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S. Dick, N. Schinkel-Bielefeld, and S. Disch, "Generation and Evaluation of Isolated Audio Coding Artifacts," Paper 9809, (2017 October.). doi: S. Dick, N. Schinkel-Bielefeld, and S. Disch, "Generation and Evaluation of Isolated Audio Coding Artifacts," Paper 9809, (2017 October.). doi:
Abstract: Many existing perceptual audio codec standards define only the bit stream syntax and associated decoder algorithms, but leave many degrees of freedom to the encoder design. For a systematic optimization of encoder parameters as well as for education and training of experienced test listeners, it is instrumental to provoke and subsequently assess individual coding artifact types in an isolated fashion with controllable strength. The approach presented in this paper consists of a pre-selection of suitable test audio content in combination with forcing a specially modified encoder into non-common operation modes to willingly generate controlled coding artifacts. In conclusion, subjective listening tests were conducted to assess the subjective quality for different parameters and test content.

@article{dick2017generation,
author={dick, sascha and schinkel-bielefeld, nadja and disch, sascha},
journal={journal of the audio engineering society},
title={generation and evaluation of isolated audio coding artifacts},
year={2017},
volume={},
number={},
pages={},
doi={},
month={october},} @article{dick2017generation,
author={dick, sascha and schinkel-bielefeld, nadja and disch, sascha},
journal={journal of the audio engineering society},
title={generation and evaluation of isolated audio coding artifacts},
year={2017},
volume={},
number={},
pages={},
doi={},
month={october},
abstract={many existing perceptual audio codec standards define only the bit stream syntax and associated decoder algorithms, but leave many degrees of freedom to the encoder design. for a systematic optimization of encoder parameters as well as for education and training of experienced test listeners, it is instrumental to provoke and subsequently assess individual coding artifact types in an isolated fashion with controllable strength. the approach presented in this paper consists of a pre-selection of suitable test audio content in combination with forcing a specially modified encoder into non-common operation modes to willingly generate controlled coding artifacts. in conclusion, subjective listening tests were conducted to assess the subjective quality for different parameters and test content.},}

TY - paper
TI - Generation and Evaluation of Isolated Audio Coding Artifacts
SP - EP -
AU - Dick, Sascha
AU - Schinkel-Bielefeld, Nadja
AU - Disch, Sascha
PY - 2017
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2017 TY - paper
TI - Generation and Evaluation of Isolated Audio Coding Artifacts
SP - EP -
AU - Dick, Sascha
AU - Schinkel-Bielefeld, Nadja
AU - Disch, Sascha
PY - 2017
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2017
AB - Many existing perceptual audio codec standards define only the bit stream syntax and associated decoder algorithms, but leave many degrees of freedom to the encoder design. For a systematic optimization of encoder parameters as well as for education and training of experienced test listeners, it is instrumental to provoke and subsequently assess individual coding artifact types in an isolated fashion with controllable strength. The approach presented in this paper consists of a pre-selection of suitable test audio content in combination with forcing a specially modified encoder into non-common operation modes to willingly generate controlled coding artifacts. In conclusion, subjective listening tests were conducted to assess the subjective quality for different parameters and test content.