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KA. "Y. Zhang, and P. Geluso, "The 3DCC Microphone Technique: A Native B-format Approach to Recording Musical Performance," Paper 10295, (2019 October.). doi: KA. "Y. Zhang, and P. Geluso, "The 3DCC Microphone Technique: A Native B-format Approach to Recording Musical Performance," Paper 10295, (2019 October.). doi:
Abstract: In this paper we propose a “native” B-format recording technique that uses dual-capsule microphone technology. The three dual coincident capsule (3DCC) microphone array is a compact sound?eld capturing system. 3DCC’s advantage is that it requires minimal matrix processing during post-production to create either a B-format signal or a multi-pattern, discrete six-channel output with high stereo compatibility. Given its versatility, the system is also capable of producing a number of different primary and secondary signals that are either natively available or derived in post-production. A case study of the system’s matrixing technique has resulted in robust immersive imaging in a multichannel listening environment, leading to the possibility of future development of the system as a single six-channel soundfield microphone.

@article{zhang2019the,
author={zhang, kathleen "ying-ying" and geluso, paul},
journal={journal of the audio engineering society},
title={the 3dcc microphone technique: a native b-format approach to recording musical performance},
year={2019},
volume={},
number={},
pages={},
doi={},
month={october},} @article{zhang2019the,
author={zhang, kathleen "ying-ying" and geluso, paul},
journal={journal of the audio engineering society},
title={the 3dcc microphone technique: a native b-format approach to recording musical performance},
year={2019},
volume={},
number={},
pages={},
doi={},
month={october},
abstract={in this paper we propose a “native” b-format recording technique that uses dual-capsule microphone technology. the three dual coincident capsule (3dcc) microphone array is a compact sound?eld capturing system. 3dcc’s advantage is that it requires minimal matrix processing during post-production to create either a b-format signal or a multi-pattern, discrete six-channel output with high stereo compatibility. given its versatility, the system is also capable of producing a number of different primary and secondary signals that are either natively available or derived in post-production. a case study of the system’s matrixing technique has resulted in robust immersive imaging in a multichannel listening environment, leading to the possibility of future development of the system as a single six-channel soundfield microphone.},}

TY - paper
TI - The 3DCC Microphone Technique: A Native B-format Approach to Recording Musical Performance
SP - EP -
AU - Zhang, Kathleen "Ying-Ying"
AU - Geluso, Paul
PY - 2019
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2019 TY - paper
TI - The 3DCC Microphone Technique: A Native B-format Approach to Recording Musical Performance
SP - EP -
AU - Zhang, Kathleen "Ying-Ying"
AU - Geluso, Paul
PY - 2019
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2019
AB - In this paper we propose a “native” B-format recording technique that uses dual-capsule microphone technology. The three dual coincident capsule (3DCC) microphone array is a compact sound?eld capturing system. 3DCC’s advantage is that it requires minimal matrix processing during post-production to create either a B-format signal or a multi-pattern, discrete six-channel output with high stereo compatibility. Given its versatility, the system is also capable of producing a number of different primary and secondary signals that are either natively available or derived in post-production. A case study of the system’s matrixing technique has resulted in robust immersive imaging in a multichannel listening environment, leading to the possibility of future development of the system as a single six-channel soundfield microphone.