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G. Erruz, and T. Schmele, "Sound-Space Choreography," Paper P11-1, (2018 July.). doi: G. Erruz, and T. Schmele, "Sound-Space Choreography," Paper P11-1, (2018 July.). doi:
Abstract: As part of the European project BINCI, a new software tool to control sound sources in periphonic space called Choreographer is presented. The Choreographer permits to create three-dimensional source movements and work with self-curated sets of movements. Its integration inside the Binaural Home Studio (BHS) 3D audio production suite allows users to trigger and combine these movements in real-time performances. Parallel to the development process, the aesthetic possibilities of sound-movement have been investigated. Drawing from a review on how choreography in dance has approached aesthetic questions of movement, we discuss the relationships between working with sets of musical elements, the expressive possibilities of movement and notation. The results of this investigation have been used to present design proposals and musicologically informed features for the Choreographer.

@article{erruz2018sound-space,
author={erruz, gerard and schmele, timothy},
journal={journal of the audio engineering society},
title={sound-space choreography},
year={2018},
volume={},
number={},
pages={},
doi={},
month={july},} @article{erruz2018sound-space,
author={erruz, gerard and schmele, timothy},
journal={journal of the audio engineering society},
title={sound-space choreography},
year={2018},
volume={},
number={},
pages={},
doi={},
month={july},
abstract={as part of the european project binci, a new software tool to control sound sources in periphonic space called choreographer is presented. the choreographer permits to create three-dimensional source movements and work with self-curated sets of movements. its integration inside the binaural home studio (bhs) 3d audio production suite allows users to trigger and combine these movements in real-time performances. parallel to the development process, the aesthetic possibilities of sound-movement have been investigated. drawing from a review on how choreography in dance has approached aesthetic questions of movement, we discuss the relationships between working with sets of musical elements, the expressive possibilities of movement and notation. the results of this investigation have been used to present design proposals and musicologically informed features for the choreographer.},}

TY - paper
TI - Sound-Space Choreography
SP - EP -
AU - Erruz, Gerard
AU - Schmele, Timothy
PY - 2018
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - July 2018 TY - paper
TI - Sound-Space Choreography
SP - EP -
AU - Erruz, Gerard
AU - Schmele, Timothy
PY - 2018
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - July 2018
AB - As part of the European project BINCI, a new software tool to control sound sources in periphonic space called Choreographer is presented. The Choreographer permits to create three-dimensional source movements and work with self-curated sets of movements. Its integration inside the Binaural Home Studio (BHS) 3D audio production suite allows users to trigger and combine these movements in real-time performances. Parallel to the development process, the aesthetic possibilities of sound-movement have been investigated. Drawing from a review on how choreography in dance has approached aesthetic questions of movement, we discuss the relationships between working with sets of musical elements, the expressive possibilities of movement and notation. The results of this investigation have been used to present design proposals and musicologically informed features for the Choreographer.