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C. Hold, L. Nagel, H. Wierstorf, and A. Raake, "Positioning of Musical Foreground Parts in Surrounding Sound Stages," Paper 7-2, (2016 September.). doi: C. Hold, L. Nagel, H. Wierstorf, and A. Raake, "Positioning of Musical Foreground Parts in Surrounding Sound Stages," Paper 7-2, (2016 September.). doi:
Abstract: Object based audio offers several new possibilities during the sound mixing process. While stereophonic mixing techniques are highly developed, not all of them generate promising results in an object-based audio environment. An outstanding feature is the new approach of positioning sound objects in the musical sound scene, providing the opportunity of stable localization throughout the whole listening area. Previous studies have shown that even if object-based audio reproduction systems can enhance the playback situation, the critical and guiding attributes of the mix are still uncertain. This study investigates the impact of different spatial distributions of sound objects on listener preference, with a special emphasis on the distinction of high attention foreground parts of the presented music track.

@article{hold2016positioning,
author={hold, christoph and nagel, lukas and wierstorf, hagen and raake, alexander},
journal={journal of the audio engineering society},
title={positioning of musical foreground parts in surrounding sound stages},
year={2016},
volume={},
number={},
pages={},
doi={},
month={september},} @article{hold2016positioning,
author={hold, christoph and nagel, lukas and wierstorf, hagen and raake, alexander},
journal={journal of the audio engineering society},
title={positioning of musical foreground parts in surrounding sound stages},
year={2016},
volume={},
number={},
pages={},
doi={},
month={september},
abstract={object based audio offers several new possibilities during the sound mixing process. while stereophonic mixing techniques are highly developed, not all of them generate promising results in an object-based audio environment. an outstanding feature is the new approach of positioning sound objects in the musical sound scene, providing the opportunity of stable localization throughout the whole listening area. previous studies have shown that even if object-based audio reproduction systems can enhance the playback situation, the critical and guiding attributes of the mix are still uncertain. this study investigates the impact of different spatial distributions of sound objects on listener preference, with a special emphasis on the distinction of high attention foreground parts of the presented music track.},}

TY - paper
TI - Positioning of Musical Foreground Parts in Surrounding Sound Stages
SP - EP -
AU - Hold, Christoph
AU - Nagel, Lukas
AU - Wierstorf, Hagen
AU - Raake, Alexander
PY - 2016
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - September 2016 TY - paper
TI - Positioning of Musical Foreground Parts in Surrounding Sound Stages
SP - EP -
AU - Hold, Christoph
AU - Nagel, Lukas
AU - Wierstorf, Hagen
AU - Raake, Alexander
PY - 2016
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - September 2016
AB - Object based audio offers several new possibilities during the sound mixing process. While stereophonic mixing techniques are highly developed, not all of them generate promising results in an object-based audio environment. An outstanding feature is the new approach of positioning sound objects in the musical sound scene, providing the opportunity of stable localization throughout the whole listening area. Previous studies have shown that even if object-based audio reproduction systems can enhance the playback situation, the critical and guiding attributes of the mix are still uncertain. This study investigates the impact of different spatial distributions of sound objects on listener preference, with a special emphasis on the distinction of high attention foreground parts of the presented music track.