Quality of Musicians' Experience in Network Music Performance: A Subjective Evaluation
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K. Tsioutas, G. Xylomenos, I. Doumanis, and C. Angelou, "Quality of Musicians’ Experience in Network Music Performance: A Subjective Evaluation," Paper 10357, (2020 May.). doi:
K. Tsioutas, G. Xylomenos, I. Doumanis, and C. Angelou, "Quality of Musicians’ Experience in Network Music Performance: A Subjective Evaluation," Paper 10357, (2020 May.). doi:
Abstract: In Network Music Performance (NMP), audio quality and audio delay are considered to be the most critical variables affecting the Quality of Musicians’ Experience (QoME). In order to quantify the extent to which these parameters affect QoME, we executed a pilot study where eight musicians performed music in pairs in a controlled NMP setting and were asked to evaluate eight variables related to perception, while the end-to-end delay and the quality of the exchanged audio were varied. We present the design and execution of this experiment and discuss its results and their implications for the tolerance of musicians to increased delay and degraded audio quality.
@article{tsioutas2020quality,
author={tsioutas, konstantinos and xylomenos, george and doumanis, ioannis and angelou, christos},
journal={journal of the audio engineering society},
title={quality of musicians’ experience in network music performance: a subjective evaluation},
year={2020},
volume={},
number={},
pages={},
doi={},
month={may},}
@article{tsioutas2020quality,
author={tsioutas, konstantinos and xylomenos, george and doumanis, ioannis and angelou, christos},
journal={journal of the audio engineering society},
title={quality of musicians’ experience in network music performance: a subjective evaluation},
year={2020},
volume={},
number={},
pages={},
doi={},
month={may},
abstract={in network music performance (nmp), audio quality and audio delay are considered to be the most critical variables affecting the quality of musicians’ experience (qome). in order to quantify the extent to which these parameters affect qome, we executed a pilot study where eight musicians performed music in pairs in a controlled nmp setting and were asked to evaluate eight variables related to perception, while the end-to-end delay and the quality of the exchanged audio were varied. we present the design and execution of this experiment and discuss its results and their implications for the tolerance of musicians to increased delay and degraded audio quality.},}
TY - paper
TI - Quality of Musicians’ Experience in Network Music Performance: A Subjective Evaluation
SP -
EP -
AU - Tsioutas, Konstantinos
AU - Xylomenos, George
AU - Doumanis, Ioannis
AU - Angelou, Christos
PY - 2020
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2020
TY - paper
TI - Quality of Musicians’ Experience in Network Music Performance: A Subjective Evaluation
SP -
EP -
AU - Tsioutas, Konstantinos
AU - Xylomenos, George
AU - Doumanis, Ioannis
AU - Angelou, Christos
PY - 2020
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2020
AB - In Network Music Performance (NMP), audio quality and audio delay are considered to be the most critical variables affecting the Quality of Musicians’ Experience (QoME). In order to quantify the extent to which these parameters affect QoME, we executed a pilot study where eight musicians performed music in pairs in a controlled NMP setting and were asked to evaluate eight variables related to perception, while the end-to-end delay and the quality of the exchanged audio were varied. We present the design and execution of this experiment and discuss its results and their implications for the tolerance of musicians to increased delay and degraded audio quality.
In Network Music Performance (NMP), audio quality and audio delay are considered to be the most critical variables affecting the Quality of Musicians’ Experience (QoME). In order to quantify the extent to which these parameters affect QoME, we executed a pilot study where eight musicians performed music in pairs in a controlled NMP setting and were asked to evaluate eight variables related to perception, while the end-to-end delay and the quality of the exchanged audio were varied. We present the design and execution of this experiment and discuss its results and their implications for the tolerance of musicians to increased delay and degraded audio quality.
Authors:
Tsioutas, Konstantinos; Xylomenos, George; Doumanis, Ioannis; Angelou, Christos
Affiliations:
Athens University of Economics and Business Computer Science Department; Athens University of Economics and Business; University of Central Lancashire; Athens University of Economics and Business(See document for exact affiliation information.)
AES Convention:
148 (May 2020)
Paper Number:
10357
Publication Date:
May 28, 2020Import into BibTeX
Subject:
Room Acoustics
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=20774