Listener-perspective dependency of perceived auditory attributes in a concert hall
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B. Bacila, and H. Lee, "Listener-perspective dependency of perceived auditory attributes in a concert hall," Paper 10326, (2020 May.). doi:
B. Bacila, and H. Lee, "Listener-perspective dependency of perceived auditory attributes in a concert hall," Paper 10326, (2020 May.). doi:
Abstract: This paper presents a subjective study of spatial impression attributes and their perception in a 6 Degree-Of-Freedom context. For a plausible reproduction of virtual acoustics in a VR/AR/MR it is important to understand how different spatial impression attributes change perceptually for different positions in the room and for different head orientations. An elicitation test was carried out using the Repertory Grid Technique (RGT), in a virtual environment, using Binaural Room Impulse Responses (BRIRs) recorded in a reverberant concert hall. Results show an agreement with current literature and a previous elicitation test. New attributes such as “echo/reverb directionality” were found to also be perceived by participants, as a result of the different listening positions and head orientations.
@article{bacila2020listener-perspective,
author={bacila, bogdan and lee, hyunkook},
journal={journal of the audio engineering society},
title={listener-perspective dependency of perceived auditory attributes in a concert hall},
year={2020},
volume={},
number={},
pages={},
doi={},
month={may},}
@article{bacila2020listener-perspective,
author={bacila, bogdan and lee, hyunkook},
journal={journal of the audio engineering society},
title={listener-perspective dependency of perceived auditory attributes in a concert hall},
year={2020},
volume={},
number={},
pages={},
doi={},
month={may},
abstract={this paper presents a subjective study of spatial impression attributes and their perception in a 6 degree-of-freedom context. for a plausible reproduction of virtual acoustics in a vr/ar/mr it is important to understand how different spatial impression attributes change perceptually for different positions in the room and for different head orientations. an elicitation test was carried out using the repertory grid technique (rgt), in a virtual environment, using binaural room impulse responses (brirs) recorded in a reverberant concert hall. results show an agreement with current literature and a previous elicitation test. new attributes such as “echo/reverb directionality” were found to also be perceived by participants, as a result of the different listening positions and head orientations.},}
TY - paper
TI - Listener-perspective dependency of perceived auditory attributes in a concert hall
SP -
EP -
AU - Bacila, Bogdan
AU - Lee, Hyunkook
PY - 2020
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2020
TY - paper
TI - Listener-perspective dependency of perceived auditory attributes in a concert hall
SP -
EP -
AU - Bacila, Bogdan
AU - Lee, Hyunkook
PY - 2020
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2020
AB - This paper presents a subjective study of spatial impression attributes and their perception in a 6 Degree-Of-Freedom context. For a plausible reproduction of virtual acoustics in a VR/AR/MR it is important to understand how different spatial impression attributes change perceptually for different positions in the room and for different head orientations. An elicitation test was carried out using the Repertory Grid Technique (RGT), in a virtual environment, using Binaural Room Impulse Responses (BRIRs) recorded in a reverberant concert hall. Results show an agreement with current literature and a previous elicitation test. New attributes such as “echo/reverb directionality” were found to also be perceived by participants, as a result of the different listening positions and head orientations.
This paper presents a subjective study of spatial impression attributes and their perception in a 6 Degree-Of-Freedom context. For a plausible reproduction of virtual acoustics in a VR/AR/MR it is important to understand how different spatial impression attributes change perceptually for different positions in the room and for different head orientations. An elicitation test was carried out using the Repertory Grid Technique (RGT), in a virtual environment, using Binaural Room Impulse Responses (BRIRs) recorded in a reverberant concert hall. Results show an agreement with current literature and a previous elicitation test. New attributes such as “echo/reverb directionality” were found to also be perceived by participants, as a result of the different listening positions and head orientations.
Authors:
Bacila, Bogdan; Lee, Hyunkook
Affiliation:
Applied Psychoacoustics Lab, University of Huddersfield
AES Convention:
148 (May 2020)
Paper Number:
10326
Publication Date:
May 28, 2020Import into BibTeX
Subject:
Posters: Room Acoustics
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=20743