Modeling the Effects of Rooms on Frequency Modulated Tones
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SA. R.. Smith, and MA. F.. Bocko, "Modeling the Effects of Rooms on Frequency Modulated Tones," Paper 9885, (2017 October.). doi:
SA. R.. Smith, and MA. F.. Bocko, "Modeling the Effects of Rooms on Frequency Modulated Tones," Paper 9885, (2017 October.). doi:
Abstract: This paper describes how reverberation impacts the instantaneous frequency tracks of modulated audio signals. Although this effect has been observed in a number of contexts, less work has been done relating these deviations to acoustical parameters of the reverberation. This paper details the instantaneous frequency deviations resulting from a sum of echoes or a set of resonant modes and emphasizes the conditions that maximize the resulting effect. Results of these models are compared with the observed instantaneous frequencies of musical vibrato tones filtered with the corresponding impulse responses. It is demonstrated that these reduced models may adequately reproduce the deviations when the signal is filtered by only the early or low frequency portion of a recorded impulse response.
@article{smith2017modeling,
author={smith, sarah r. and bocko, mark f.},
journal={journal of the audio engineering society},
title={modeling the effects of rooms on frequency modulated tones},
year={2017},
volume={},
number={},
pages={},
doi={},
month={october},}
@article{smith2017modeling,
author={smith, sarah r. and bocko, mark f.},
journal={journal of the audio engineering society},
title={modeling the effects of rooms on frequency modulated tones},
year={2017},
volume={},
number={},
pages={},
doi={},
month={october},
abstract={this paper describes how reverberation impacts the instantaneous frequency tracks of modulated audio signals. although this effect has been observed in a number of contexts, less work has been done relating these deviations to acoustical parameters of the reverberation. this paper details the instantaneous frequency deviations resulting from a sum of echoes or a set of resonant modes and emphasizes the conditions that maximize the resulting effect. results of these models are compared with the observed instantaneous frequencies of musical vibrato tones filtered with the corresponding impulse responses. it is demonstrated that these reduced models may adequately reproduce the deviations when the signal is filtered by only the early or low frequency portion of a recorded impulse response.},}
TY - paper
TI - Modeling the Effects of Rooms on Frequency Modulated Tones
SP -
EP -
AU - Smith, Sarah R.
AU - Bocko, Mark F.
PY - 2017
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2017
TY - paper
TI - Modeling the Effects of Rooms on Frequency Modulated Tones
SP -
EP -
AU - Smith, Sarah R.
AU - Bocko, Mark F.
PY - 2017
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2017
AB - This paper describes how reverberation impacts the instantaneous frequency tracks of modulated audio signals. Although this effect has been observed in a number of contexts, less work has been done relating these deviations to acoustical parameters of the reverberation. This paper details the instantaneous frequency deviations resulting from a sum of echoes or a set of resonant modes and emphasizes the conditions that maximize the resulting effect. Results of these models are compared with the observed instantaneous frequencies of musical vibrato tones filtered with the corresponding impulse responses. It is demonstrated that these reduced models may adequately reproduce the deviations when the signal is filtered by only the early or low frequency portion of a recorded impulse response.
This paper describes how reverberation impacts the instantaneous frequency tracks of modulated audio signals. Although this effect has been observed in a number of contexts, less work has been done relating these deviations to acoustical parameters of the reverberation. This paper details the instantaneous frequency deviations resulting from a sum of echoes or a set of resonant modes and emphasizes the conditions that maximize the resulting effect. Results of these models are compared with the observed instantaneous frequencies of musical vibrato tones filtered with the corresponding impulse responses. It is demonstrated that these reduced models may adequately reproduce the deviations when the signal is filtered by only the early or low frequency portion of a recorded impulse response.
Authors:
Smith, Sarah R.; Bocko, Mark F.
Affiliation:
University of Rochester, Rochester, NY, USA
AES Convention:
143 (October 2017)
Paper Number:
9885
Publication Date:
October 8, 2017Import into BibTeX
Subject:
Applications in Audio
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=19282