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JO. M.. Eargle, "An Overview of Stereo Recording Techniques for Popular Music," J. Audio Eng. Soc., vol. 34, no. 6, pp. 490-492, 494, 496, 498-500, 502, 503, (1986 June.). doi: JO. M.. Eargle, "An Overview of Stereo Recording Techniques for Popular Music," J. Audio Eng. Soc., vol. 34 Issue 6 pp. 490-492, 494, 496, 498-500, 502, 503, (1986 June.). doi:
Abstract: Over the years, technical descriptions of stereo recording have centered on the essentials of sound-field pickup, with emphasis on maintaining left-right and fore-aft relationships on the reproduced sound stage. The principal emphasis has been on coincident and quasi-coincident microphone techniques, with special reference to the early work of Blumlein. Fundamentally, these descriptions have dealt with the recording of acoustically balanced ensembles performing in traditional venues, and this pretty much defines the goals of classical recording.

@article{eargle1986an,
author={eargle, john m.},
journal={journal of the audio engineering society},
title={an overview of stereo recording techniques for popular music},
year={1986},
volume={34},
number={6},
pages={490-492, 494, 496, 498-500, 502, 503},
doi={},
month={june},} @article{eargle1986an,
author={eargle, john m.},
journal={journal of the audio engineering society},
title={an overview of stereo recording techniques for popular music},
year={1986},
volume={34},
number={6},
pages={490-492, 494, 496, 498-500, 502, 503},
doi={},
month={june},
abstract={over the years, technical descriptions of stereo recording have centered on the essentials of sound-field pickup, with emphasis on maintaining left-right and fore-aft relationships on the reproduced sound stage. the principal emphasis has been on coincident and quasi-coincident microphone techniques, with special reference to the early work of blumlein. fundamentally, these descriptions have dealt with the recording of acoustically balanced ensembles performing in traditional venues, and this pretty much defines the goals of classical recording.},}

TY - paper
TI - An Overview of Stereo Recording Techniques for Popular Music
SP - 490 EP - 500, 502, 503
AU - Eargle, John M.
PY - 1986
JO - Journal of the Audio Engineering Society
IS - 6
VO - 34
VL - 34
Y1 - June 1986 TY - paper
TI - An Overview of Stereo Recording Techniques for Popular Music
SP - 490 EP - 500, 502, 503
AU - Eargle, John M.
PY - 1986
JO - Journal of the Audio Engineering Society
IS - 6
VO - 34
VL - 34
Y1 - June 1986
AB - Over the years, technical descriptions of stereo recording have centered on the essentials of sound-field pickup, with emphasis on maintaining left-right and fore-aft relationships on the reproduced sound stage. The principal emphasis has been on coincident and quasi-coincident microphone techniques, with special reference to the early work of Blumlein. Fundamentally, these descriptions have dealt with the recording of acoustically balanced ensembles performing in traditional venues, and this pretty much defines the goals of classical recording.