Natural Sound Recording of an Orchestra with Three-Dimensional Sound
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K. Hamasaki, and W. Van Baelen, "Natural Sound Recording of an Orchestra with Three-Dimensional Sound," Paper 9348, (2015 May.). doi:
K. Hamasaki, and W. Van Baelen, "Natural Sound Recording of an Orchestra with Three-Dimensional Sound," Paper 9348, (2015 May.). doi:
Abstract: This paper introduces the microphone techniques for recording an orchestra with three-dimensional multichannel sound and discusses the spatial impression provided by the recorded sound of an orchestra. Listeners in a concert hall simultaneously hear both a direct sound arriving from each musical instrument and an indirect sound reflected from the walls and the ceiling. Concerning a direct sound, existing microphone techniques can be used for three-dimensional multichannel sound with necessary modification, but new microphone techniques should be developed for an indirect sound. This paper will propose the microphone technique consisting of a main microphone array and an ambience microphone array, which will enable us to control spatial impressions easily and realize the stable sound source localization.
@article{hamasaki2015natural,
author={hamasaki, kimio and van baelen, wilfried},
journal={journal of the audio engineering society},
title={natural sound recording of an orchestra with three-dimensional sound},
year={2015},
volume={},
number={},
pages={},
doi={},
month={may},}
@article{hamasaki2015natural,
author={hamasaki, kimio and van baelen, wilfried},
journal={journal of the audio engineering society},
title={natural sound recording of an orchestra with three-dimensional sound},
year={2015},
volume={},
number={},
pages={},
doi={},
month={may},
abstract={this paper introduces the microphone techniques for recording an orchestra with three-dimensional multichannel sound and discusses the spatial impression provided by the recorded sound of an orchestra. listeners in a concert hall simultaneously hear both a direct sound arriving from each musical instrument and an indirect sound reflected from the walls and the ceiling. concerning a direct sound, existing microphone techniques can be used for three-dimensional multichannel sound with necessary modification, but new microphone techniques should be developed for an indirect sound. this paper will propose the microphone technique consisting of a main microphone array and an ambience microphone array, which will enable us to control spatial impressions easily and realize the stable sound source localization.},}
TY - paper
TI - Natural Sound Recording of an Orchestra with Three-Dimensional Sound
SP -
EP -
AU - Hamasaki, Kimio
AU - Van Baelen, Wilfried
PY - 2015
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2015
TY - paper
TI - Natural Sound Recording of an Orchestra with Three-Dimensional Sound
SP -
EP -
AU - Hamasaki, Kimio
AU - Van Baelen, Wilfried
PY - 2015
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2015
AB - This paper introduces the microphone techniques for recording an orchestra with three-dimensional multichannel sound and discusses the spatial impression provided by the recorded sound of an orchestra. Listeners in a concert hall simultaneously hear both a direct sound arriving from each musical instrument and an indirect sound reflected from the walls and the ceiling. Concerning a direct sound, existing microphone techniques can be used for three-dimensional multichannel sound with necessary modification, but new microphone techniques should be developed for an indirect sound. This paper will propose the microphone technique consisting of a main microphone array and an ambience microphone array, which will enable us to control spatial impressions easily and realize the stable sound source localization.
This paper introduces the microphone techniques for recording an orchestra with three-dimensional multichannel sound and discusses the spatial impression provided by the recorded sound of an orchestra. Listeners in a concert hall simultaneously hear both a direct sound arriving from each musical instrument and an indirect sound reflected from the walls and the ceiling. Concerning a direct sound, existing microphone techniques can be used for three-dimensional multichannel sound with necessary modification, but new microphone techniques should be developed for an indirect sound. This paper will propose the microphone technique consisting of a main microphone array and an ambience microphone array, which will enable us to control spatial impressions easily and realize the stable sound source localization.
Authors:
Hamasaki, Kimio; Van Baelen, Wilfried
Affiliations:
Artsridge LLC, Chiba, Japan; Auro Technologies N.V., Mol, Belgium(See document for exact affiliation information.)
AES Convention:
138 (May 2015)
Paper Number:
9348
Publication Date:
May 6, 2015Import into BibTeX
Subject:
Recording and Production
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=17772