Film sound mixing is an iterative process where dubbing mixers combine several stems to form the final soundstage of a motion picture. For cinema: end to end control makes it possible to reproduce near consistent mixes at the playback stage, whereas in a domestic setting: playback hardware and listening levels vary greatly in addition to background sounds or noise in the listening space. While mixers have a general consensus on how their mixes translate in a domestic setting; there are a number of considerations to take into account when making mixing decisions at the post-production stage with little documented on best approaches for the task. This paper describes key considerations and requirements to take into account when mixing film sound to ensure translation in a domestic setting and a listening experiment for the purpose of testing different mixing approaches. Two different film mixing approaches were done.
https://www.aes.org/e-lib/browse.cfm?elib=21183
Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $33 for non-members and is free for AES members and E-Library subscribers.
Learn more about the AES E-Library
Start a discussion about this paper!