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K. Hamasaki, and W. Van Baelen, "Natural Sound Recording of an Orchestra with Three-Dimensional Sound," Paper 9348, (2015 May.). doi: K. Hamasaki, and W. Van Baelen, "Natural Sound Recording of an Orchestra with Three-Dimensional Sound," Paper 9348, (2015 May.). doi:
Abstract: This paper introduces the microphone techniques for recording an orchestra with three-dimensional multichannel sound and discusses the spatial impression provided by the recorded sound of an orchestra. Listeners in a concert hall simultaneously hear both a direct sound arriving from each musical instrument and an indirect sound reflected from the walls and the ceiling. Concerning a direct sound, existing microphone techniques can be used for three-dimensional multichannel sound with necessary modification, but new microphone techniques should be developed for an indirect sound. This paper will propose the microphone technique consisting of a main microphone array and an ambience microphone array, which will enable us to control spatial impressions easily and realize the stable sound source localization.

@article{hamasaki2015natural,
author={hamasaki, kimio and van baelen, wilfried},
journal={journal of the audio engineering society},
title={natural sound recording of an orchestra with three-dimensional sound},
year={2015},
volume={},
number={},
pages={},
doi={},
month={may},} @article{hamasaki2015natural,
author={hamasaki, kimio and van baelen, wilfried},
journal={journal of the audio engineering society},
title={natural sound recording of an orchestra with three-dimensional sound},
year={2015},
volume={},
number={},
pages={},
doi={},
month={may},
abstract={this paper introduces the microphone techniques for recording an orchestra with three-dimensional multichannel sound and discusses the spatial impression provided by the recorded sound of an orchestra. listeners in a concert hall simultaneously hear both a direct sound arriving from each musical instrument and an indirect sound reflected from the walls and the ceiling. concerning a direct sound, existing microphone techniques can be used for three-dimensional multichannel sound with necessary modification, but new microphone techniques should be developed for an indirect sound. this paper will propose the microphone technique consisting of a main microphone array and an ambience microphone array, which will enable us to control spatial impressions easily and realize the stable sound source localization.},}

TY - paper
TI - Natural Sound Recording of an Orchestra with Three-Dimensional Sound
SP - EP -
AU - Hamasaki, Kimio
AU - Van Baelen, Wilfried
PY - 2015
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2015 TY - paper
TI - Natural Sound Recording of an Orchestra with Three-Dimensional Sound
SP - EP -
AU - Hamasaki, Kimio
AU - Van Baelen, Wilfried
PY - 2015
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2015
AB - This paper introduces the microphone techniques for recording an orchestra with three-dimensional multichannel sound and discusses the spatial impression provided by the recorded sound of an orchestra. Listeners in a concert hall simultaneously hear both a direct sound arriving from each musical instrument and an indirect sound reflected from the walls and the ceiling. Concerning a direct sound, existing microphone techniques can be used for three-dimensional multichannel sound with necessary modification, but new microphone techniques should be developed for an indirect sound. This paper will propose the microphone technique consisting of a main microphone array and an ambience microphone array, which will enable us to control spatial impressions easily and realize the stable sound source localization.