Comparison of Microphone Distances for Real-Time Reverberation Enhancement System Using Optimal Source Distribution Technique
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A. Marui, M. Yairi, and T. Kamekawa, "Comparison of Microphone Distances for Real-Time Reverberation Enhancement System Using Optimal Source Distribution Technique," Paper P9-3, (2018 July.). doi:
A. Marui, M. Yairi, and T. Kamekawa, "Comparison of Microphone Distances for Real-Time Reverberation Enhancement System Using Optimal Source Distribution Technique," Paper P9-3, (2018 July.). doi:
Abstract: Although musical instrument players may want to learn the spatial impressions of the concert hall beforehand, practicing in the actual hall is not practical due to the geographical and the ?nancial reasons. Hence, it is helpful for players if there is a spatial reproduction system that can recreate the concert hall reverberation in their practice environments. An implementation of crosstalk cancellation method for synthesizing virtual auditory space using loudspeakers called Optimal Source Distribution technique is used to add realistic reverberation of a live venue to a violin performance in real-time. In this research, one of the de?ning parameters for the timbre of convolved reverberation, microphone placements on and over the instrument, were compared by professional players.
@article{marui2018comparison,
author={marui, atsushi and yairi, motoki and kamekawa, toru},
journal={journal of the audio engineering society},
title={comparison of microphone distances for real-time reverberation enhancement system using optimal source distribution technique},
year={2018},
volume={},
number={},
pages={},
doi={},
month={july},}
@article{marui2018comparison,
author={marui, atsushi and yairi, motoki and kamekawa, toru},
journal={journal of the audio engineering society},
title={comparison of microphone distances for real-time reverberation enhancement system using optimal source distribution technique},
year={2018},
volume={},
number={},
pages={},
doi={},
month={july},
abstract={although musical instrument players may want to learn the spatial impressions of the concert hall beforehand, practicing in the actual hall is not practical due to the geographical and the ?nancial reasons. hence, it is helpful for players if there is a spatial reproduction system that can recreate the concert hall reverberation in their practice environments. an implementation of crosstalk cancellation method for synthesizing virtual auditory space using loudspeakers called optimal source distribution technique is used to add realistic reverberation of a live venue to a violin performance in real-time. in this research, one of the de?ning parameters for the timbre of convolved reverberation, microphone placements on and over the instrument, were compared by professional players.},}
TY - paper
TI - Comparison of Microphone Distances for Real-Time Reverberation Enhancement System Using Optimal Source Distribution Technique
SP -
EP -
AU - Marui, Atsushi
AU - Yairi, Motoki
AU - Kamekawa, Toru
PY - 2018
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - July 2018
TY - paper
TI - Comparison of Microphone Distances for Real-Time Reverberation Enhancement System Using Optimal Source Distribution Technique
SP -
EP -
AU - Marui, Atsushi
AU - Yairi, Motoki
AU - Kamekawa, Toru
PY - 2018
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - July 2018
AB - Although musical instrument players may want to learn the spatial impressions of the concert hall beforehand, practicing in the actual hall is not practical due to the geographical and the ?nancial reasons. Hence, it is helpful for players if there is a spatial reproduction system that can recreate the concert hall reverberation in their practice environments. An implementation of crosstalk cancellation method for synthesizing virtual auditory space using loudspeakers called Optimal Source Distribution technique is used to add realistic reverberation of a live venue to a violin performance in real-time. In this research, one of the de?ning parameters for the timbre of convolved reverberation, microphone placements on and over the instrument, were compared by professional players.
Although musical instrument players may want to learn the spatial impressions of the concert hall beforehand, practicing in the actual hall is not practical due to the geographical and the ?nancial reasons. Hence, it is helpful for players if there is a spatial reproduction system that can recreate the concert hall reverberation in their practice environments. An implementation of crosstalk cancellation method for synthesizing virtual auditory space using loudspeakers called Optimal Source Distribution technique is used to add realistic reverberation of a live venue to a violin performance in real-time. In this research, one of the de?ning parameters for the timbre of convolved reverberation, microphone placements on and over the instrument, were compared by professional players.
Open Access
Authors:
Marui, Atsushi; Yairi, Motoki; Kamekawa, Toru
Affiliations:
Tokyo University of the Arts, Tokyo, Japan; Kajima Technical Research Institute, Chofu, Tokyo, Japan(See document for exact affiliation information.)
AES Conference:
2018 AES International Conference on Spatial Reproduction - Aesthetics and Science (July 2018)
Paper Number:
P9-3
Publication Date:
July 30, 2018Import into BibTeX
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=19629