Normative practices for live popular music performance are seldom challenged, in particular those norms related to the staging of artists and the relationship of the audience to the stage. During a run of three concerts held at the University of Agder in collaboration with two music festivals in September 2019, such norms were reconsidered in a series of experimental immersive performances with the Norwegian post-rock band Spurv and electronic music artists Zachary Bresler and Kristian Isachsen. In this brief, the background, organization, and setup for these concerts is described, followed by reflections on the performances with the purpose that others might take interest in this experiment and learn from the successes and shortcomings of the project.
Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $33 for non-members and is free for AES members and E-Library subscribers.
The Engineering Briefs at this Convention were selected on the basis of a submitted synopsis, ensuring that they are of interest to AES members, and are not overly commercial. These briefs have been reproduced from the authors' advance manuscripts, without editing, corrections, or consideration by the Review Board. The AES takes no responsibility for their contents. Paper copies are not available, but any member can freely access these briefs. Members are encouraged to provide comments that enhance their usefulness.