The Harmonic Centroid as a Predictor of String Instrument Timbral Clarity
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K. Hermes, T. Brookes, and C. Hummersone, "The Harmonic Centroid as a Predictor of String Instrument Timbral Clarity," Paper 9557, (2016 May.). doi:
K. Hermes, T. Brookes, and C. Hummersone, "The Harmonic Centroid as a Predictor of String Instrument Timbral Clarity," Paper 9557, (2016 May.). doi:
Abstract: Spectrum is an important factor in determining timbral clarity. An experiment where listeners rate the changes in timbral clarity resulting from spectral equalization (EQ) can provide insight into the relationship between EQ and the clarity of string instruments. Overall, higher frequencies contribute to clarity more positively than lower ones, but the relationship is program-item-dependent. Fundamental frequency and spectral slope both appear to be important. Change in harmonic centroid (or dimensionless spectral centroid) correlates well with change in clarity, more so than octave band boosted/cut, harmonic number boosted/cut, or other variations on the spectral centroid.
@article{hermes2016the,
author={hermes, kirsten and brookes, tim and hummersone, chris},
journal={journal of the audio engineering society},
title={the harmonic centroid as a predictor of string instrument timbral clarity},
year={2016},
volume={},
number={},
pages={},
doi={},
month={may},}
@article{hermes2016the,
author={hermes, kirsten and brookes, tim and hummersone, chris},
journal={journal of the audio engineering society},
title={the harmonic centroid as a predictor of string instrument timbral clarity},
year={2016},
volume={},
number={},
pages={},
doi={},
month={may},
abstract={spectrum is an important factor in determining timbral clarity. an experiment where listeners rate the changes in timbral clarity resulting from spectral equalization (eq) can provide insight into the relationship between eq and the clarity of string instruments. overall, higher frequencies contribute to clarity more positively than lower ones, but the relationship is program-item-dependent. fundamental frequency and spectral slope both appear to be important. change in harmonic centroid (or dimensionless spectral centroid) correlates well with change in clarity, more so than octave band boosted/cut, harmonic number boosted/cut, or other variations on the spectral centroid.},}
TY - paper
TI - The Harmonic Centroid as a Predictor of String Instrument Timbral Clarity
SP -
EP -
AU - Hermes, Kirsten
AU - Brookes, Tim
AU - Hummersone, Chris
PY - 2016
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2016
TY - paper
TI - The Harmonic Centroid as a Predictor of String Instrument Timbral Clarity
SP -
EP -
AU - Hermes, Kirsten
AU - Brookes, Tim
AU - Hummersone, Chris
PY - 2016
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2016
AB - Spectrum is an important factor in determining timbral clarity. An experiment where listeners rate the changes in timbral clarity resulting from spectral equalization (EQ) can provide insight into the relationship between EQ and the clarity of string instruments. Overall, higher frequencies contribute to clarity more positively than lower ones, but the relationship is program-item-dependent. Fundamental frequency and spectral slope both appear to be important. Change in harmonic centroid (or dimensionless spectral centroid) correlates well with change in clarity, more so than octave band boosted/cut, harmonic number boosted/cut, or other variations on the spectral centroid.
Spectrum is an important factor in determining timbral clarity. An experiment where listeners rate the changes in timbral clarity resulting from spectral equalization (EQ) can provide insight into the relationship between EQ and the clarity of string instruments. Overall, higher frequencies contribute to clarity more positively than lower ones, but the relationship is program-item-dependent. Fundamental frequency and spectral slope both appear to be important. Change in harmonic centroid (or dimensionless spectral centroid) correlates well with change in clarity, more so than octave band boosted/cut, harmonic number boosted/cut, or other variations on the spectral centroid.
Authors:
Hermes, Kirsten; Brookes, Tim; Hummersone, Chris
Affiliation:
University of Surrey, Guildford, Surrey, UK
AES Convention:
140 (May 2016)
Paper Number:
9557
Publication Date:
May 26, 2016Import into BibTeX
Subject:
Perception
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=18255