K. Turner, and A. Pras, "Is Binaural Spatialization the Future of Hip-Hop?," Paper 10270, (2019 October.). doi:
K. Turner, and A. Pras, "Is Binaural Spatialization the Future of Hip-Hop?," Paper 10270, (2019 October.). doi:
Abstract: Modern hip-hop is typically associated with samples and MIDI and not so much with creative source spatialization since the energy-driving elements are usually located in the center of a stereo image. To evaluate the impact of certain element placements behind, above, or underneath the listener on the listening experience, we experimented beyond standard mixing practices by spatializing beats and vocals of two hip-hop tracks in different ways. Then, 16 hip-hop musicians, producers, and enthusiasts, and three audio engineers compared a stereo and a binaural version of these two tracks in a perceptual experiment. Results showed that hip-hop listeners expect a few elements, including the vocals, to be mixed conventionally in order to create a cohesive mix and to minimize distractions.
@article{turner2019is,
author={turner, kierian and pras, amandine},
journal={journal of the audio engineering society},
title={is binaural spatialization the future of hip-hop?},
year={2019},
volume={},
number={},
pages={},
doi={},
month={october},}
@article{turner2019is,
author={turner, kierian and pras, amandine},
journal={journal of the audio engineering society},
title={is binaural spatialization the future of hip-hop?},
year={2019},
volume={},
number={},
pages={},
doi={},
month={october},
abstract={modern hip-hop is typically associated with samples and midi and not so much with creative source spatialization since the energy-driving elements are usually located in the center of a stereo image. to evaluate the impact of certain element placements behind, above, or underneath the listener on the listening experience, we experimented beyond standard mixing practices by spatializing beats and vocals of two hip-hop tracks in different ways. then, 16 hip-hop musicians, producers, and enthusiasts, and three audio engineers compared a stereo and a binaural version of these two tracks in a perceptual experiment. results showed that hip-hop listeners expect a few elements, including the vocals, to be mixed conventionally in order to create a cohesive mix and to minimize distractions.},}
TY - paper
TI - Is Binaural Spatialization the Future of Hip-Hop?
SP -
EP -
AU - Turner, Kierian
AU - Pras, Amandine
PY - 2019
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2019
TY - paper
TI - Is Binaural Spatialization the Future of Hip-Hop?
SP -
EP -
AU - Turner, Kierian
AU - Pras, Amandine
PY - 2019
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2019
AB - Modern hip-hop is typically associated with samples and MIDI and not so much with creative source spatialization since the energy-driving elements are usually located in the center of a stereo image. To evaluate the impact of certain element placements behind, above, or underneath the listener on the listening experience, we experimented beyond standard mixing practices by spatializing beats and vocals of two hip-hop tracks in different ways. Then, 16 hip-hop musicians, producers, and enthusiasts, and three audio engineers compared a stereo and a binaural version of these two tracks in a perceptual experiment. Results showed that hip-hop listeners expect a few elements, including the vocals, to be mixed conventionally in order to create a cohesive mix and to minimize distractions.
Modern hip-hop is typically associated with samples and MIDI and not so much with creative source spatialization since the energy-driving elements are usually located in the center of a stereo image. To evaluate the impact of certain element placements behind, above, or underneath the listener on the listening experience, we experimented beyond standard mixing practices by spatializing beats and vocals of two hip-hop tracks in different ways. Then, 16 hip-hop musicians, producers, and enthusiasts, and three audio engineers compared a stereo and a binaural version of these two tracks in a perceptual experiment. Results showed that hip-hop listeners expect a few elements, including the vocals, to be mixed conventionally in order to create a cohesive mix and to minimize distractions.
Authors:
Turner, Kierian; Pras, Amandine
Affiliations:
University of Lethbridge, Lethbridge, AB, Canada; School for Advanced Studies in the Social Sciences, Paris, France(See document for exact affiliation information.)
AES Convention:
147 (October 2019)
Paper Number:
10270
Publication Date:
October 8, 2019Import into BibTeX
Subject:
Posters: Applications in Audio
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=20643