant Chair Fred Willard; Diversity and Inclusion Advisor Leslie Gaston-Bird; Education Chair Kyle P. Snyder; Historical Chair Dan Mortensen; Networked Audio Chair Bob Lee; Papers Co-Chairs Areti Andreopoulou and Braxton Boren; Product Development Chair Scott Leslie; Project Studio Expo Director Glenn Lorbecki; Recording and Production Co-Chairs Jim Kaiser, Michael Romanowski and Paul "Willie Green" Womack; Sound Reinforcement Co-Chairs Henry Cohen and Mac Kerr; and Student Events Chair Mitchell Graham. The fields of spatial audio, game audio and audio for virtual and augmented reality will be covered in an expansive list of sessions under the leadership of Steve Martz, Michael Kelly, Gavin Kearney and Agnieszka Roginska.
The AES New York Convention will feature four full days of Technical Program research presentations, workshops and tutorials (October 17-20) and three days of Exhibition Floor showcases and demos (October 17-19) from leading names in professional audio manufacturing and services, along with the popular Project Studio Expo, Live Sound Expo, and other specialized events. Additionally, AES Student and Career activities will include recording and design competitions, a new MATLAB plugin design competition, career fair and other ways to network with students and professionals from around the world. If it’s about audio, it’s at AES – the ultimate opportunity for audio professionals of all specialties, and future audio pros, to listen, learn and connect!
Register now at aesshow.com and receive the best possible pricing and options as you make plans for your AES New York Convention experience. Registration at any level for AES New York 2018 includes access to the NAB Show New York exhibition. AES New York 2018 Exhibits-Plus registration is complimentary through June 15.
Posted: Wednesday, June 6, 2018
New AES Membership Status Logos A new addition to the AES Member Portal is the opportunity for members to download dedicated graphics denoting their Audio Engineering Society membership status. These new logos can be used for email signatures, social media badges, or any other place where members want to display their Society status and dedication to the art and science of audio engineering. AES Membership logos are also great for linking to a members’ AES Member Profile personal page on the AES site, which can be used to share bios, membership activities, credits and work history, external links, awards and other relevant industry information.
To download the logos:
• Log In to the Member Portal on aes.org (the Log In button is at the top right of the home page).
• Once logged in, the left of the page is a benefits and navigation menu. Under “My AES” click the link “Download Member Logo”
• Download links will be displayed for two formats each of three color options of the appropriate logo for a given member’s type of membership.
• Brief usage guidelines are at the top of the download page.
Posted: Thursday, May 31, 2018
The Audio Engineering Society’s mission is to promote the science and practice of audio by bringing leading people and ideas together. Its first meeting was held on February 17, 1948 at New York City’s RCA Victor recording studios. At that time, an executive committee of five (J.D. Colvin, C.J. LeBel, C.G. McProud, N.C. Pickering, and C.A. Rackey) worked to assist the nascent professional society in establishing its first constitution, now known as the Society’s bylaws. Remarkably durable, the Audio Engineering Society’s Bylaws continue to guide our corporate governance efforts today. As past, current, and future presidents we have pledged to uphold them upon accepting our current role and appointment.
Now, in this 70th year of our existence, the Society can be described as more active, diverse, and influential than ever before. In the past few years, transformative efforts within the Society have provided even more benefits to membership, and more effective channels to engage industry. The new AES Live online videos section (http://www.aes.org/live/) is a collection of more than 200 topical expert presentations covering wide-ranging fields as Post Production, Musical Acoustics, Transducers, Church Sound, Game Audio and many more. The Society’s E-Library is building its assets, now containing more than 17,000 fully searchable PDF files documenting the progression of audio research from 1953 to today (http://www.aes.org/e-lib/). A good introduction to this online library is a set of curated, themed Collections such as headphone technology, live sound reinforcement and ribbon microphones.
Under its new manager Dr. Richard Cabot and the AESSC (Standards Committee), our Society’s Standards operation has recently implemented a program to engage a growing number of Standards Sustainers, whose support the Society sincerely appreciates (http://www.aes.org/standards/). This group of industrial manufacturers and technical associations complements the Society’s valued Sustaining Members group, now including 133 audio and acoustical equipment manufacturers, research organizations, and educational facilities. (http://www.aes.org/sustaining_members/).
The working mechanisms of the Society and the efforts of our active, volunteer committees and dedicated Executive Director and his professional headquarters staff have been yielding an ever-expanding group of Society events. These range from regional events like AES Brasil Expo, AES Mexico and the AES UK Mastering Conference, to our traditional annual conventions in the United States and Europe, to the new AES@NAMM education and training event to be held each January on the USA’s west coast. Additionally, there is a slate of international conferences featuring world-class, category-leading experts from a broad spectrum of fields such as Automotive Technology, Audio Forensics, Music Induced Hearing Disorders, Audio Archiving, Preservation and Restoration, Spatial Reproduction, Audio for Virtual and Augmented Reality and more (http://www.aes.org/events/). The growing number of engagement channels to reach an increasingly-diverse audio engineering community throughout the world is made possible through the tireless efforts of numerous, dedicated volunteers—many just like us, and you.
As volunteer members of the Society’s Executive Committee, we three are committed to participating not only in issues of corporate governance, but in ongoing dialogue with you, our global membership, and the dynamic audio engineering industry from which each one of us, like you, are drawn. We are pleased to note, based upon metrics for Q1 2018, Society membership has increased about 8% compared to Q1 2017. A focused effort by the Society’s Membership Committee and AES headquarters staff is yielding positive results.
As part of this effort, the recently-established Diversity & Inclusion sub-committee is reaching out to an ever-growing number of audio professionals. To highlight just a few developments during the past year, the Society’s number of Chinese members has doubled; AES welcomed its first Board-approved professional section in Nigeria; and a new student section was recognized in Quito, Ecuador. For many of you, and a growing number of colleagues, AES membership is not a passive activity, but a personal and active one. In professional and student sections around the globe, lively local meetings are taking place. Members are convening to explore the latest in audio topics and technologies with each other. Current news about some of these local activities can always be found here within the JAES, the official publication of the AES (http://www.aes.org/journal/). This is the only peer-reviewed journal devoted exclusively to audio technology. It’s published 10 times each year and is available to all AES members and subscribers.
For those interested in becoming more directly involved in the Society’s ongoing activities, we urge you to browse the Committees section on our website. Your comments, suggestions, and perhaps even more active participation in areas like Education, Membership, Publications Policy, Historical, and of course our wide range of 20 different Technical Council committees are actively welcomed. Please reach out to our dedicated volunteer committee chairs when you have something to contribute in your own field of special interest (http://www.aes.org/committees/).
As our Society grows and evolves, it is encouraging and exciting to note that your Board of Governors currently includes officers and committee chairs with residences as geographically-diverse as Beijing, Vienna, Montevideo, Istanbul, Boston, and many other international locations. Since it is once again that time of year, we urge each voting (Full) member of the Society to participate in our upcoming 2018 Election of Officers. Details for this year’s Slate of Candidates will soon be announced by the Nominations Committee.
Finally, we look forward to collaborating with many of you at the AES 144th this month in Milan (http://www.aes.org/events/144/), Italy and in October 2018 at the AES 145th (co-located with NAB) in New York (http://www.aes.org/events/145/) as the Audio Engineering Society continues to “…promote the science and practice of audio by bringing leading people and ideas together.”
Yours together in audio engineering,
Chair, Membership Committee
Chair, Strategic Planning Team
Posted: Friday, May 25, 2018
AES Milan 2018 Convention Co-Chairs Alberto Pinto and Nadja Wallaszkovits
The AES Milan 144th International Convention set the stage for four days of all things audio with the Opening Ceremonies on Wednesday, 23 May. Exemplifying this year’s theme of “The Power of Sound,” the AES Milan Convention, taking place 23–26 May in Milan, Italy, brings together audio industry professionals, students, educators and top brands and audio service providers from around the world for the purpose of advancing the art and science of audio engineering.
AES Executive Director Bob Moses began the opening ceremonies by welcoming attendees and praising the volunteers and staff who make AES Conventions possible. Moses introduced AES President David Scheirman, who highlighted the attraction of the Milan region as a historically significant center of technological innovation, led by visionaries including Leonardo Da Vinci and Marconi – such innovation continuing today with a concentration of professional audio manufacturers.
AES Conventions, noted Scheirman, fulfill the AES’s mission of promoting advancements in the science and practice of professional audio, “bringing leading people and ideas together.”
As 2018 marks the 70th Anniversary of the Society, Scheirman reminded that in 1948, five individuals gathered to form the AES, which now counts over 12,500 members worldwide. In the past year, the AES has seen the creation of new professional sections in Nigeria and Taiwan, along with a new student section in Quito, Ecuador – the first AES sections in these countries. The AES has seen eight-percent membership growth in the first quarter of 2018 compared to 2017. While highlighting the benefits of membership, including the largest repository of audio knowledge on the planet – the over 17,000 papers in the AES online E-Library and over 200 videos in the AES Live: Videos series – Scheirman encouraged all audio professionals to become members and for all members to “get involved”.
Scheirman in turn introduced the Co-Chairs of the 144th AES International Convention, Nadja Wallaszkovits (also AES President-Elect) and Alberto Pinto, who thanked their Convention Committee members, sponsors and supporters for bringing AES Milan to life.
Awards presentations are a part of the Opening Ceremonies at each AES Convention, and awards in Milan began with recognition for Convention papers presented by Bozena Kostek, Editor of the Journal of the Audio Engineering Society, and Dr. Rob Maher, AES Student Technical Paper Award Coordinator. The “Best Student Paper Awards” went to co-authors Qingbo Huang, Xihong Wu and Tianshu Qu, all of Peking University (Beijing, China), for the paper “Bandwidth Extension Method Based on Generative Adversarial Nets for Audio Compression.” The “Best Peer-Reviewed Paper Award” went to co-authors Leo McCormack (Aalto University – Espoo, Finland), Symeon Delikaris-Manias (Aalto University – Helsinki, Finland), Angelo Farina (Università di Parma – Parma, Italy), Daniel Pinardi (Università di Parma – Parma, Italy) and Ville Pulkki (Aalto University – Espoo, Finland) for their paper “Real-Time Conversion of Sensor Array Signals into Spherical Harmonic Signals with Applications to Spatially Localised Sub-Band Sound-Field Analysis.“ Both papers will be presented during AES Milan paper sessions on Thursday, 24 May.
Four Board of Governors Awards – given for outstanding contributions to the Audio Engineering Society – were also presented. The recipients were Maurycy Kin, for his work in support of the Polish professional audio community, to Sascha Spors and Nadja Wallaszkovits for co-chairing the 142nd AES Convention in Berlin Germany and to Toon Van Waterschoot for chairing the 60th International Conference on Deverberation and Reverberation of Audio, Music and Speech.
Capping the Opening Ceremonies was the Keynote address by Dr. Marina Bosi, who provided an insider’s view of the history of the science of perceptual audio coding, from its beginnings in the 1980s to the current state of the art and also giving a peek ahead to the future. “We see, more and more, compression as a technology enabler,” stated Dr. Bosi. Data compression efficiencies along with improved audio quality at lower data rates have accommodated the moves to surround sound – first 5.1 and now extending to even 22.2 immersive surround. More channels are accommodated at higher compression rates with excellent audio quality and more control with flexible rendering to allow adaptation to whatever configurations a consumer might be using.
AES Milan continues through 26 May.
Posted: Thursday, May 24, 2018
Visit aeseurope.com to find out how you can be a part of the AES Milan Convention. With this year’s theme, “The Power of Sound,” the 144th International AES Convention in Milan will bring together audio professionals, students, enthusiasts and advanced audio technologies from around the world for four days of audio immersion, experiences and networking like no other.
Posted: Thursday, May 17, 2018
As the professional audio community prepares to gather at AES Milan – Europe’s premier professional audio technology and networking event, taking place 23-26 May at the NH Hotel Milano Congress Centre in Milan, Italy – Italian manufacturers and distributors are also preparing to exhibit and share audio technology insights at the event. “Numerous respected professional audio brands throughout Italy are built upon a historical and globally-known heritage of invention, construction, manufacturing and global export, inspiring the ‘Power of Sound’ theme for the 144th AES International Convention,” notes AES President David Scheirman. The most prominent city in Northern Italy, Milan is a technology and manufacturing stronghold in the heart of a nation characterized by old-world charm and world-renowned as an incubator of innovation, with a thinker-craftsman-inventor culture built upon the historical legacy of icons like Leonardo da Vinci and the father of radio, Guglielmo Marconi.
World-renowned manufacturers of processors, amplifiers, transducers and loudspeaker systems will exhibit and sponsor at AES Milan, including Contralto Audio, Faital, ITEK, K-Array, PowerSoft and Teknosign. Presenting in the AES Milan Technical Program’s Audio Applications Forum will be K-Array’s Daniele Mochi, addressing the topic “How Line Array Technology Has Inspired a New Approach to Microphones”, while Claudio Lastrucci of Powersoft will present a case study on powering subwoofer cabinets at high levels, with the title “Mains to Acoustic Efficiency.”
Italian manufacturers will be also be participating in the Professional Sound Expo (PSE), open to all attendees, including Exhibits-Plus registrants. Sessions on the exhibition hall PSE stage will include Faital’s Marco Baratelli and Grazia Spatafora presenting on “The Importance of Thermal Simulation in Loudspeaker Design: Case Study for a Compression Driver.” K-Array’s Mochi will discuss “The Advantages of Electronic Beam Steering and Its Relation with FIR Filters” and “The Longer, the Better: K-array’s Pure Array Technology Explained,” while PowerSoft’s Lastrucci will reprise his “Mains to Acoustic Efficiency” presentation for the PSE audience. Also in AES Milan’s Exhibition Hall, in addition to exhibiting manufacturers, will be Italian distribution companies AudioSales, ARET, Digiland, Midiware, Mogar Music, SMAPaudio, TEDES and VD Music Group.
Register now for the 144th Audio Engineering Society International Convention, and take advantage of best pricing, including substantial member discounts with Advance Registration, extended through May 14 in honor of AES Membership Month. Advance Registration includes the Exhibits-Plus option, giving attendees access to the exhibition, the PSE and special events. During Advance Registration, attendees can opt for a complimentary Exhibits-Plus registration by using the VIP code AES144NOW. For the ultimate AES Milan experience, an upgrade to All Access registration gives attendees access to all the Convention has to offer. The four-day technical program at AES Milan 2018 will runs 23 – 26 May, while the expo will be open 24 – 26 May.
View the full convention program and register now at www.aeseurope.com.
Posted: Wednesday, May 9, 2018