K. Kjörling, J. Rödén, M. Wolters, J. Riedmiller, A. Biswas, P. Ekstrand, A. Gröschel, P. Hedelin, T. Hirvonen, H. Hörich, J. Klejsa, J. Koppens, K. Krauss, H. Lehtonen, K. Linzmeier, H. Muesch, H. Mundt, S. Norcross, J. Popp, H. Purnhagen, J. Samuelsson, M. Schug, L. Sehlström, R. Thesing, L. Villemoes, and M. Vinton, "AC-4 – The Next Generation Audio Codec," Paper 9491, (2016 May.). doi:
K. Kjörling, J. Rödén, M. Wolters, J. Riedmiller, A. Biswas, P. Ekstrand, A. Gröschel, P. Hedelin, T. Hirvonen, H. Hörich, J. Klejsa, J. Koppens, K. Krauss, H. Lehtonen, K. Linzmeier, H. Muesch, H. Mundt, S. Norcross, J. Popp, H. Purnhagen, J. Samuelsson, M. Schug, L. Sehlström, R. Thesing, L. Villemoes, and M. Vinton, "AC-4 – The Next Generation Audio Codec," Paper 9491, (2016 May.). doi:
Abstract: AC-4 is a state of the art audio codec standardized in ETSI (TS103 190 and TS103 190-2) and the TS103 190 is part of the DVB toolbox (TS101 154). AC-4 is an audio codec designed to address the current and future needs of video and audio entertainment services including broadcast and Internet streaming. As such, it incorporates a number of features beyond the traditional audio coding algorithms, such as capabilities to support immersive and personalized audio, support for advanced loudness management, video-frame synchronous coding, dialogue enhancement, etc. This paper will outline the thinking behind the design of the AC-4 codec, explain the different coding tools used, the systemic features included, and give an overview of performance and applications.
@article{kjörling2016ac-4,
author={kjörling, kristofer and rödén, jonas and wolters, martin and riedmiller, jeff and biswas, arijit and ekstrand, per and gröschel, alexander and hedelin, per and hirvonen, toni and hörich, holger and klejsa, janusz and koppens, jeroen and krauss, k. and lehtonen, heidi-maria and linzmeier, karsten and muesch, hannes and mundt, harald and norcross, scott and popp, j. and purnhagen, heiko and samuelsson, jonas and schug, michael and sehlström, l. and thesing, r. and villemoes, lars and vinton, mark},
journal={journal of the audio engineering society},
title={ac-4 – the next generation audio codec},
year={2016},
volume={},
number={},
pages={},
doi={},
month={may},}
@article{kjörling2016ac-4,
author={kjörling, kristofer and rödén, jonas and wolters, martin and riedmiller, jeff and biswas, arijit and ekstrand, per and gröschel, alexander and hedelin, per and hirvonen, toni and hörich, holger and klejsa, janusz and koppens, jeroen and krauss, k. and lehtonen, heidi-maria and linzmeier, karsten and muesch, hannes and mundt, harald and norcross, scott and popp, j. and purnhagen, heiko and samuelsson, jonas and schug, michael and sehlström, l. and thesing, r. and villemoes, lars and vinton, mark},
journal={journal of the audio engineering society},
title={ac-4 – the next generation audio codec},
year={2016},
volume={},
number={},
pages={},
doi={},
month={may},
abstract={ac-4 is a state of the art audio codec standardized in etsi (ts103 190 and ts103 190-2) and the ts103 190 is part of the dvb toolbox (ts101 154). ac-4 is an audio codec designed to address the current and future needs of video and audio entertainment services including broadcast and internet streaming. as such, it incorporates a number of features beyond the traditional audio coding algorithms, such as capabilities to support immersive and personalized audio, support for advanced loudness management, video-frame synchronous coding, dialogue enhancement, etc. this paper will outline the thinking behind the design of the ac-4 codec, explain the different coding tools used, the systemic features included, and give an overview of performance and applications.},}
TY - paper
TI - AC-4 – The Next Generation Audio Codec
SP -
EP -
AU - Kjörling, Kristofer
AU - Rödén, Jonas
AU - Wolters, Martin
AU - Riedmiller, Jeff
AU - Biswas, Arijit
AU - Ekstrand, Per
AU - Gröschel, Alexander
AU - Hedelin, Per
AU - Hirvonen, Toni
AU - Hörich, Holger
AU - Klejsa, Janusz
AU - Koppens, Jeroen
AU - Krauss, K.
AU - Lehtonen, Heidi-Maria
AU - Linzmeier, Karsten
AU - Muesch, Hannes
AU - Mundt, Harald
AU - Norcross, Scott
AU - Popp, J.
AU - Purnhagen, Heiko
AU - Samuelsson, Jonas
AU - Schug, Michael
AU - Sehlström, L.
AU - Thesing, R.
AU - Villemoes, Lars
AU - Vinton, Mark
PY - 2016
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2016
TY - paper
TI - AC-4 – The Next Generation Audio Codec
SP -
EP -
AU - Kjörling, Kristofer
AU - Rödén, Jonas
AU - Wolters, Martin
AU - Riedmiller, Jeff
AU - Biswas, Arijit
AU - Ekstrand, Per
AU - Gröschel, Alexander
AU - Hedelin, Per
AU - Hirvonen, Toni
AU - Hörich, Holger
AU - Klejsa, Janusz
AU - Koppens, Jeroen
AU - Krauss, K.
AU - Lehtonen, Heidi-Maria
AU - Linzmeier, Karsten
AU - Muesch, Hannes
AU - Mundt, Harald
AU - Norcross, Scott
AU - Popp, J.
AU - Purnhagen, Heiko
AU - Samuelsson, Jonas
AU - Schug, Michael
AU - Sehlström, L.
AU - Thesing, R.
AU - Villemoes, Lars
AU - Vinton, Mark
PY - 2016
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2016
AB - AC-4 is a state of the art audio codec standardized in ETSI (TS103 190 and TS103 190-2) and the TS103 190 is part of the DVB toolbox (TS101 154). AC-4 is an audio codec designed to address the current and future needs of video and audio entertainment services including broadcast and Internet streaming. As such, it incorporates a number of features beyond the traditional audio coding algorithms, such as capabilities to support immersive and personalized audio, support for advanced loudness management, video-frame synchronous coding, dialogue enhancement, etc. This paper will outline the thinking behind the design of the AC-4 codec, explain the different coding tools used, the systemic features included, and give an overview of performance and applications.
AC-4 is a state of the art audio codec standardized in ETSI (TS103 190 and TS103 190-2) and the TS103 190 is part of the DVB toolbox (TS101 154). AC-4 is an audio codec designed to address the current and future needs of video and audio entertainment services including broadcast and Internet streaming. As such, it incorporates a number of features beyond the traditional audio coding algorithms, such as capabilities to support immersive and personalized audio, support for advanced loudness management, video-frame synchronous coding, dialogue enhancement, etc. This paper will outline the thinking behind the design of the AC-4 codec, explain the different coding tools used, the systemic features included, and give an overview of performance and applications.
Open Access
Authors:
Kjörling, Kristofer; Rödén, Jonas; Wolters, Martin; Riedmiller, Jeff; Biswas, Arijit; Ekstrand, Per; Gröschel, Alexander; Hedelin, Per; Hirvonen, Toni; Hörich, Holger; Klejsa, Janusz; Koppens, Jeroen; Krauss, K.; Lehtonen, Heidi-Maria; Linzmeier, Karsten; Muesch, Hannes; Mundt, Harald; Norcross, Scott; Popp, J.; Purnhagen, Heiko; Samuelsson, Jonas; Schug, Michael; Sehlström, L.; Thesing, R.; Villemoes, Lars; Vinton, Mark
Affiliations:
Dolby Sweden AB, Stockholm, Sweden; Dolby Germany GmbH, Nuremberg, Germany; Dolby Laboratories, San Francisco, CA USA(See document for exact affiliation information.)
AES Convention:
140 (May 2016)
Paper Number:
9491
Publication Date:
May 26, 2016Import into BibTeX
Subject:
Audio Signal Processing: Coding, Encoding, and Perception
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=18190