It's about Time! A Study on the Perceived Effects of Manipulating Time in Overdub Recordings
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T. Teigland, PÅ. ER. Jensen, and CL. SO. Andersen, "It's about Time! A Study on the Perceived Effects of Manipulating Time in Overdub Recordings," Paper 10025, (2018 May.). doi:
T. Teigland, PÅ. ER. Jensen, and CL. SO. Andersen, "It's about Time! A Study on the Perceived Effects of Manipulating Time in Overdub Recordings," Paper 10025, (2018 May.). doi:
Abstract: In this study we made three separate recordings using both close, near, and room microphones. These recordings were then the subject for a listening test constructed to study a variety of perceived effects due to manipulating time in overdub recordings. While the use of time alignment to decrease comb filtering has been widely studied, there has been little work on investigating other perceived effects. Time alignment has become more and more common, but as this paper concludes, it should not be used without concern. The findings will shed light on a range of important factors affected by manipulating time between microphones in overdub recordings, while also concluding on which of, and when, the investigated techniques are normally preferred or not.
@article{teigland2018it's,
author={teigland, tore and jensen, pål erik and andersen, claus sohn},
journal={journal of the audio engineering society},
title={it's about time! a study on the perceived effects of manipulating time in overdub recordings},
year={2018},
volume={},
number={},
pages={},
doi={},
month={may},}
@article{teigland2018it's,
author={teigland, tore and jensen, pål erik and andersen, claus sohn},
journal={journal of the audio engineering society},
title={it's about time! a study on the perceived effects of manipulating time in overdub recordings},
year={2018},
volume={},
number={},
pages={},
doi={},
month={may},
abstract={in this study we made three separate recordings using both close, near, and room microphones. these recordings were then the subject for a listening test constructed to study a variety of perceived effects due to manipulating time in overdub recordings. while the use of time alignment to decrease comb filtering has been widely studied, there has been little work on investigating other perceived effects. time alignment has become more and more common, but as this paper concludes, it should not be used without concern. the findings will shed light on a range of important factors affected by manipulating time between microphones in overdub recordings, while also concluding on which of, and when, the investigated techniques are normally preferred or not.},}
TY - paper
TI - It's about Time! A Study on the Perceived Effects of Manipulating Time in Overdub Recordings
SP -
EP -
AU - Teigland, Tore
AU - Jensen, Pål Erik
AU - Andersen, Claus Sohn
PY - 2018
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2018
TY - paper
TI - It's about Time! A Study on the Perceived Effects of Manipulating Time in Overdub Recordings
SP -
EP -
AU - Teigland, Tore
AU - Jensen, Pål Erik
AU - Andersen, Claus Sohn
PY - 2018
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2018
AB - In this study we made three separate recordings using both close, near, and room microphones. These recordings were then the subject for a listening test constructed to study a variety of perceived effects due to manipulating time in overdub recordings. While the use of time alignment to decrease comb filtering has been widely studied, there has been little work on investigating other perceived effects. Time alignment has become more and more common, but as this paper concludes, it should not be used without concern. The findings will shed light on a range of important factors affected by manipulating time between microphones in overdub recordings, while also concluding on which of, and when, the investigated techniques are normally preferred or not.
In this study we made three separate recordings using both close, near, and room microphones. These recordings were then the subject for a listening test constructed to study a variety of perceived effects due to manipulating time in overdub recordings. While the use of time alignment to decrease comb filtering has been widely studied, there has been little work on investigating other perceived effects. Time alignment has become more and more common, but as this paper concludes, it should not be used without concern. The findings will shed light on a range of important factors affected by manipulating time between microphones in overdub recordings, while also concluding on which of, and when, the investigated techniques are normally preferred or not.
Authors:
Teigland, Tore; Jensen, Pål Erik; Andersen, Claus Sohn
Affiliations:
Westerdals University College, Oslo, Norway; Norwegian University of Science and Technology(See document for exact affiliation information.)
AES Convention:
144 (May 2018)
Paper Number:
10025
Publication Date:
May 14, 2018Import into BibTeX
Subject:
Audio Applications
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=19421